Uncle Tom's Cabin de Harriet Beecher Stowe

Uncle Tom's Cabin: Dover Thrift Editions

en Limba Engleză Paperback – 31 iul 2005

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Listen Up (2014)

Selling more than 300,000 copies the first year it was published, Stowe's powerful abolitionist novel fueled the fire of the human rights debate in 1852. Denouncing the institution of slavery in dramatic terms, the incendiary novel quickly draws the reader into the world of slaves and their masters.
Stowe's characters are powerfully and humanly realized in Uncle Tom, a majestic and heroic slave whose faith and dignity are never corrupted; Eliza and her husband, George, who elude slave catchers and eventually flee a country that condones slavery; Simon Legree, a brutal plantation owner; Little Eva, who suffers emotionally and physically from the suffering of slaves; and fun-loving Topsy, Eva's slave playmate.
Critics, scholars, and students are today revisiting this monumental work with a new objectivity, focusing on Stowe's compelling portrayal of women and the novel's theological underpinnings.

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Specificații

ISBN-13: 9780486440286
ISBN-10: 0486440281
Pagini: 379
Dimensiuni: 132 x 208 x 25 mm
Greutate: 0.3 kg
Editura: Dover Publications
Seria Dover Thrift Editions

Descriere

The moving abolitionist novel that fueled the fire of the human rights debate in 1852 and melodramatically condemned the institution of slavery through such powerfully realized characters as Tom, Eliza, Topsy, Eva, and Simon Legree. First published more than 150 years ago, this monumental work is today being reexamined by critics, scholars, and students.

Notă biografică

Harriet Elisabeth Beecher Stowe (1811 - 1896) was an American abolitionist and author. She came from the Beecher family, a famous religious family and is best known for her novel Uncle Tom's Cabin (1852), which depicts the harsh conditions for enslaved African Americans. The book reached millions as a novel and play and became influential in the United States and Great Britain, energizing anti-slavery forces in the American North, while provoking widespread anger in the South. Stowe wrote 30 books, including novels, three travel memoirs and collections of articles and letters. She was influential for both her writings and her public stances on social issues of the day. In 1832, at the age of 21, Harriet Beecher moved to Cincinnati. There, she also joined the Semi-Colon Club, a literary salon and social club whose members included the Beecher sisters, Caroline Lee Hentz, Salmon P. Chase (future governor of the state and Secretary of Treasury under President Lincoln), Emily Blackwell and others. Cincinnati's trade and shipping business on the Ohio River was booming, drawing numerous migrants from different parts of the country, including many free blacks, as well as Irish immigrants who worked on the state's canals and railroads. Areas of the city had been wrecked in the Cincinnati riots of 1829, when ethnic Irish attacked blacks, trying to push competitors out of the city. Beecher met a number of African Americans who had suffered in those attacks and their experience contributed to her later writing about slavery. It was in the literary club that she met Calvin Ellis Stowe, a widower who was a professor at the seminary. The two married on January 6, 1836. He was an ardent critic of slavery and the Stowes supported the Underground Railroad, temporarily housing several fugitive slaves in their home. Most slaves continued north to secure freedom in Canada. The Stowes had seven children together, including twin daughters. n 1850, Congress passed the Fugitive Slave Law, prohibiting assistance to fugitives and strengthening sanctions even in free states. At the time, Stowe had moved with her family to Brunswick, Maine, where her husband was now teaching at Bowdoin College. Shortly after in June, 1851, when she was 40, the first installment of her Uncle Tom's Cabin was published in serial form in the newspaper The National Era. She originally used the subtitle "The Man That Was A Thing", but it was soon changed to "Life Among the Lowly". Installments were published weekly from June 5, 1851, to April 1, 1852. For the newspaper serialization of her novel, Stowe was paid $400. Uncle Tom's Cabin was published in book form on March 20, 1852, by John P. Jewett with an initial print run of 5,000 copies. In less than a year, the book sold an unprecedented 300,000 copies. By December, as sales began to wane, Jewett issued an inexpensive edition at 37¿ cents each to stimulate sales. According to Daniel R. Lincoln, the goal of the book was to educate northerners on the realistic horrors of the things that were happening in the south. The other purpose was to try to make people in the south feel more empathetic towards the people they were forcing into slavery.

Extras

Late in the afternoon of a chilly day in February, two gentlemen were sitting alone
over their wine, in a well-furnished dining parlor, in the town of P—, in Kentucky.
There were no servants present, and the gentlemen, with chairs closely
approaching, seemed to be discussing some subject with great earnestness.

