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The Routledge Companion to Jacques Lecoq de Mark Evans

The Routledge Companion to Jacques Lecoq: Routledge Companions

Editat de Mark Evans, Rick Kemp
en Limba Engleză Hardback – 18 aug 2016

The Routledge Companion to Jacques Lecoq is the first book to present a complete overview and thorough analysis of Jacques Lecoq s life, work and philosophy of theatre. Through an exemplary collection of specially commissioned chapters from leading writers, specialists and practitioners, it draws together writings on his pedagogy, his practice, and his influence on the wider theatrical environment. It is the definitive guide to the work and legacy of one of the major figures of Western theatre in the second half of the twentieth century.

In a four-part structure over fifty chapters, the book examines:

  • The historical, artistic and social context out of which Lecoq s work and pedagogy arose, and its relation to such figures as Jacques Copeau, Antonin Artaud, Jean-Louis Barrault, and Dario Fo.
  • Lecoq's School of Mime and Theatre as an expression of his work and ideas, looking at the core themes such as language, movement, play, improvisation, the mask, comedy, and tragedy.

  • The significance and value of the pedagogical approaches to the development of contemporary theatre practice.

  • The diaspora of performance practice from the School, from the perspective of many of the most prominent artists themselves.

There is no more comprehensive and authoritative guide to Lecoq's work. "

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Specificații

ISBN-13: 9781138818422
ISBN-10: 1138818429
Pagini: 444
Dimensiuni: 174 x 246 x 30 mm
Greutate: 1.18 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Companions

Locul publicării:Oxford, United Kingdom

Cuprins

Foreword by Geoffrey Rush
General Introduction
Mark Evans and Rick Kemp
Part I
Influences and Antecedents
Introduction
Mark Evans

  1. The French Theatrical Avant Garde Nigel Ward (UK)
  2. Mime, ‘Mimes’ and Miming Vivian Appler (US)
  3. The Rediscovery of the Mask Gillian Arrighi (AUS)
  4. Jacques Lecoq and the Challenge of Modernist Theatre, 1945-1968 Bruce McConachie (US)
  5. Jacques Lecoq and the Studio Tradition Tom Cornford (UK)
  6. Bachelard, Jousse and Lecoq Claudia Sachs (BRA)
  7. Space and Mimesis Jon Foley Sherman (US)
  8. Movement Made Visible: Marey and Lecoq Clare Brennan (UK)
  9. Literature, Lecoq and the ‘nouveau roman’ Pardis Dabashi (US)
  10. The Body Voice of Satire: Jacques Lecoq and Dario Fo Gloria Pastorino (US)

    Part II
    Inspirations and Evolutions
    Introduction
    Rick Kemp
  11. The Influence of Sports on Jacques Lecoq’s Actor Training Mark Evans (UK)
  12. What Works and What Doesn’t Work: On Play Paola Coletto (IT/US) and Jennifer Buckley (US)
  13. Neutral Mask - A Life’s Journey Dody DiSanto (US)
  14. The Mimo-dynamics of Music, Poetry, and Short Story: Lecoq on Bartók Jennie Gilrain (US)
  15. Full Face Masks, Pantomime Blanche and Cartoon Mime David Gaines (US)
  16. Commedia Dell’Arte and Comedie Humaine Giovanni Fusetti (IT)
  17. The Chorus Shona Morris (UK)
  18. Bouffons and the Grotesque Bim Mason (UK)
  19. Auto-cours, Enquetes, Commandes: A Practitioner’s Perspective Carlos García Estévez (ES)
  20. Lecoq's Clown and its Application to Playing Shakespeare's Clowns Sara Romersberger (US)
  21. Laboratory of Movement Study Ismael Scheffler (BRA)
    Part III
    Ricochets and reverberations
    Introduction
    Mark Evans
  22. Lecoq, Emotion and Embodied Cognition Rick Kemp (UK/US)
  23. The Juggernaut and the Pram: Lecoq and UK Actor Training Vladimir Mirodan (UK)
  24. Moving Medicine Suzy Willson (UK)
  25. British Movement Directors Ayse Tashkiran (UK)
  26. Contemporary Circus Mitch Mitchelson (UK)
  27. Lecoq Training and Asian Theatre Practice Maya Tångeberg-Grischin and Anna Thuring (SWE)
  28. Locating the Body in English Language Teaching Nikole Pascetta (CAN)
  29. Language and the Body Maiya Murphy (US)
  30. Lecoq and Shakespeare Darren Tunstall (UK)
  31. Le Jeu and the Journey of a People Susan Knutson (CAN) and Normand Godin (CAN)
  32. Lecoq and Architecture Laura Gioeni (IT)
  33. Dear Jacques... Lecoq in the Twenty First Century Simon Murray (UK)
    Part IV
    Voyages and Diaspora
    Introduction
    Rick Kemp
  34. Jacques Lecoq, Ariane Mnouchkine and le Théâtre du Soleil Helen Richardson (US)
  35. The Magic Flute and L’École Jacques Lecoq Simon McBurney (UK), William Kentridge (SA) and Catherine Alexander (UK)
  36. Lecoq and Complicite Richard Cuming (UK)
  37. Theatre Ad Infinitum and Jacques Lecoq Vanessa Ackerman (UK)
  38. Lecoq Practitioners in the UK Emily Kreider (UK)
  39. The Actor/Creator and Three American Ensembles Susan Thompson (US)
  40. Pig Iron: Disponibilité and Observation Quinn Bauriedel (US)
  41. The Toronto Connection Martin Julien (CAN)
  42. La Mancha Theatre Company and School - Chile Ellie Nixon (UK)
  43. From Paris to Cape Town: Lecoq and Magnet Theatre Jennie Reznek (SA) and Mark Fleishman (SA)
  44. Clown – Trial by Errors Rick Kemp (UK/US)
  45. Lecoq and Film
Mark Evans (UK)

Notă biografică

Mark Evans is Professor of Theatre Training and Education and Associate Dean (Student Experience) in the Faculty of Arts and Humanities at Coventry University. His research focuses on the work of Jacques Copeau, Jacques Lecoq and movement training for the modern actor. He recently edited The Actor Training Reader (Routledge, 2015) and is an Associate Editor of the Theatre, Dance and Performance Training journal.
Rick Kemp is Head of Acting and Directing at Indiana University of Pennsylvania, and the author of Embodied Acting (Routledge 2012). He has worked internationally as an actor and director with companies and theatres such as Commotion, Complicite, Almeida, Teatr Polski and the Bouffes du Nord.

Descriere

The Routledge Companion to Jacques Lecoq presents a thorough overview and analysis of Jacques Lecoq's life, work and philosophy of theatre. Through an exemplary collection of specially commissioned chapters from leading writers, specialists and practitioners, it draws together writings and reflections on his pedagogy, his practice, and his influence on the wider theatrical environment. It is a comprehensive guide to the work and legacy of one of the major figures of Western theatre in the second half of the twentieth century.