The Theatre of Tennessee Williams: Critical Companions
Autor Brenda Murphy Contribuţii de Annette J. Saddik, Bruce McConachie, Felicia Hardison Londré, John S. Baken Limba Engleză Hardback – 15 ian 2014
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Specificații
ISBN-13: 9781780930251
ISBN-10: 1780930259
Pagini: 320
Dimensiuni: 138 x 216 x 23 mm
Greutate: 0.5 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Critical Companions
Locul publicării:London, United Kingdom
ISBN-10: 1780930259
Pagini: 320
Dimensiuni: 138 x 216 x 23 mm
Greutate: 0.5 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Critical Companions
Locul publicării:London, United Kingdom
Caracteristici
His work is a staple of theatre repertoires, with multiple revivals of The Glass Menagerie and A Streetcar Named Desire in theaters throughout the world every year, besides many of his other plays as well.
Notă biografică
Brenda Murphy is the Board of Trustees Distinguished Professor of English at the University of Connecticut, USA. Besides her many books and articles on American theatre, she is the editor of the Student Edition of After the Fall by Arthur Miller (Bloomsbury Methuen Drama, 2011).
Cuprins
AcknowledgmentsAbbreviationsIntroduction1 The 1930s Plays: The Magic Tower, Candles to the Sun, Fugitive Kind, Not About Nightingales, Spring Storm, Stairs to the Roof2 Battle of Angels and Orpheus Descending3 The Glass Menagerie4 Summer and Smoke and Eccentricities of a Nightingale5 A Streetcar Named Desire6 Camino Real7 Cat on Hot Tin Roof8 Suddenly Last Summer and Sweet Bird of Youth9 The Night of the Iguana10 The Later Plays, 1961-1983: The Two-Character Play/Outcry, The Gnädiges Fräulein, Clothes for a Summer Hotel, The Mutilated, Small Craft Warnings, Vieux Carré, Something Cloudy, Something Clear11. Critical PerspectivesAll in the timing: the meanings of Streetcar in 1947 and 1951 by Bruce McConachie (University of Pittsburgh, USA)A broken romance: Tennessee Williams and America's mid-century theatre culture by John S. Bak (Université de Lorraine, France)'A vast traumatic eye': culture absorbed and refigured in Tennessee Williams's transitional plays by Felicia Hardison Londré (University of Missouri, Kansas City, USA)'There's something not natural here': grotesque ambiguities in Kingdom of Earth, A Cavalier for Milady, and A House Not Meant to Stand by Annette Saddik (City University of New York, USA)ChronologyFurther readingIndexNotes on contributors
Recenzii
[Murphy] brings together ... useful information from Williams' work, writings and correspondence to make this a valuable academic work for anyone studying the playwright or American theatre ... A useful and well-written work
Brenda Murphy's The Theatre of Tennessee Williams is a thoroughly enjoyable read. The book describes the genesis and major themes of all of Williams's best-known plays and many of those that are less familiar; it provides, as well, an illuminating account of the plays' first productions and the ways in which they were inflected by their cultural contexts. Murphy writes with lucidity and an eye for the engaging detail, the telling quotation that will appeal to a broad audience. Her book serves as both a useful guide to Williams's work and an important contribution to the ongoing re-evaluation of that work
Brenda Murphy's The Theatre of Tennessee Williams is a thoroughly enjoyable read. The book describes the genesis and major themes of all of Williams's best-known plays and many of those that are less familiar; it provides, as well, an illuminating account of the plays' first productions and the ways in which they were inflected by their cultural contexts. Murphy writes with lucidity and an eye for the engaging detail, the telling quotation that will appeal to a broad audience. Her book serves as both a useful guide to Williams's work and an important contribution to the ongoing re-evaluation of that work
Descriere
The Theatre of Tennessee Williams provides a stimulating analysis of the work of this giant of twentieth century American theatre whose work remains central to curriculums and theatre repertoires. It combines an analysis of all of his work by American scholar Brenda Murphy with interviews and a number of criticial essays.