This Contentious Storm: An Ecocritical and Performance History of King Lear: Environmental Cultures
Autor Dr Jennifer Mae Hamiltonen Limba Engleză Hardback – 23 aug 2017
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Specificații
ISBN-13: 9781474289047
ISBN-10: 1474289045
Pagini: 256
Ilustrații: 10 b/w illustrations
Dimensiuni: 156 x 234 mm
Greutate: 0.52 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Environmental Cultures
Locul publicării:London, United Kingdom
ISBN-10: 1474289045
Pagini: 256
Ilustrații: 10 b/w illustrations
Dimensiuni: 156 x 234 mm
Greutate: 0.52 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Environmental Cultures
Locul publicării:London, United Kingdom
Caracteristici
Explores changing political and ideological attitudes to weather and the environment through literary culture
Notă biografică
Jennifer Mae Hamilton is a Postdoctoral Research Associate in Gender and Cultural Studies at the University of Sydney, funded by The Seed Box: A MISTRA+FORMAS Environmental Humanities Collaboratory, Linköping University, Sweden. She also lectures in ecocriticism at New York University, Sydney
Cuprins
Prologue: The Plot Introduction: The Case for King Lear Part 1 - Ecocriticism Chapter 1: Meteorological Reading Chapter 2: 'What is the cause of thunder?': The Storm's Three Ambiguities Chapter 3: Cataclysmic Shame: Three Views of Lear's Mortal Body in the Storm Part 2 - Performance History Chapter 4: Ecocritical Big History Chapter 5: The Spectacular Jacobean Theatre Chapter 6: Storms of Fortune: Industrial Technology and Nahum Tate, c.1680-c.1900 Chapter 7: Lear's Head: The Rise of the Psychological Metaphor, 1908-1955. Chapter 8: Towards the Flood, 1962-2016 Epilogue: The Art of Necessity Bibliography
Recenzii
This Contentious Storm does beautiful work of interweaving literary ecocriticism, theatre history, contemporary ecological theory, and historical and philosophical approaches to meteorology and performance ... [Hamilton] skilfully integrates rigorous research and good-humouredly conceals the labour that makes the work such joy to read. This Contentious Storm is a bright exemplar of what theatre and performance can contribute to interdisciplinary environmental humanities conversations, breaching literary and performance-based approaches. It will soon be impossible to think of theatre history and ecology together without reference to this book.
The Contentious Storm provides a wonderfully fresh, sane and lucid view of King Lear in conception, context, and performance. Jennifer Mae Hamilton makes the famous storm scene a touchstone that reveals the power and the flaws of ecocritical, political, and post-structuralist perspectives over the centuries. Her judgements, based in scrupulous research, are wisely measured, and her writing has an unassuming clarity and unforced grace that is all too rare in high-level scholarship.
Seeing our moral universe in the naked king in the storm has long been a staple of critical responses to King Lear. By reconsidering the storm through new lenses, from posthuman ecocriticism to the intellectual history of meteorology to several centuries of theatrical practice, Jennifer Mae Hamilton demonstrates that the mad king's wrestling with 'the art of our necessities' retains the ability to speak to our reason and our needs in this era of ecological crisis.
The Contentious Storm provides a wonderfully fresh, sane and lucid view of King Lear in conception, context, and performance. Jennifer Mae Hamilton makes the famous storm scene a touchstone that reveals the power and the flaws of ecocritical, political, and post-structuralist perspectives over the centuries. Her judgements, based in scrupulous research, are wisely measured, and her writing has an unassuming clarity and unforced grace that is all too rare in high-level scholarship.
Seeing our moral universe in the naked king in the storm has long been a staple of critical responses to King Lear. By reconsidering the storm through new lenses, from posthuman ecocriticism to the intellectual history of meteorology to several centuries of theatrical practice, Jennifer Mae Hamilton demonstrates that the mad king's wrestling with 'the art of our necessities' retains the ability to speak to our reason and our needs in this era of ecological crisis.