The Suit: Form, Function and Style
Autor Christopher Brewarden Limba Engleză Paperback – 30 sep 2021
The Suit unpicks the story of this most familiar garment, from its emergence in western Europe at the end of the seventeenth century to today. Suit-wearing figures such as the Savile Row gentleman and the Wall Street businessman have long embodied ideas of tradition, masculinity, power, and respectability, but the suit has also been used to disrupt concepts of gender and conformity. Adopted and subverted by women, artists, musicians, and social revolutionaries through the decades—from dandies and Sapeurs to the Zoot Suit and Le Smoking—the suit is also a device for challenging the status quo. For all those interested in the history of menswear, this beautifully illustrated book offers new perspectives on this most mundane, and poetic, product of modern culture.
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Specificații
ISBN-13: 9781789144963
ISBN-10: 1789144965
Pagini: 240
Ilustrații: 53 color plates, 46 halftones
Dimensiuni: 159 x 241 x 18 mm
Greutate: 0.64 kg
Editura: REAKTION BOOKS
Colecția Reaktion Books
ISBN-10: 1789144965
Pagini: 240
Ilustrații: 53 color plates, 46 halftones
Dimensiuni: 159 x 241 x 18 mm
Greutate: 0.64 kg
Editura: REAKTION BOOKS
Colecția Reaktion Books
Notă biografică
Christopher Breward is the director of National Museums Scotland. He is the author of The Hidden Consumer, Fashion, and Fashioning London.
Cuprins
Introduction: The Tailor’s Art
1. Well Suited
2. Suiting Nations
3. Sharp Suits
4. Seeing the Suit
5. Epilogue: Future Suits
References
Select Bibliography
Acknowledgements
Photo Acknowledgements
Index
1. Well Suited
2. Suiting Nations
3. Sharp Suits
4. Seeing the Suit
5. Epilogue: Future Suits
References
Select Bibliography
Acknowledgements
Photo Acknowledgements
Index
Recenzii
“Expertly shows how the adoption of the suit was a manifestation of societal change as the great European wars of the 17th and 18th centuries morphed into the Industrial Revolution and thereon into the modern democratic world. Indeed, it would be hard to name another facet of our modern culture that has so effortlessly and variously expressed the cross-purposes of, say, Baudelaire, Le Corbusier, and Mao Zedong. The suit is the perfect signifier, and as Mr. Breward shows, it carries all the noble, artistic, economic, and perverse impulses of our culture.”
“The Suit has its own spare, modernist elegance. It presents a decisively uncluttered history of menswear, cutting a clean line through eighteenth-century French military uniforms to dandies, Pasolini films and twentieth-century Italian tailoring, all the while insisting on the suit’s ‘all-pervasive influence in modern and contemporary cultures.'”
“[Breward] is knowledgeable about his subject, insightful in his analysis, and imaginative in the connections that he makes. The result is a thoughtful and at times lively riffle through the male wardrobe from Restoration England onward.”
“An attractively illustrated history unpicking the story of the gentleman’s tailored suit from its emergence in Western Europe at the end of the 17th century to its fate in the 21st century.”
“Metropolis Summer Reading List 2016. . . . A scholarly history of sartorial style, a dialectic between peacock fashions and their renunciation.”
“Breward offers a compendious account of the evolution of the suit from the gaudily decorated outfits of the Elizabethen court, through the luxury textile trade, to the genesis of something like the modern idea of well-dressed manhood (essentially, expensive understatement) in the nineteenth-century Parisian cult of the dandy. . . . When Breward ventures beyond just telling his story to speculate a little on the cultural resonances behind it, he does so with a sharp, laconic intelligence.”
“Breward’s intelligent consideration of the suit is an antidote to all the bombastic ‘how to’ guides written by fashion journalists and bloggers whose idea of cultural context is to speed read a Wikipedia page. . . . a rich, deep, and satisfying study.”
“Breward’s book on the history and culture of the gentleman’s suit is a handsome, hardback volume with a generous number of large-format illustrations. . . . His is not a straightforward, object-oriented interpretation; what makes the book such a clever and rewarding read lies in how Breward assumes the position of a tailor in tackling a cultural history of the suit, as if fashioning a garment in material form. This is a book crafted by the measuring, marking, aligning, fitting and shaping of evidence. Just as the seam allowances of a bespoke suit allow its proportions to be altered to fit a body modified by the regimes and excesses of life, so Breward appreciates that cultural and material histories are also malleable, with margins that can be redrawn and reassembled.”
“Breward climbs into every armhole and measures every inside leg. He stops at nothing to decode the enigmas of men’s tailoring.”