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The Work of Fire de Maurice Blanchot

The Work of Fire: Meridian: Crossing Aesthetics

Autor Maurice Blanchot Traducere de Charlotte Mandell
en Limba Engleză Hardback – 28 feb 1995
This is a a collection of essays by Maurice Blanchot, a key figure in the exploration of the relationship between literature and philosophy. Recurring themes in the essays include:the relation of literature and language to death and the historical, personal, and social function of literature.
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  Stanford University Press – 28 feb 1995 22179 lei  3-5 săpt.
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  Stanford University Press – 28 feb 1995 76276 lei  6-8 săpt.

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Specificații

ISBN-13: 9780804724326
ISBN-10: 0804724326
Pagini: 360
Dimensiuni: 140 x 216 x 30 mm
Greutate: 0.58 kg
Ediția:1
Editura: Stanford University Press
Colecția Stanford University Press
Seria Meridian: Crossing Aesthetics

Recenzii

"A signal event for literary and cultural studies in the English-speaking world. As crucial essays on individual authors, as a major work of literary theory, as an important means of access to the 1940s in French culture, as an exemplary work combining reading and theory—it is of great importance to us today."—J. Hillis Miller, University of California, Irvine

"This collection of essays and reviews from the 1940s is about the 'fiery part' of literary language that burns through the aesthetic illusions and the easy referentiality of everyday language. . . . This collection is indepensable to any attempt to understand the years between Heidegger/Benjamin and Derrida/Man."—Choice

Textul de pe ultima copertă

“A signal event for literary and cultural studies in the English-speaking world. As crucial essays on individual authors, as a major work of literary theory, as an important means of access to the 1940s in French culture, as an exemplary work combining reading and theory—it is of great importance to us today.”—J. Hillis Miller, University of California, Irvine
“This collection of essays and reviews from the 1940s is about the ‘fiery part’ of literary language that burns through the aesthetic illusions and the easy referentiality of everyday language. . . . This collection is indepensable to any attempt to understand the years between Heidegger/Benjamin and Derrida/Man.”—Choice