True Event Adaptation: Scripting Real Lives: Palgrave Studies in Adaptation and Visual Culture
Editat de Davinia Thornleyen Limba Engleză Hardback – 9 oct 2018
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Specificații
ISBN-13: 9783319973210
ISBN-10: 3319973215
Pagini: 204
Ilustrații: XIII, 237 p. 3 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.56 kg
Ediția:1st ed. 2018
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Studies in Adaptation and Visual Culture
Locul publicării:Cham, Switzerland
ISBN-10: 3319973215
Pagini: 204
Ilustrații: XIII, 237 p. 3 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.56 kg
Ediția:1st ed. 2018
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Studies in Adaptation and Visual Culture
Locul publicării:Cham, Switzerland
Cuprins
Part I.- 1. Introduction—Scripting Real Lives, Davinia Thornley.- 2. The Study of Historical Films as Adaptation: Some Critical Reflections, Patrick Cattrysse.- 3. Waiting for the Great Swell of ‘74: John Milius and Autobiographical Self-projection in Big Wednesday, Alfio Leotta.- 4. Making Robert Sarkies’ Film Out of the Blue: Adaptation & Indigenization in Aotearoa New Zealand, Davinia Thornley.- Part II.- 5. When the Truth becomes Too Hard to Tell: Jocylene Saab & Dunia (2005), Margaret McVeigh.- 6. Making It “Real”/“Reel”: Truth, Trauma, and American Exceptionalism in Zero Dark Thirty, Jennifer L. Gauthier.- 7. (The Facts before) The Fiction before the Facts: Suburra from Novel (to Trial) to Feature to TV Serial, Paolo Russo.- 8. Reaching Young Audiences through Research: Using the NABC Method to Create the Norwegian Web Teenage Drama SKAM/Shame, Eva N. Redvall.- Part III.- 9. An Adaptation of Life: Ethnographically-grounded Fiction as a Method of Inquiry into Personal Accounts of Traumatic Events, Ester T. Roura.- 10. Writing the Screenplay for the History Film: A Case Study Featuring the Historical Figure, C.Y. O’Connor, Nadia Meneghello.
Notă biografică
Davinia Thornley is Senior Lecturer in Media, Film, and Communication at the University of Otago, New Zealand. She is the author of the monograph, Cinema, Cross-Cultural Collaboration, and Criticism: Filming on an Uneven Field (2014).
Textul de pe ultima copertă
These essays all—in various ways—address the relationship between adaptation, “true events,” and cultural memory. They ask (and frequently answer) the question: how do we script stories about real events that are often still fresh in our memories and may involve living people? True Event Adaptation: Scripting Real Lives contains essays from scholars committed to interrogating historical and current hard-hitting events, traumas, and truths through various media. Each essay goes beyond general discussion of adaptation and media to engage with the specifics of adapting true life events—addressing pertinent and controversial questions around scriptwriting, representation, ethics, memory, forms of history, and methodological interventions. Written for readers interested in how memory works on culture as well as screenwriting choices, the collection offers new perspectives on historical media and commercial media that is currently being produced, as well as on media createdby the book’s contributors themselves.
Caracteristici
Marks an original contribution because it investigates a previously under-examined area of adaptation: that of stories based on true events Employs a cross-disciplinary approach, by offering insights into history, theatre studies, film and media studies, organizational analysis, and literary/aesthetic theory Offers useful and practical findings on the relationship between real life events and cultural memory