Theatre and Globalization: Irish Drama in the Celtic Tiger Era
Autor Patrick Lonerganen Limba Engleză Hardback – 17 dec 2008
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 368.57 lei 6-8 săpt. | |
| Palgrave Macmillan UK – 17 dec 2008 | 368.57 lei 6-8 săpt. | |
| Hardback (1) | 374.13 lei 6-8 săpt. | |
| Palgrave Macmillan UK – 17 dec 2008 | 374.13 lei 6-8 săpt. |
Preț: 374.13 lei
Nou
Puncte Express: 561
Preț estimativ în valută:
71.60€ • 75.54$ • 59.67£
71.60€ • 75.54$ • 59.67£
Carte tipărită la comandă
Livrare economică 02-16 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780230214286
ISBN-10: 0230214282
Pagini: 248
Ilustrații: X, 248 p.
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.43 kg
Ediția:2008
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom
ISBN-10: 0230214282
Pagini: 248
Ilustrații: X, 248 p.
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.43 kg
Ediția:2008
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom
V-ar putea interesa
-
Filming and Performing Renaissance HistoryM. BurnettPreț: 375.06 lei -
Preț: 372.82 lei -
Preț: 375.96 lei -
-15%Preț: 617.44 lei726.40 lei -
Preț: 357.57 lei -
Preț: 375.96 lei -
AS YOU LIKE ITRobert Shaughnessy-23%Preț: 692.41 lei899.24 lei -
Brian Friel: Theatre and PoliticsA. RochePreț: 367.84 lei -
Shaw’s Ibsen: A Re-AppraisalJoan Templeton-18%Preț: 757.37 lei923.61 lei -
Transformative AestheticsErika Fischer-Lichte-26%Preț: 843.83 lei1141.04 lei -
-26%Preț: 841.63 lei1139.72 lei -
-26%Preț: 759.80 lei1027.40 lei -
Shakespeare's Lost Playhouse: Eleven Days at Newington ButtsLaurie Johnson-26%Preț: 842.86 lei1140.45 lei -
The Drama and Theatre of Sarah RuhlAmy Muse-31%Preț: 592.57 lei857.14 lei -
-13%Preț: 128.26 lei147.44 lei -
The Theatre and Films of Martin McDonaghPatrick Lonergan-14%Preț: 178.51 lei207.48 lei -
Theatre, Magic and Philosophy: William Shakespeare, John Dee and the Italian LegacyGabriela Dragnea Horvath-26%Preț: 759.80 lei1027.40 lei -
-26%Preț: 760.64 lei1027.91 lei -
A Critical Companion to the American Stage MusicalProfessor Elizabeth L. Wollman-14%Preț: 178.06 lei207.80 lei -
Historical Dictionary of American TheaterFelicia Hardison Londre-23%Preț: 1065.72 lei1384.05 lei -
Preț: 401.73 lei
Cuprins
Contents Acknowledgements List of abbreviations Introduction Globalization and Irish Theatre Globalizing Irish Drama: Brian Friel's Dancing at Lughnasa , 1990/1999 Globalizing National Theatres: Sean O'Casey's The Plough and the Stars , 1926/1991/2002 Historicizing the Brand: Dion Boucicault's The Shaughraun , 1874/2004 Globalization and Authorship: Martin McDonagh, 1996-2005 Globalization and Cultural Exchange: Tony Kushner's Angels in America , Dublin, 1995 Globalizing Gender Race and the Brand: Irish Theatre in 2005 Conclusion: Our Global Theatre Works Cited Index
Recenzii
Winner of the 2008 Theatre Book Prize, awarded by the Society for Theatre Research
Shortlisted for the ESSE Book Prize 2010
'A remarkable study of Irish theatre overwhelming to read.' Steven Berkoff
'Deftly adapting Walter Benjamin's The Work of Art in the Age of Mechanical Reproduction, Patrick Lonergan identifies commodification and branding as the determining agents in the creation and circulation of modern theatre and, blending textual analysis with globalisation theory, provides the paradigm for a new phase of Irish theatre criticism.' - Professor Shaun Richards, Staffordshire University
'Simply the best and most thought-provoking analysis we've had of a central tension in Irish theatre (and indeed in the wider Irish culture) over the last 15 years.' - Fintan O'Toole, Irish Times
'This is an intelligent book and one with a mission statement it's a clarion call for Irish theatre makers to resist the global homogenisation of culture.' - Emilie Pine, Irish Theatre Magazine
'...not just an excellent academic resource, but a thoroughly enjoyable read.' - Emer O'Toole, Platform
