The Theatre of Sean O'Casey: Critical Companions
Autor James Moran Contribuţii de Garry Hynes, Paul Murphy, Victor Merrimanen Limba Engleză Hardback – 25 sep 2013
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Bloomsbury Publishing – 25 sep 2013 | 596.98 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781408175347
ISBN-10: 1408175347
Pagini: 320
Dimensiuni: 138 x 216 x 23 mm
Greutate: 0.54 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Critical Companions
Locul publicării:London, United Kingdom
ISBN-10: 1408175347
Pagini: 320
Dimensiuni: 138 x 216 x 23 mm
Greutate: 0.54 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Critical Companions
Locul publicării:London, United Kingdom
Caracteristici
His plays are the most performed of any writer at the Abbey Theatre, Ireland, with frequent major revivals in London and New York especially in the run up to the centenary of the 1916 Rising
Notă biografică
James Moran is Head of Drama in the School of English Studies at the University of Nottingham, UK.
Cuprins
IntroductionPart One: O'Casey's Life, Work, and LegacyChapter One: Biography, 1880-1964Chapter Two: Dublin, 1880-1926Chapter Three: Rejection, 1926-39 and BeyondChapter Four: Communism, 1936-46Chapter Five: The Church, 1946-64Chapter Six: Critical Responses, 1923-2013Part Two: New Perspectives Chapter Seven: Directing O'Casey (Garry Hynes)Chapter Eight: O'Casey and Postcolonialism (Victor Merriman)Chapter Nine: O'Casey and Class (Paul Murphy)NotesBibliographyIndex
Recenzii
There is no question that this book is the best so far reviewed in the Methuen Drama Critical Companions series. James Moran has worked very hard at understanding the life and work of one of the greats of Irish theatre and does a fine job of conveying his findings in a fashion that will satisfy the general reader as much as professionals . Moran paints a fully-rounded picture of this iconoclastic character and also analyses his plays with deft skill. The author's thorough analysis is also complemented by amongst others director Garry Hynes in an informative interview and academic Paul Murphy who has written an essay on O'Casey and class. This really is a first-class book and is highly recommended both to academics and the general reader, both of whom will learn far more about Sean O'Casey than a simple biography or academic study would achieve.
One cannot but admire the reader-friendly fashion Moran goes about presenting his findings - methodically preceding his chapters, as he does, with neat summaries of the major plays before clearly replacing them in their historical, political and cultural contexts. (The researcher will also be glad to find that the study comes with a set of richly documented end-notes most of which refer to unpublished archival material, and, in addition, a detailed chronology and index.)
This confidently written book serves to bring the career and work of one of Ireland's premier league playwrights slap bang into the twenty-first century. [ . . . ] The amalgamation of conceptual ideas, such as post colonialism and class, with a professional theatre-maker's experience of directing O'Casey's work is engaging, thought-provoking, and illuminating. [ . . . ] In summary, this is a well-researched, clearly written and engaging book . . . [and] something I will be recommending to my students in the years to come.
One cannot but admire the reader-friendly fashion Moran goes about presenting his findings - methodically preceding his chapters, as he does, with neat summaries of the major plays before clearly replacing them in their historical, political and cultural contexts. (The researcher will also be glad to find that the study comes with a set of richly documented end-notes most of which refer to unpublished archival material, and, in addition, a detailed chronology and index.)
This confidently written book serves to bring the career and work of one of Ireland's premier league playwrights slap bang into the twenty-first century. [ . . . ] The amalgamation of conceptual ideas, such as post colonialism and class, with a professional theatre-maker's experience of directing O'Casey's work is engaging, thought-provoking, and illuminating. [ . . . ] In summary, this is a well-researched, clearly written and engaging book . . . [and] something I will be recommending to my students in the years to come.
Descriere
A Critical Companion to one of Ireland's most famous, studied and controversial, playwrights, this provides a detailed exploration of O'Casey's oeuvre taking in his plays, autobiographical writing and essays. Special attention is paid to the Three Dublin Plays and the works in performance.