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Uncle Tom's Cabin: Or Life Among the Lowly

Autor Harriet Beecher Stowe Editat de David S. Reynolds Ilustrat de Hammatt Billings
en Limba Engleză Hardback – 23 iun 2011
When Uncle Tom's Cabin was published in 1852 it caused a sensation. Its antislavery position proved to be one the most powerful cultural influences behind the Civil War. By emphasizing the moral failure inherent in slavery, it helped intensify the conflict between north and south. By the end of the year it had sold over 300,000 copies in the U.S. and more than a million abroad. It went on to be the nineteenth century's worldwide bestseller. To capitalize on the book's success the publisher released a lavishly illustrated gift version for the Christmas season. Widely known as the "Splendid Edition," the deluxe offering included over one hundred detailed engravings by Hammatt Billings, who had done six pictures for the original printing. The artfully integrated illustrations amplify the book's abolitionist ideas and capture its historical moment, lending the narrative a moving immediacy. Reissued for the first time, this facsimile edition gives general readers the chance to experience Harriet Beecher Stowe's classic in this most revealing form. It includes a substantial introduction by Bancroft-winning historian David S. Reynolds that situates the novel within the world of ideas and images operative at the time.
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Specificații

ISBN-13: 9780199841431
ISBN-10: 0199841438
Pagini: 608
Ilustrații: 126 illustrations
Dimensiuni: 162 x 242 x 52 mm
Greutate: 1.13 kg
Ediția:Splendid
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States

Notă biografică

David S. Reynolds is Distinguished Professor of English and American Studies at the Graduate Center of the City University of New York. His newest book is Mightier than the Sword: Uncle Tom's Cabin and the Battle for America.

Extras

Late in the afternoon of a chilly day in February, two gentlemen were sitting alone
over their wine, in a well-furnished dining parlor, in the town of P—, in Kentucky.
There were no servants present, and the gentlemen, with chairs closely
approaching, seemed to be discussing some subject with great earnestness.

For convenience sake, we have said, hitherto, two gentlemen. One of the parties,
however, when critically examined, did not seem, strictly speaking, to come under
the species. He was a short, thick-set man, with coarse, commonplace features, and
that swaggering air of pretension which marks a low man who is trying to elbow his
way upward in the world. He was much over-dressed, in a gaudy vest of many
colors, a blue neckerchief, bedropped gayly with yellow spots, and arranged with a
flaunting tie, quite in keeping with the general air of the man. His hands, large and
coarse, were plentifully bedecked with rings; and he wore a heavy gold
watch-chain, with a bundle of seals of portentous size, and a great variety of colors,
attached to it,—which, in the ardor of conversation, he was in the habit of
flourishing and jingling with evident satisfaction. His conversation was in free and
easy defiance of Murray's Grammar, and was garnished at convenient intervals with
various profane expressions, which not even the desire to be graphic in our account
shall induce us to transcribe.

His companion, Mr. Shelby, had the appearance of a gentleman; and the
arrangements of the house, and the general air of the housekeeping, indicated easy,
and even opulent circumstances. As we before stated, the two were in the midst of
an earnest conversation.

'That is the way I should arrange the matter,' said Mr. Shelby.

'I can't make trade that way—I positively can't, Mr. Shelby,' said the other, holding
up a glass of wine between his eye and the light.

'Why, the fact is, Haley, Tom is an uncommon fellow; he is certainly worth that sum
anywhere—steady, honest, capable, manages my whole farm like a clock.'

'You mean honest, as niggers go,' said Haley, helping himself to a glass of brandy.

'No; I mean, really, Tom is a good, steady, sensible, pious fellow. He got religion at
a camp-meeting, four years ago; and I believe he really did get it. I've trusted him,
since then, with everything I have,—money, house, horses,—and let him come and
go round the country; and I always found him true and square in everything.'

'Some folks don't believe there is pious niggers, Shelby,' said Haley, with a candid
flourish of his hand, 'but I do. I had a fellow, now, in this yer last lot I took to
Orleans—'twas as good as a meetin', now, really, to hear that critter pray; and he was
quite gentle and quiet like. He fetched me a good sum, too, for I bought him cheap
of a man that was 'bliged to sell out; so I realized six hundred on him. Yes, I consider
religion a valeyable thing in a nigger, when it's the genuine article, and no mistake.'

'Well, Tom's got the real article, if ever a fellow had,' rejoined the other. 'Why, last
fall, I let him go to Cincinnati alone, to do business for me, and bring home five
hundred dollars. 'Tom,' says I to him, 'I trust you, because I think you're a
Christian—'I know you wouldn't cheat.' Tom comes back, sure enough; I knew he
would. Some low fellows, they say, said to him—'Tom, why don't you make tracks
for Canada?' 'Ah, master trusted me, and I couldn't'—they told me about it. I am sorry
to part with Tom, I must say. You ought to let him cover the whole balance of the
debt; and you would, Haley, if you had any conscience.'

'Well, I've got just as much conscience as any man in business can afford to
keep,—just a little, you know, to swear by, as 'twere,' said the trader, jocularly; 'and
then, I'm ready to do anything in reason to 'blige friends; but this yer, you see, is a
leetle too hard on a fellow—a leetle too hard.' The trader sighed contemplatively, and
poured out some more brandy.

'Well, then, Haley, how will you trade?' said Mr. Shelby, after an uneasy interval of
silence.

'Well, haven't you a boy or gal that you could throw in with Tom?'

'Hum!—none that I could well spare; to tell the truth, it's only hard necessity makes
me willing to sell at all. I don't like parting with any of my hands, that's a fact.'

Here the door opened, and a small quadroon boy, between four and five years of
age, entered the room. There was something in his appearance remarkably beautiful
and engaging. His black hair, fine as floss silk, hung in glossy curls about his
round, dimpled face, while a pair of large dark eyes, full of fire and softness, looked
out from beneath the rich, long lashes, as he peered curiously into the apartment. A
gay robe of scarlet and yellow plaid, carefully made and neatly fitted, set off to
advantage the dark and rich style of his beauty; and a certain comic air of
assurance, blended with bashfulness, showed that he had been not unused to
being petted and noticed by his master.


From the Trade Paperback edition.

Recenzii

"Uncle Tom's Cabin is the most powerful and enduring work of art ever written about American slavery."
—Alfred Kazin


From the Trade Paperback edition.

Textul de pe ultima copertă

With its gripping plot and pungent dialogue, Uncle Tom's Cabin offers readers today a passionate portrait of a nation on the verge of disunion and a surprisingly subtle examination of the relationship between race and nationalism that has always been at the heart of the American experience. This Broadview edition is based upon the first American edition of the novel and reprints its original illustrations and preface. In addition, it reprints all of the prefaces that Stowe wrote for authorized European editions of Uncle Tom's Cabin, offers a wide array of appendices that clarify the novel's participation in antebellum debates about domesticity, colonization, abolitionism, and the law, and includes sections on dramatic adaptations of the novel.