For convenience sake, we have said, hitherto, two gentlemen. One of the parties,
however, when critically examined, did not seem, strictly speaking, to come under
the species. He was a short, thick-set man, with coarse, commonplace features, and
that swaggering air of pretension which marks a low man who is trying to elbow his
way upward in the world. He was much over-dressed, in a gaudy vest of many
colors, a blue neckerchief, bedropped gayly with yellow spots, and arranged with a
flaunting tie, quite in keeping with the general air of the man. His hands, large and
coarse, were plentifully bedecked with rings; and he wore a heavy gold
watch-chain, with a bundle of seals of portentous size, and a great variety of colors,
attached to it,—which, in the ardor of conversation, he was in the habit of
flourishing and jingling with evident satisfaction. His conversation was in free and
easy defiance of Murray's Grammar, and was garnished at convenient intervals with
various profane expressions, which not even the desire to be graphic in our account
shall induce us to transcribe.

His companion, Mr. Shelby, had the appearance of a gentleman; and the
arrangements of the house, and the general air of the housekeeping, indicated easy,
and even opulent circumstances. As we before stated, the two were in the midst of
an earnest conversation.

'That is the way I should arrange the matter,' said Mr. Shelby.

'I can't make trade that way—I positively can't, Mr. Shelby,' said the other, holding
up a glass of wine between his eye and the light.

'Why, the fact is, Haley, Tom is an uncommon fellow; he is certainly worth that sum
anywhere—steady, honest, capable, manages my whole farm like a clock.'

'You mean honest, as niggers go,' said Haley, helping himself to a glass of brandy.

'No; I mean, really, Tom is a good, steady, sensible, pious fellow. He got religion at
a camp-meeting, four years ago; and I believe he really did get it. I've trusted him,
since then, with everything I have,—money, house, horses,—and let him come and
go round the country; and I always found him true and square in everything.'

'Some folks don't believe there is pious niggers, Shelby,' said Haley, with a candid
flourish of his hand, 'but I do. I had a fellow, now, in this yer last lot I took to
Orleans—'twas as good as a meetin', now, really, to hear that critter pray; and he was
quite gentle and quiet like. He fetched me a good sum, too, for I bought him cheap
of a man that was 'bliged to sell out; so I realized six hundred on him. Yes, I consider
religion a valeyable thing in a nigger, when it's the genuine article, and no mistake.'

'Well, Tom's got the real article, if ever a fellow had,' rejoined the other. 'Why, last
fall, I let him go to Cincinnati alone, to do business for me, and bring home five
hundred dollars. 'Tom,' says I to him, 'I trust you, because I think you're a
Christian—'I know you wouldn't cheat.' Tom comes back, sure enough; I knew he
would. Some low fellows, they say, said to him—'Tom, why don't you make tracks
for Canada?' 'Ah, master trusted me, and I couldn't'—they told me about it. I am sorry
to part with Tom, I must say. You ought to let him cover the whole balance of the
debt; and you would, Haley, if you had any conscience.'

'Well, I've got just as much conscience as any man in business can afford to
keep,—just a little, you know, to swear by, as 'twere,' said the trader, jocularly; 'and
then, I'm ready to do anything in reason to 'blige friends; but this yer, you see, is a
leetle too hard on a fellow—a leetle too hard.' The trader sighed contemplatively, and
poured out some more brandy.

'Well, then, Haley, how will you trade?' said Mr. Shelby, after an uneasy interval of
silence.

'Well, haven't you a boy or gal that you could throw in with Tom?'

'Hum!—none that I could well spare; to tell the truth, it's only hard necessity makes
me willing to sell at all. I don't like parting with any of my hands, that's a fact.'

Here the door opened, and a small quadroon boy, between four and five years of
age, entered the room. There was something in his appearance remarkably beautiful
and engaging. His black hair, fine as floss silk, hung in glossy curls about his
round, dimpled face, while a pair of large dark eyes, full of fire and softness, looked
out from beneath the rich, long lashes, as he peered curiously into the apartment. A
gay robe of scarlet and yellow plaid, carefully made and neatly fitted, set off to
advantage the dark and rich style of his beauty; and a certain comic air of
assurance, blended with bashfulness, showed that he had been not unused to
being petted and noticed by his master.

From the Trade Paperback edition.

Recenzii

"Uncle Tom's Cabin is the most powerful and enduring work of art ever written about American slavery."
—Alfred Kazin

From the Trade Paperback edition.

Textul de pe ultima copertă

With its gripping plot and pungent dialogue, Uncle Tom's Cabin offers readers today a passionate portrait of a nation on the verge of disunion and a surprisingly subtle examination of the relationship between race and nationalism that has always been at the heart of the American experience. This Broadview edition is based upon the first American edition of the novel and reprints its original illustrations and preface. In addition, it reprints all of the prefaces that Stowe wrote for authorized European editions of Uncle Tom's Cabin, offers a wide array of appendices that clarify the novel's participation in antebellum debates about domesticity, colonization, abolitionism, and the law, and includes sections on dramatic adaptations of the novel.

Premii

Listen Up Editor's Choice, 2014

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