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The Routledge Companion to Marxisms in Art History: Routledge Art History and Visual Studies Companions

Editat de Tijen Tunalı, Brian Winkenweder
en Limba Engleză Hardback – 16 dec 2024
This companion is an essential contribution to the study of historical materialism in general and the social history of art in particular.
Each chapter in the collection focuses on a key figure, concept or historical epoch. Increasingly, scholars adopt an array of Marxist methods intertwined with a host of other theoretical practices, particularly the historiography of key issues regarding hegemony, ideology and identity. Ideological issues of connoisseurship, patronage and analyses of the artwork as a form of labor and leisure are essential to the practice of Marxisms in art history. This collection spotlights a plurality of Marxian theories in which the ideas of such figures as Walter Benjamin, Guy Debord, T.J. Clark and many others are debated and developed through analyses of the socio-historical conditions that impact how art is produced, circulated and received. This ultimately underscores that the historical contextualization of artworks and their "markets" within a class-based society is crucial for writing socially engaged art history.
The book will be of interest to scholars working in art history, visual studies, visual sociology, communication studies, and the sociology of art.
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Specificații

ISBN-13: 9780367650094
ISBN-10: 0367650096
Pagini: 552
Ilustrații: 80
Dimensiuni: 174 x 246 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Art History and Visual Studies Companions

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

Introduction  PART 1 Key Figures  1. Karl Marx’s 1857 “Introduction” to the Grundrisse and the Social History of Art  2. Arnold Hauser: The Social History of Art and Beyond  3. Ugly and Out of Sight: Reconsidering the Irrational in Walter Benjamin’s Theory of Allegory  4. Meyer Schapiro and the Value of Modern Art  5. Georg Lukács: Marxism and Politics of Form  6. Henri Lefebvre and Marxist Art History  7. Herbert Marcuse’s “Repressive Desublimation” and Richard Hamilton’s “Healthy Vigo  8. Guy Debord and Marxist Art History  9. Different Marxist Histories of Art Post-1968: T.J. Clark and O.K. Werckmeister  PART 2 Key Terms  10. Concepts of Labor in Marxist Art History  11. “Time’s Carcass”: Art History, Capitalism and Temporality  12. Artistic Use Value: Art, Aesthetics, Culture and the Commons  13. Deskilling  14. Romantic Anticapitalism  15. Marxism, Feminism and Art History  16. Do It Yourself: Objective Form, Territory of Critical Struggle  PART 3 Marxisms Applied 17.  Magritte, Marxism, Modern Art  18. “No Environment” Modernism: Harold Rosenberg’s Theory of Uneven and Combined Development  19. Bureaucracy and Charisma: Chris Burden and the Figure of the University Artist  20. Equipo Comunicacion: Marxism, Avant-garde and a Collective Publishing Venture for Late Francoism to the Spanish Transition (1969-1979)  21. Affect, Attachment, and Loss: The Material Objects of Art History and Psychoanalysis  22. Of Rocks and Phantasmatic Hard Places: Art Criticism in the 1970s and 1980s  23. Soviet Thaw-era Marxism: Revision of Stalin-era Discourse on Aesthetics and Art History  24. Bogdanov, Prolekult, and Working-Class Culture in Revolutionary Russia  25. Realism and the Politics of Emancipation in the 1920s and 1930s Yugoslavia  26. How to Follow Marx with Class? Transformation and Marxist Analysis of Post-Communist Art in a Post-Communist Europe  27. Invisible Art Work, or Until When Will We Reproduce the Exploitation of Labor in the Arts?  28. Contemporary Art and the Neoliberal Global Art World: The People’s Republic of China and Palestine as Exemplars  29.Museums After Value-Form Theory  30. The Vision and Practice of Zapatismo and the Zapatista Murals in Chiapas  PART 4 Marxist Methods in the Digital Age  31. The Courbet Conundrum, and the Phantom Archive of Activist Art  32. Intermediality in Action: Tracing Invisible Processes in Socio-Critical Video Art  33. The Visual Culture of Gaming  34. Speculation

Notă biografică

Tijen Tunali is a research fellow at the Aarhus Institute of Advanced Studies at Aarhus University.
Brian Winkenweder is Professor of Art History and Chair of the Art Department at Linfield University.

Descriere

This companion is an essential contribution to the study of historical materialism in general and the social history of art in particular.