Theatre in the Context of the Yugoslav Wars
Editat de Jana Dolečki, Senad Halilbašić, Stefan Hulfelden Limba Engleză Paperback – 18 dec 2019
This
book
assembles
texts
by
renowned
academics
and
theatre
artists
who
were
professionally
active
during
the
wars
in
former
Yugoslavia.
It
examines
examples
of
how
various
forms
of
theatre
and
performance
reacted
to
the
conflicts
in
Serbia,
Croatia,
Bosnia
and
Herzegovina,
Slovenia,
and
Kosovo
while
they
were
ongoing.
It
explores
state-funded
National
Theatre
activities
between
escapism
and
denial,
the
theatre
aesthetics
of
protest
and
resistance,
and
symptomatic
shifts
and
transformations
in
the
production
of
theatre
under
wartime
circumstances,
both
in
theory
and
in
practice.
In
addition,
it
looks
beyond
the
period
of
conflict
itself,
examining
the
aftermath
of
war
in
contemporary
theatre
and
performance,
such
as
by
considering
Ivan
Vidić’s
war
trauma
plays,
the
art
campaigns
of
the
international
feminist
organization
Women
in
Black,
and
Peter
Handke’s
playVoyage
by
Dugout.
The
introduction
explores
correlations
between
the
contributions
and
initiates
a
reflection
on
the
further
development
of
the
research
field.
Overall,
the
volume provides
new
perspectives
and
previously
unpublished
research
in
the
fields
of
theory
and
historiography
of
theatre,
as
well
as
Southeast
European
Studies.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 584.43 lei 6-8 săpt. | |
| Springer – 18 dec 2019 | 584.43 lei 6-8 săpt. | |
| Hardback (1) | 786.84 lei 6-8 săpt. | |
| Springer International Publishing – 4 dec 2018 | 786.84 lei 6-8 săpt. |
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Specificații
ISBN-13: 9783030403553
ISBN-10: 3030403556
Dimensiuni: 155 x 235 mm
Greutate: 0.43 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3030403556
Dimensiuni: 155 x 235 mm
Greutate: 0.43 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
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Cuprins
1.
Introduction.-
2. Testimony:
Borka
PAVIĆEVIĆ.-
3. Irena
ŠENTEVSKA:
Stages
of
Denial:
State-funded
Theatres
in
Serbia
and
the
Yugoslav
Wars.-
4. Senad
HALILBAŠIĆ:
Bosnia
and
Herzegovina's
National
Theatres
in
the
Context
of
Language
Politics
During
the
War.-
5. Testimony:
Amela
KRESO.-
6. Jeton
NEZIRAJ:
Theatre
as
Resistance.
The
Dodona
Theatre
in
Kosovo.-
7. Ksenija
RADULOVIĆ:
War
Discourse
on
Institutional
Stages:
Serbian
Theatre
1991-1995.-
8. Jana
DOLEČKI:
Theatre
on
the
Front
Lines:
Ad
Hoc
Cabaret
in
Croatia,
1991–1992.-
9. Lada
ČALE
FELDMAN:
Within
and
Beyond
Theatre:
President
Tuđman's
Birthday
Celebration
at
the
Croatian
National
Theatre
in
Zagreb
.-
10. Testimony:
Snježana
BANOVIĆ.-
11. Milena
DRAGIĆEVIĆ
ŠEŠIĆ:
Culture
of
Dissent,
Art
of
Rebellion:
The
Psychiatric
Hospital
as
a
Theatre
Stage
in
the
Work
of
Zorica
Jevremović.-
12. Ana
DEVIĆ:
Theatre
of
Diversity
and
Avant-Garde
in
Late
Socialist
Yugoslavia
and
Beyond:
Paradoxes
of
the
Disintegration
and
Cultural
Subversion.-
13. Testimony:
Borut
ŠEPAROVIĆ.-
14. Barbara
OREL:
The
Theatre
Exchange
between
Slovenia
and
the
Republics
of
Former
Yugoslavia
in
the
1990s.-
15. Branislav
JAKOVLJEVIĆ:
Peter
Handke’s
River
Journeys:
Fording
the
Stream
of
Conscience.-
16. Testimony:
Nihad
KREŠEVLJAKOVIĆ.-
17. Darko
LUKIĆ:
Strategies
for
Challenging
Official
Mythologies
in
War
Trauma
Plays:
The
Croatian
Playwright
Ivan
Vidić.-
18. Aleksandra
JOVIĆEVIĆ:
Postmodern
Antigones:
Women
in
Black
and
the
Performance
of
Involuntary
Memory.-
19. Testimony:
Dino
MUSTAFIĆ.
Notă biografică
Jana
Dolečki is
a
PhD
candidate
at
the
Department
for
Theatre,
Film
and
Media
Studies
at
the
University
of
Vienna,
Austria.
Her
current
research
focuses
on
wartime
theatre
in
Croatia
and
Serbia.
Senad
Halilbašić is
a
University
Assistant
and
PhD
candidate
at
the
Department
for
Theatre,
Film
and
Media
Studies
at
the
University
of
Vienna,
Austria.
His
research
focuses
on
theatre
during
the
Bosnian
war.
Previous
publications
include
the
co-edited
volumeBibliothek
Sarajevo:
Literarische
Vermessung
einer
Stadt(2012).
Stefan
Hulfeld is
Professor
of
Theatre
and
Cultural
Studies
at
the
University
of
Vienna,
Austria.
His
current
research
agendas
focus
on
theatre
historiography
and
theory.
Publications
include
the
chapters
'Modernist
Theatre'
inThe
Cambridge
Companion
to
Theatre
History(2013)
and
'Antitheatrical
thinking
and
the
rise
of
"theatre"'
inA
Cultural
History
of
Theatre
in
the
Early
Modern
Age(2017).
Textul de pe ultima copertă
This
book
assembles
texts
by
renowned
academics
and
theatre
artists
who
were
professionally
active
during
the
wars
in
former
Yugoslavia.
It
examines
examples
of
how
various
forms
of
theatre
and
performance
reacted
to
the
conflicts
in
Serbia,
Croatia,
Bosnia
and
Herzegovina,
Slovenia,
and
Kosovo
while
they
were
ongoing.
It
explores
state-funded
National
Theatre
activities
between
escapism
and
denial,
the
theatre
aesthetics
of
protest
and
resistance,
and
symptomatic
shifts
and
transformations
in
the
production
of
theatre
under
wartime
circumstances,
both
in
theory
and
in
practice.
In
addition,
it
looks
beyond
the
period
of
conflict
itself,
examining
the
aftermath
of
war
in
contemporary
theatre
and
performance,
such
as
by
considering
Ivan
Vidić’s
war
trauma
plays,
the
art
campaigns
of
the
international
feminist
organization
Women
in
Black,
and
Peter
Handke’s
play Voyage
by
Dugout.
The
introduction
explores
correlations
between
the
contributions
and
initiates
a
reflection
on
the
further
development
of
the
research
field.
Overall,
the
volume provides
new
perspectives
and
previously
unpublished
research
in
the
fields
of
theory
and
historiography
of
theatre,
as
well
as
Southeast
European
Studies.
Caracteristici
Marks
the
first
academic
publication
in
English
treating
the
various
forms
of
theatre
and
cultural
performances
during
the
Yugoslav
wars
Spans
the
fields
of
theatre
studies,
East
European
studies,
history
and
sociology
Brings
together
an
international
range
of
expert
contributors