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Weathering Shakespeare: Audiences and Open-air Performance de Dr Evelyn O'Malley

Weathering Shakespeare: Audiences and Open-air Performance: Environmental Cultures

Autor Dr Evelyn O'Malley
en Limba Engleză Hardback – 23 dec 2020
Winner of the ASLE-UKI 2022 Book PrizeFrom The Pastoral Players' 1884 performance of As You Like It to contemporary site-specific productions activist interventions, there is a rich history of open air performances of Shakespeare's plays beyond their early modern origins. Weathering Shakespeare reveals how new insights from the environmental humanities can transform our understanding of this popular performance practice. Drawing on audience accounts of outdoor productions of those plays most commonly chosen for open air performance - including A Midsummer Night's Dream and The Tempest - the book examines how performers and audiences alike have reacted to unpredictable natural environments.
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Specificații

ISBN-13: 9781350078062
ISBN-10: 1350078069
Pagini: 240
Ilustrații: 10 bw illus
Dimensiuni: 156 x 234 x 21 mm
Greutate: 0.51 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Environmental Cultures

Locul publicării:London, United Kingdom

Caracteristici

Brings anthropological and ecocritical analysis to accounts of open air Shakespeare productions from the Victorian period to the present day

Notă biografică

Evelyn O'Malley is Lecturer in Drama at the University of Exeter, UK.

Cuprins

Introduction Part One Chapter One Performing Pastoral: A New Form of Poetic Representation Chapter Two Light them at the Fiery Glow-Worm's Eyes: Max Reinhardt's A Midsummer Night's Dream and the Regent's Park Open Air Theatre Part Two Chapter Three Shakespeare-InspiredNature-Theaters: MinackandtheWillowGlobe Chapter Four Wandering in Woods: The Natural Place for the Play Part Three Chapter Five Green Atmospheres: Nature Playing (Along, Sometimes) Chapter Six Shakespeare for a Changing Climate AfterwordBibliographyIndex

Recenzii

For O'Malley, coming to terms with our connection to the world around us - to the atmosphere, the landscape and the creatures with which we share it - is crucial to combating the climate crisis.
Among the major merits of the work, together with its topicality, is the unprecedented choice of leaving room for the voice of the public through reports and direct testimonies, often absent from academic literature.
Drawing on the latest developments in ecocritical theory and extensive fieldwork at outdoor theatres throughout the UK, O'Malley offers a savvy and hard-headed appraisal of open-air Shakespeare as a forum for ecological advocacy. This book advances numerous concepts and arguments that will have a decisive impact on the study of open-air performance in the Anthropocene. For anyone who plans to perform in or attend an outdoor production, Weathering Shakespeare is essential reading.
There are important familiar points to be made about the value of this book: its original focus on contemporary outdoor Shakespeare is a significant contribution to our understanding of theatre today. More important though, is its careful, slow, local and holistic attention to performance. By examining the creative worlding or collective weathering that goes on between players, audience, text and location, O'Malley's study is exemplary of what theatre scholarship should do in the age of ecological crisis.