The Routledge Companion to Expressionism in a Transnational Context: Routledge Art History and Visual Studies Companions
Editat de Isabel Wünscheen Limba Engleză Hardback – 8 aug 2018
Comprising a series of essays by an international group of scholars in the fields of art history and literary and cultural studies, the volume addresses the intellectual discussions and artistic developments arising in the context of the expressionist movement in the various art centers and cultural regions. The authors also examine the implications of expressionism in artistic practice and its influence on modern and contemporary cultural production.
Essential for an in-depth understanding and discussion of expressionism, this volume opens up new perspectives on developments in the visual arts of this period and challenges the traditional narratives that have predominantly focused on artistic styles and national movements.
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Specificații
ISBN-13: 9781138712553
ISBN-10: 1138712558
Pagini: 634
Dimensiuni: 174 x 246 x 32 mm
Greutate: 1.07 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Art History and Visual Studies Companions
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138712558
Pagini: 634
Dimensiuni: 174 x 246 x 32 mm
Greutate: 1.07 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Art History and Visual Studies Companions
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Expressionist Networks, Cultural Debates, and Artistic Practices: A Conceptual Introduction
Isabel Wünsche
Part I: Central and Eastern Europe and the Baltic States
Selected Bibliography
Index
Isabel Wünsche
Part I: Central and Eastern Europe and the Baltic States
- Prague – Brno: Expressionism in Context
Marie Rakušanová
- Košice Modernism and Anton Jaszusch’s Expressionism
Zsófia Kiss-Szemán
- Expressionism in Hungary: From the Neukunstgruppe to Der Sturm
András Zwickl
- Poznan Expressionism and Its Connections with the German and International Avant-garde
Lidia Głuchowska
- Expressionist Networks in the Russian Empire, Soviet Russia, and the Soviet Union
Isabel Wünsche
- Expressionism in Lithuania: From German Artistic Import to National Art
Giedrė Jankevičiūtė and Laima Laučkaitė
- Expressionist Originality in Latvia: Between Confirmation and Destruction
Ginta Gerharde-Upeniece
- The Ambivalent Affair of Estonian Expressionism
Tiina Abel
Part II: Scandinavia - Expressionism in Denmark: Art and Discourse
Torben Jelsbak
- Expressionisms in Sweden: Anti-realism, Primitivism, and Politics in Painting and Print
Margareta Wallin Wictorin
- Nationalism, Transnationalism, and the Discourses on Expressionism in Finland:
From the November Group to Ina Behrsen-Colliander
Timo Huusko and Tutta Palin - Expressionism in Sámi Art: John Savio’s Woodcuts of the 1920s and 1930s
Tuija Hautala-Hirvioja
- Early Expressionism in Icelandic Art: Jón Stefánsson, Jóhannes Kjarval, and Finnur Jónsson
Margrét Elísabet Ólafsdóttir
Part III: Western Europe - Early Engagements: Peripheral British Responses to German Expressionism
Christian Weikop
- Expressionism in the Netherlands
Gert Imanse and Gregor Langfeld
- Flemish Expressionism in Belgium
Cathérine Verleysen
- Jewish Expressionists in France, 1900-1940
Richard D. Sonn
- German Expressionism in Italy: Herwarth Walden’s Der Sturm, the Berlin
Novembergruppe, and the Modernist Circles of Florence, Turin, and Rome
Irene Chytraeus-Auerbach - Expressionism and the Spanish Avant-garde between Restoration and Renovation
Wiebke Gronemeyer
- Portuguese Expressionism, or German Expressionism in Portugal?
Nina Blum de Almeida
Part IV: Southeastern Europe - Expressionism in Slovenia: The Aspects of a Term
Marko Jenko
- From Anxiety to Rebellion: Expressionism in Croatian Art
Petar Prelog
- On New Art and its Manifestations: Rethinking Expressionism in Visual Arts in Belgrade
Ana Bogdanović
- Tokens of Identity: Expressionisms in Romania around the First World War
Erwin Kessler
- Expressionism in Bulgaria: Critical Reflections in Art Magazines and the Graphic Arts
Irina Genova
Part V: Beyond Europe - Expressionism in Canada and the United States
Oliver A.I. Botar and Herbert R. Hartel, Jr.
- Expressionism in Latin America and Its Contribution to the Modernist Discourse
Maria Frick
- The Expressionist Roots of South African Modernism
Selected Bibliography
Index
Notă biografică
Isabel Wünsche is a professor of art and art history at Jacobs University Bremen. She specializes in European modernism, the avant-garde movements, and abstract art. Her book publications include Galka E. Scheyer & The Blue Four: Correspondence, 1924–1945 (Benteli, 2006), Biocentrism and Modernism (with Oliver A. I. Botar, Ashgate, 2011), Meanings of Abstract Art: Between Nature and Theory (with Paul Crowther, Routledge, 2012), The Organic School of the Russian Avant-Garde (Ashgate, 2015), Marianne Werefkin and the Women Artists in Her Circle (with Tanja Malycheva, Brill/Rodopi, 2016), and Practices of Abstract Art: Between Anarchism and Appropriation (with Wiebke Gronemeyer, Cambridge Scholars Publishing, 2016).
Recenzii
"Making a serious contribution to a global art history ... [the book] succeeds in mapping patterns of identity in under-explored geographical areas while augmenting our understanding of the concepts of expressionism and Bauhaus modernism."
--Art History
--Art History
Descriere
This book focuses on the transnational formation, dissemination, and transformation of Expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, South Africa, and Japan, in the first half of the twentieth century.