Transatlantic Television Drama: Industries, Programs, and Fans
Editat de Michele Hilmes, Matt Hills, Roberta Pearsonen Limba Engleză Hardback – 24 ian 2019
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Specificații
ISBN-13: 9780190663124
ISBN-10: 019066312X
Pagini: 332
Ilustrații: 14 photographs and screen stills
Dimensiuni: 257 x 183 x 25 mm
Greutate: 0.89 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 019066312X
Pagini: 332
Ilustrații: 14 photographs and screen stills
Dimensiuni: 257 x 183 x 25 mm
Greutate: 0.89 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
This is a varied and wide-ranging collection that shows almost unfailing excellence (unsurprisingly given the calibre of many of the authors included); it is a valuable addition to this rapidly expanding field.
As we experience what many now call a golden age of television drama, this wonderful collection provides a valuable contribution to the long history of drama exchange between Britain and the United States. Focusing on imports, adaptation, and co-productions, it represents a worthwhile addition to reading lists, at a watershed moment when the way we locate and consume drama is undergoing radical change.
For anyone interested in the relationship between British and American television, this book is a must-read. It significantly updates and expands the existing literature in the field and manages to address a wide variety of aspects that emerge in the transnational relationship between the two countries. Hills, Hilmes, and Pearson have managed to bring together the top names in the study of the transatlantic relationship to investigate developments in the production, in the textual construction, and in fan and audience practices based on British and American television drama.
As we experience what many now call a golden age of television drama, this wonderful collection provides a valuable contribution to the long history of drama exchange between Britain and the United States. Focusing on imports, adaptation, and co-productions, it represents a worthwhile addition to reading lists, at a watershed moment when the way we locate and consume drama is undergoing radical change.
For anyone interested in the relationship between British and American television, this book is a must-read. It significantly updates and expands the existing literature in the field and manages to address a wide variety of aspects that emerge in the transnational relationship between the two countries. Hills, Hilmes, and Pearson have managed to bring together the top names in the study of the transatlantic relationship to investigate developments in the production, in the textual construction, and in fan and audience practices based on British and American television drama.
Notă biografică
Michele Hilmes is Professor Emerita at the University of Wisconsin-Madison, where she taught media studies for more than twenty years. Her books include Hollywood and Broadcasting: From Radio to Cable, Radio Voices: American Broadcasting 1922-1952, Network Nations: A Transnational History of British and American Broadcasting, and Only Connect: A Cultural History of Broadcasting in the United States.Roberta Pearson is Professor of Film and Television Studies at the University of Nottingham. Her books include Many More Lives of the Batman, Star Trek and American Television, Reading Lost: Perspectives on a Hit Television Show and Cult Television. Matt Hills is Professor of Media and Film at the University of Huddersfield, UK, and co-director of the Centre for Participatory Culture based there. His monographs include Fan Cultures, The Pleasures of Horror, Triumph of a Time Lord and Doctor Who: The Unfolding Event. He has published more than a hundred journals articles/ book chapters on media fandom.