Truth’s a Dog Must to Kennel: Modern Plays
Autor Tim Crouchen Limba Engleză Paperback – 31 iul 2022
Toate formatele și edițiile | Preț | Express |
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Paperback (2) | 71.00 lei 6-8 săpt. | +19.47 lei 5-11 zile |
Bloomsbury Publishing – 19 apr 2023 | 71.17 lei 3-5 săpt. | |
Bloomsbury Publishing – 31 iul 2022 | 71.00 lei 6-8 săpt. | +19.47 lei 5-11 zile |
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Specificații
ISBN-13: 9781350360402
ISBN-10: 1350360406
Pagini: 48
Dimensiuni: 129 x 198 x 6 mm
Greutate: 0.05 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1350360406
Pagini: 48
Dimensiuni: 129 x 198 x 6 mm
Greutate: 0.05 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
Follows on from other Shakespeare performance pieces, I, Cinna and I, Shakespeare and offers a perfect companion study to King Lear
Notă biografică
Tim Crouch is a UK theatre artist based in Brighton. He writes plays, performs in them and takes responsibility for their production. He started to make his own work in 2003. Before then he was an actor. Tim works with a number of associates and collaborators to produce his writing. There isn't a company structure; things and people are brought together when they are needed. The starting process has always been a text written by Crouch.
Recenzii
A heady combination of chat, storytelling and purposely wobbly standup, contradicts his own thesis. Theatre has a way of reinventing itself and Truth's a Dog Must to Kennel, ironically, demonstrates the case.
It is, of course, Tim Crouch's fate to deliver live performances so full of precision and connection, narrative energy and a profound sense of tragedy, that they often do more to demonstrate the power of theatre than to answer his existential questions about it.
It is, of course, Tim Crouch's fate to deliver live performances so full of precision and connection, narrative energy and a profound sense of tragedy, that they often do more to demonstrate the power of theatre than to answer his existential questions about it.