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Understanding Adorno, Understanding Modernism: Understanding Philosophy, Understanding Modernism

Editat de Professor Robin Truth Goodman
en Limba Engleză Paperback – 18 mai 2022
Having studied philosophy at a time when its traditions were being seriously uprooted by the atrocities of World War II, Theodor Adorno had an enormous impact on thinking about aesthetics at a transitional historical moment when the philosophy of science and leftist politics were looking for new ground. Moreover, with his focus on the rise of commercial culture and its effects on identity-construction, Adorno can be said to have reinvigorated modernist concerns by introducing the prevailing terms in our contemporary versions of cultural politics and cultural studies. Understanding Adorno, Understanding Modernism traces Adorno's social and aesthetic ideas as they appear and reappear in his corpus. As per other volumes in the series, this book is divided into three parts. The first, "Adorno's Keywords," is organized by the aesthetic terms around which Adorno's philosophy circulates. The second section is devoted to "Adorno and Aesthetics." While Adorno's philosophical viewpoints influenced modernism's evolution into the 21st century, the history of modernist aesthetics also shaped his philosophical approaches. The third and final part, "Adorno's Constellations," discusses how aesthetic form in Adorno's thinking underlies the terms of his social analysis.
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Specificații

ISBN-13: 9781501370311
ISBN-10: 1501370316
Pagini: 296
Dimensiuni: 152 x 229 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Understanding Philosophy, Understanding Modernism

Locul publicării:New York, United States

Caracteristici

Appeals to an interdisciplinary readership across literature (especially the study of modernism) and philosophy (especially continental philosophy)

Notă biografică

Robin Truth Goodman is Professor of English at Florida State University, USA. She is the author or editor of ten previous books, including Gender for the Warfare State: Literature of Women in Combat (2017) and, as editor, Literature and the Development of Feminist Theory (2016).

Cuprins

Series Preface Notes on Contributors Introduction: Understanding Adorno, Understanding ModernismRobin Truth Goodman Section 1: Adorno's Keywords 1 Adorno and Beyond: The Modern as Critique of ModernismMax Paddison, Durham University, UK 2 Under the Skin of Modernity: The SubcutaneousBrigit Antonia Hofstätter, Stockholm University, Sweden 3 Mimesis Unto DeathRobin Truth Goodman, Florida State University, USA Section 2: Adorno's Aesthetics4 Adorno on VinylJeffrey R. Di Leo, University of Houston-Victoria, USA 5 Critique, Complexity, Content: Adorno and Musical Modernism since 1970Larson Powell, University of Missouri-Kansas City, USA6 Between the Culture Industry and Art: Adorno's Approach to FilmStefanie Baumann, University is New University of Lisbon, Portugal7 How It Is (after Auschwitz): Adorno and BeckettJean-Michel Rabaté, University of Pennsylvania, USA8 Thinking Through and Beyond Modernism: Adorno and Contemporary PerformanceSabine Wilke, University of Washington, USA9 Re-Reading Adorno's Reading of Eichendorff in the Context of 1957Christian P. Weber, Florida State University, USA10 Adorno and the Ethics of CampHeidi Schlipphacke, University of Illinois at Chicago, USA Section 3: Adorno's Constellations11 Art and Animals in AdornoCamilla Flodin, Uppsala University, Sweden 12 The Art of Dehumanization: Adorno's AnimalsNatalie Lozinski-Veach, University of West Georgia, USA13 Social Labor and the Work of Art, According to AdornoUlrich Plass, Wesleyan University, USA14 Conspiracy Against Theory: Super-Agents, Conspirators, and the Educational Legacies of PositivismKenneth J. Saltman, University of Illinois at Chicago, USA15 Aspects of Adorno's Critical Theory of CultureStefan Müller-Doohm, University of Oldenburg, GermanyTrans. Daniel Steuer AcknowledgmentsIndex

Recenzii

Reading this dazzling collection of essays is like gazing through a kaleidoscope after a fresh constellation of colored glass has been created by a twist of the hand. For readers who think they already know everything that Adorno had to say about modernism and modernity, the results will be both illuminating and unsettling.
Even as it was failing and fading, modernism for Adorno remained an expression and the signature immanent critique of the modes of domination and repression constitutive of capitalist modernity. In this vibrating series of essays, Adorno's habitation in modernism is surveyed, exemplified, and expanded. Beyond the expected engagements with his modernist aesthetics and music, his writings on lyric poetry, Beckett, mimesis, and culture industry, the reader will also find essays connecting modernism with performance, camp, recorded music (on vinyl), and Adorno's trenchant musings on the human, animals, and the arts. A generous addition to the literature on Adorno's modernism.