The Visiting Privilege: Vintage Contemporaries
Autor Joy Williamsen Limba Engleză Paperback
Joy Williams has been celebrated as a master of the short story for four decades, her renown passing as a given from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: thirty-three stories drawn from three much-lauded collections, and another thirteen appearing here for the first time in book form. Forty-six stories in all, far and away the most comprehensive volume in her long career, showcasing her crisp, elegant prose, her dark wit, and her uncanny ability to illuminate our world through characters and situations that feel at once peculiar and foreign and disturbingly familiar.Virtually all American writers have their favorite Joy Williams stories, as do many readers of all ages, and each one of them is available here.
"From the Hardcover edition.""
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (2) | 60.46 lei 22-36 zile | +25.24 lei 6-12 zile |
Profile – noi 2017 | 60.46 lei 22-36 zile | +25.24 lei 6-12 zile |
Vintage Publishing – | 99.96 lei 22-36 zile |
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Specificații
ISBN-13: 9781101873717
ISBN-10: 110187371X
Pagini: 512
Dimensiuni: 130 x 201 x 23 mm
Greutate: 0.39 kg
Editura: Vintage Publishing
Seria Vintage Contemporaries
ISBN-10: 110187371X
Pagini: 512
Dimensiuni: 130 x 201 x 23 mm
Greutate: 0.39 kg
Editura: Vintage Publishing
Seria Vintage Contemporaries
Notă biografică
JOY WILLIAMSis the author of four novels—the most recent, The Quick and the Dead, was a runner-up for the Pulitzer Prize in 2001—and three other collections of stories, as well as Ill Nature, a book of essays that was a finalist for the National Book Critics Circle Award. Among her many honors are the Rea Award for the Short Story and the Strauss Living Award from the American Academy of Arts and Letters. She was elected to the Academy in 2008. She lives in Tucson, Arizona, and Laramie, Wyoming.
Recenzii
Perhaps the greatest living master of the short story ... easily taking her place among the ranks of Mavis Gallant, Flannery O'Connor, Grace Paley, John Cheever and Raymond Carver
Joy Williams is a stone-cold 100% American original ... a treasure trove of high-octane prose and surreal wit
An electric and dangerously human volume
The literary heir to Anton Chekhov
Williams is a flawless writer, and The Visiting Privilege is a perfect book
Joy Williams is simply a wonder
She belongs in the company of Céline and Flannery O'Connor
How to tell the story of a 500-page collection of stories spanning more than 40 years? Especially when I really want to just exclaim, "Oh, Oh, OH!" in a state of steadily mounting rapture
The Visiting Privilege cements Williams's position not merely as one of the great writers of her generation, but as our pre-eminent bard of humanity's insignificance
Powerful, important, compassionate, and full of dark humor. This is a book that will be reread with admiration and love many times over
One of the most fearless, abyss-embracing literary projects our literature has seen ... ruthless, hilarious work that holds our human folly to the fire ... you can't much pin Joy Williams down with any obvious dark masters. She is American and contemporary and strange, comfortable in the skin of domestic realism, even if that mode is a kind of misleading costume for a far more sinister project not often seen in American, or any, short fiction
Deep, dazzling, disconcerting
Dark, funny, spare and unsparing ... wonderful ... Williams is fully alive to the tragicomedy of our transient lives.
Revisiting the edgy, perceptive, provocative stories of Joy Williams make The Visiting Privilege a celebration. From the opening story, 'Taking Care', Williams confirms her ironic pathos and consummate timing, and rarely falters.
Williams's short stories portray the edges of modern life in vivid, staccato detail and make for compelling reading. The narrative threads move forward in unpredictable, exciting and often unsettling detail.
One of the great American short story writers
The bright-bleak grand master of short stories
How had Joy Williams been missing from my life for so long? What a writer. What a voice. What a way of seeing.
Joy Williams is a stone-cold 100% American original ... a treasure trove of high-octane prose and surreal wit
An electric and dangerously human volume
The literary heir to Anton Chekhov
Williams is a flawless writer, and The Visiting Privilege is a perfect book
Joy Williams is simply a wonder
She belongs in the company of Céline and Flannery O'Connor
How to tell the story of a 500-page collection of stories spanning more than 40 years? Especially when I really want to just exclaim, "Oh, Oh, OH!" in a state of steadily mounting rapture
The Visiting Privilege cements Williams's position not merely as one of the great writers of her generation, but as our pre-eminent bard of humanity's insignificance
Powerful, important, compassionate, and full of dark humor. This is a book that will be reread with admiration and love many times over
One of the most fearless, abyss-embracing literary projects our literature has seen ... ruthless, hilarious work that holds our human folly to the fire ... you can't much pin Joy Williams down with any obvious dark masters. She is American and contemporary and strange, comfortable in the skin of domestic realism, even if that mode is a kind of misleading costume for a far more sinister project not often seen in American, or any, short fiction
Deep, dazzling, disconcerting
Dark, funny, spare and unsparing ... wonderful ... Williams is fully alive to the tragicomedy of our transient lives.
Revisiting the edgy, perceptive, provocative stories of Joy Williams make The Visiting Privilege a celebration. From the opening story, 'Taking Care', Williams confirms her ironic pathos and consummate timing, and rarely falters.
Williams's short stories portray the edges of modern life in vivid, staccato detail and make for compelling reading. The narrative threads move forward in unpredictable, exciting and often unsettling detail.
One of the great American short story writers
The bright-bleak grand master of short stories
How had Joy Williams been missing from my life for so long? What a writer. What a voice. What a way of seeing.