Three Uses Of The Knife: On the Nature and Purpose of Drama: Bloomsbury Revelations
Autor David Mameten Limba Engleză Paperback – 30 sep 2020
Toate formatele și edițiile | Preț | Express |
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Paperback (1) | 103.50 lei 3-5 săpt. | |
Bloomsbury Publishing – 30 sep 2020 | 103.50 lei 3-5 săpt. | |
Hardback (1) | 182.93 lei 6-8 săpt. | |
Columbia University Press – 31 dec 1997 | 182.93 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781350128958
ISBN-10: 1350128953
Pagini: 64
Dimensiuni: 138 x 216 x 8 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Revelations
Locul publicării:London, United Kingdom
ISBN-10: 1350128953
Pagini: 64
Dimensiuni: 138 x 216 x 8 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Revelations
Locul publicării:London, United Kingdom
Caracteristici
In these essays Mamet provides a powerful case for the importance of theatre which will appeal to anyone interested in the arts and culture generally
Notă biografică
David Mamet is one of America's great dramatists and screenwriters. His plays include Oleanna; Glengarry Glen Ross, for which he won a Pulitzer Prize and a New York Drama Critics Circle Award; Speed-the-Plow; and Sexual Perversity in Chicago, among others. His films include, as screenwriter, The Postman Always Rings Twice, The Verdict, The Untouchables, The Edge and Wag the Dog, and as a writer/director, House of Games, Homicide, Things Change , The Spanish Prisoner and State and Main. He is also the author of children's books; books of essays; novels and a book on acting, True and False.
Cuprins
ONE: The Wind-Chill FactorThe Perfect Ball GameAnti-Stratfordianism The Problem Play Letters of Transit TWO: Second Act ProblemsViolence Self-Censorship THREE: Three Uses of the KnifeThe Eleven-O'Clock Song The End of the Play Index
Textul de pe ultima copertă
Pulitzer Prize-winning playwright, screenwriter, poet, essayist, and director, David Mamet celebrates the absolute necessity of drama - and the experience of great plays - in our lurching attempts to make sense of ourselves and our world. In three tightly woven essays of characteristic force and resonance, Mamet speaks about the connection of art to life, language to power, imagination to survival, the public spectacle to the private script. The essays in the book are an eloquent reminder of how life is filled with the small scenes of tragedy and comedy that can be described only as drama. Mamet also writes of bad theater; of what it takes to write a play, and the often impossibly difficult progression from act to act; the nature of soliloquy; the contentless drama and empty theatrics of politics and popular entertainment; the ubiquity of stage and literary conventions in the most ordinary of lives; and the uselessness, finally, of drama - or any art - as ideology or propaganda. Self-assured, filled with autobiographical touches, and attentive to the challenges to theater presented by a media world of simulacra, this book is a bracing call to art and to arms, a manifesto that reminds us of the singular power of the theater to keep us sane, whole, and human.
Descriere
Descriere de la o altă ediție sau format:
What makes good drama? How does drama matter in our lives? Here one of America's most respected writers reminds us all of the secret powers of the play. Pulitzer Prize-winning playwright, screenwriter, poet, essayist, and director, David Mamet celebrates the absolute necessity of drama in our lurching attempts to make sense of ourselves and our world.
What makes good drama? How does drama matter in our lives? Here one of America's most respected writers reminds us all of the secret powers of the play. Pulitzer Prize-winning playwright, screenwriter, poet, essayist, and director, David Mamet celebrates the absolute necessity of drama in our lurching attempts to make sense of ourselves and our world.