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The Routledge Companion to Expressionism in a Transnational Context: Routledge Art History and Visual Studies Companions

Editat de Isabel Wünsche
en Limba Engleză Hardback – 8 aug 2018
The Routledge Companion to Expressionism in a Transnational Context is a challenging exploration of the transnational formation, dissemination, and transformation of expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, and South Africa, in the first half of the twentieth century.
Comprising a series of essays by an international group of scholars in the fields of art history and literary and cultural studies, the volume addresses the intellectual discussions and artistic developments arising in the context of the expressionist movement in the various art centers and cultural regions. The authors also examine the implications of expressionism in artistic practice and its influence on modern and contemporary cultural production.
Essential for an in-depth understanding and discussion of expressionism, this volume opens up new perspectives on developments in the visual arts of this period and challenges the traditional narratives that have predominantly focused on artistic styles and national movements.
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Specificații

ISBN-13: 9781138712553
ISBN-10: 1138712558
Pagini: 634
Dimensiuni: 174 x 246 x 32 mm
Greutate: 1.07 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Art History and Visual Studies Companions

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

Expressionist Networks, Cultural Debates, and Artistic Practices: A Conceptual Introduction
Isabel Wünsche
Part I: Central and Eastern Europe and the Baltic States
  1. Prague – Brno: Expressionism in Context Marie Rakušanová
  2. Košice Modernism and Anton Jaszusch’s Expressionism Zsófia Kiss-Szemán
  3. Expressionism in Hungary: From the Neukunstgruppe to Der Sturm András Zwickl
  4. Poznan Expressionism and Its Connections with the German and International Avant-garde Lidia Głuchowska
  5. Expressionist Networks in the Russian Empire, Soviet Russia, and the Soviet Union Isabel Wünsche
  6. Expressionism in Lithuania: From German Artistic Import to National Art Giedrė Jankevičiūtė and Laima Laučkaitė
  7. Expressionist Originality in Latvia: Between Confirmation and Destruction Ginta Gerharde-Upeniece
  8. The Ambivalent Affair of Estonian Expressionism Tiina Abel
    Part II: Scandinavia
  9. Expressionism in Denmark: Art and Discourse Torben Jelsbak
  10. Expressionisms in Sweden: Anti-realism, Primitivism, and Politics in Painting and Print Margareta Wallin Wictorin
  11. Nationalism, Transnationalism, and the Discourses on Expressionism in Finland: From the November Group to Ina Behrsen-Colliander
    Timo Huusko and Tutta Palin
  12. Expressionism in Sámi Art: John Savio’s Woodcuts of the 1920s and 1930s Tuija Hautala-Hirvioja
  13. Early Expressionism in Icelandic Art: Jón Stefánsson, Jóhannes Kjarval, and Finnur Jónsson Margrét Elísabet Ólafsdóttir
    Part III: Western Europe
  14. Early Engagements: Peripheral British Responses to German Expressionism Christian Weikop
  15. Expressionism in the Netherlands Gert Imanse and Gregor Langfeld
  16. Flemish Expressionism in Belgium Cathérine Verleysen
  17. Jewish Expressionists in France, 1900-1940 Richard D. Sonn
  18. German Expressionism in Italy: Herwarth Walden’s Der Sturm, the Berlin Novembergruppe, and the Modernist Circles of Florence, Turin, and Rome
    Irene Chytraeus-Auerbach
  19. Expressionism and the Spanish Avant-garde between Restoration and Renovation Wiebke Gronemeyer
  20. Portuguese Expressionism, or German Expressionism in Portugal? Nina Blum de Almeida
    Part IV: Southeastern Europe
  21. Expressionism in Slovenia: The Aspects of a Term Marko Jenko
  22. From Anxiety to Rebellion: Expressionism in Croatian Art Petar Prelog
  23. On New Art and its Manifestations: Rethinking Expressionism in Visual Arts in Belgrade Ana Bogdanović
  24. Tokens of Identity: Expressionisms in Romania around the First World War Erwin Kessler
  25. Expressionism in Bulgaria: Critical Reflections in Art Magazines and the Graphic Arts Irina Genova
    Part V: Beyond Europe
  26. Expressionism in Canada and the United States Oliver A.I. Botar and Herbert R. Hartel, Jr.
  27. Expressionism in Latin America and Its Contribution to the Modernist Discourse Maria Frick
  28. The Expressionist Roots of South African Modernism
Lisa Hörstmann
Selected Bibliography
Index

Notă biografică

Isabel Wünsche is a professor of art and art history at Jacobs University Bremen. She specializes in European modernism, the avant-garde movements, and abstract art. Her book publications include Galka E. Scheyer & The Blue Four: Correspondence, 1924–1945 (Benteli, 2006), Biocentrism and Modernism (with Oliver A. I. Botar, Ashgate, 2011), Meanings of Abstract Art: Between Nature and Theory (with Paul Crowther, Routledge, 2012), The Organic School of the Russian Avant-Garde (Ashgate, 2015), Marianne Werefkin and the Women Artists in Her Circle (with Tanja Malycheva, Brill/Rodopi, 2016), and Practices of Abstract Art: Between Anarchism and Appropriation (with Wiebke Gronemeyer, Cambridge Scholars Publishing, 2016).

Recenzii

"Making a serious contribution to a global art history ... [the book] succeeds in mapping patterns of identity in under-explored geographical areas while augmenting our understanding of the concepts of expressionism and Bauhaus modernism."
--Art History

Descriere

This book focuses on the transnational formation, dissemination, and transformation of Expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, South Africa, and Japan, in the first half of the twentieth century.