'...a widely readable but informed account of the ways in which the powers of globalisation and international exchange impact on how theatre is created and received.' - Carmen Szabo, Irish Studies Review
'This is a book written by someone in love with the theatre, with theatre-going, who is eager to win his audience...to his argument about recent Irish theatre and globalization.' - Richard Rankin Russell, Irish University Review
'...a rare book in the best sense of the word.' - Ondrej Pilny, Litteraria Pragensia
'...this landmark work provides a strong challenge to the future of Irish theatre criticism...It is essential for any student or enthusiast of Irish drama, as well as for those working on the impact of globalization on theatre and dramatic form.' - Charlotte McIvor, Theatre Journal
'Lonergan's book is an important contribution to the growing body of research on contemporary Irish theatre. The study asks timely questions about what Irish theatre means in a global context, and how globalization shapes the production and reception of Irish theatre. This has ramifications for other national theatres too. Written in a clear, persuasive style, the book concludes by challenging the national theatre in particular to consider itself as a creative industry, and to rise to the challenge of addressing audiences in civic rather than essentially national terms.' - Contemporary Theatre Review
Shortlisted for the ESSE Book Prize 2010
'A remarkable study of Irish theatre overwhelming to read.' Steven Berkoff
'Deftly adapting Walter Benjamin's The Work of Art in the Age of Mechanical Reproduction, Patrick Lonergan identifies commodification and branding as the determining agents in the creation and circulation of modern theatre and, blending textual analysis with globalisation theory, provides the paradigm for a new phase of Irish theatre criticism.' - Professor Shaun Richards, Staffordshire University
'Simply the best and most thought-provoking analysis we've had of a central tension in Irish theatre (and indeed in the wider Irish culture) over the last 15 years.' - Fintan O'Toole, Irish Times
'This is an intelligent book and one with a mission statement it's a clarion call for Irish theatre makers to resist the global homogenisation of culture.' - Emilie Pine, Irish Theatre Magazine
'...not just an excellent academic resource, but a thoroughly enjoyable read.' - Emer O'Toole, Platform
'...a widely readable but informed account of the ways in which the powers of globalisation and international exchange impact on how theatre is created and received.' - Carmen Szabo, Irish Studies Review
'This is a book written by someone in love with the theatre, with theatre-going, who is eager to win his audience...to his argument about recent Irish theatre and globalization.' - Richard Rankin Russell, Irish University Review
'...a rare book in the best sense of the word.' - Ondrej Pilny, Litteraria Pragensia
'...this landmark work provides a strong challenge to the future of Irish theatre criticism...It is essential for any student or enthusiast of Irish drama, as well as for those working on the impact of globalization on theatre and dramatic form.' - Charlotte McIvor, Theatre Journal
'Lonergan's book is an important contribution to the growing body of research on contemporary Irish theatre. The study asks timely questions about what Irish theatre means in a global context, and how globalization shapes the production and reception of Irish theatre. This has ramifications for other national theatres too. Written in a clear, persuasive style, the book concludes by challenging the national theatre in particular to consider itself as a creative industry, and to rise to the challenge of addressing audiences in civic rather than essentially national terms.' - Contemporary Theatre Review
Notă biografică
PATRICK LONERGAN teaches at the English Department, National University of Ireland, Galway. He has published widely on Irish literature and theatre, and is academic director of the Synge Summer School.