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Understanding Kristeva, Understanding Modernism: Understanding Philosophy, Understanding Modernism

Editat de Dr Maria Margaroni
en Limba Engleză Paperback – 26 iun 2024
Julia Kristeva has revolutionized the study of modernism by developing a theoretical approach that is uniquely attuned to the dynamic interplay between, on the one hand, linguistic and formal experimentation, and, on the other hand, subjective crisis and socio-political upheaval. Inspired by the contestatory spirit of the late 1960s in which she emerged as a theorist, Kristeva has defended the project of the European avant-gardes and has systematically attempted to reclaim their legacy in the new societal structures produced by a global, spectacle-dominated capitalism. Understanding Kristeva, Understanding Modernism brings together essays that take up the threads in Kristeva's analyses of the avant-garde, offering an appreciation of her overall contribution, the intellectual and political horizon within which she has produced her seminal works as well as of the blind spots that need to be acknowledged in any contemporary examination of her insights. As with other volumes in this series, this volume is structured in three parts. The first part provides new readings of key texts or central aspects in Kristeva's oeuvre. The second part takes up the task of showing the impact of Kristeva's thought on the appreciation of modernist concerns and strategies in a variety of fields: literature, philosophy, the visual arts, and dance. The third part is a glossary of some of Kristeva's key terms, with each entry written by an expert contributor.
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Specificații

ISBN-13: 9798765102169
Pagini: 368
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.49 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Understanding Philosophy, Understanding Modernism

Locul publicării:New York, United States

Caracteristici

Explores Kristeva's oeuvre and the movements associated with her work, including semiotics/semiology, theory, and the avant-garde as well as her influence in the analysis of modernist figures from Mallarmé and Lautréamont to Bataille, Artaud, Joyce, Woolf, Colette, Celan, Proust, and Aragon

Notă biografică

Maria Margaroni is Associate Professor in Literary Theory and Feminist Thought at the University of Cyprus. She is the author, with John Lechte, of Julia Kristeva: Live Theory (Bloomsbury, 2004) and has edited four books, including, with Arleen Ionescu, Arts of Healing: Cultural Narratives of Trauma (2020).

Cuprins

IntroductionKristeva at the Bleeding-Edge of ModernismMaria Margaroni, University of Cyprus, Cyprus Part I: Conceptualizing Kristeva 1. Kristeva Telle Quelle: A Seductive Encounter Danielle Marx-Scouras, Ohio State University, USA2. Julia Kristeva: Chora, Infinity, ModernismJohn Lechte, Macquarie University, Australia3. Indifferent Feminine: Kristeva and the Avant-GardeMiglena Nikolchina, Sofia University, Bulgaria4. Modernist Trajectories in Time: Kristeva's The Enchanted Clock Carol Mastrangelo-Bové, University of Pittsburgh, USA 5. Sanctity and Scandal: Teresa and the Challenge of 19th century 'False Mysticism'Martha J. Reineke, University of Northern Iowa, USA6. Kristeva's Traumatic Real: Securing the Symbolic Nation through the Law of the VeilTina Chanter, Newcastle University, UK7. Kristeva on Arendt: Politics and the SubjectRobin Truth Goodman, Florida State University, USAPart II: Kristeva and Aesthetics 8. Modernism Unleashed and Restrained: Joyce, Céline and Arendt in Kristeva's Tale of the CenturyMarios Constantinou, Independent Scholar, Cyprus9. The Fabric of Gothic Modernism: Powers of Horror in M. R. James's 'Oh, Whistle, and I'll Come to You, My Lad'Nicholas Chare, Université de Montréal, QC, Canada10. The Impact of Kristeva's Theory of Abjection on Modernist ArtRina Arya, University of Huddersfield, UK11. Androgynous and a Foreigner: Orlando's RevoltChristina Kkona, Bordeaux-Montaigne University, France12. 'Let it end, this cold insanity. Let it happen.' Kristeva's Melancholic Modernism and the Parisian Novels of Jean RhysRossitsa Terzieva-Artemis, University of Nicosia, Cyprus13. The Mirror Before the Mirror: Reflections on Kristeva and Martha Graham's HérodiadeRobert R. Shane, College of Saint Rose, Albany, NY, USAPart III: Glossary 14. Abjection David Koloszyc, Vanier College, Montreal, QC, Canada15. Avant-Garde Christos Hadjiyiannis, University of Cyprus, Cyprus16. Female GeniusElisabetta Convento, Boston University, USA17. Intertextuality Gertrude Postl, Suffolk County Community College, Selden, NY, USA18. Intimate Revolt Gertrude Postl, Suffolk County Community College, Selden, NY, USA19. SpiritualityAlison Jasper, University of Stirling, UK20. Subject-in-process/on trialEsther Hutfless and Elisabeth Schäfer, University of Vienna, Vienna, Austria21. The Semiotic/The Symbolic David Koloszyc, Vanier College, Montreal, QC, CanadaIndex

Recenzii

Erudite. Intriguing. Capacious. This book is not an introduction but rather a kaleidoscopic deep-dive into Kristevian thought, at the intersections of literature, philosophy, politics, psychoanalysis, all in the context of European modernism. A serious and timely collection of new perspectives on the work of one of the most important intellectuals of our time.
This important collection cements Kristeva's status as one of the most important interlocutors of the European modernist avant-garde. Her revolutionary agenda - which she herself has described as situated at the razor's edge between poetry and reality, and which spans over half a decade of prolific writing - is both celebrated and scrutinized by the authors gathered in this volume. Each examines the many faces of modernism as they emerge in her work (revolutionary, sublimatory, abject, melancholic, self-critical.), and as they relate to aesthetic and theoretical considerations, or what Maria Margaroni describes in her introduction as the bleeding edge of modernism. This is essential reading not only to Kristeva scholars but also to those trying to understand, more generally, the legacy of the modernist project for our troubled times.
This interdisciplinary collection provides an original analysis of the constitutive role of European modernisms in Kristeva's thought and in turn shows a critical relevance of Kristeva's theory for modernist studies. An indispensable reading for anyone interested in vexed transnational dialogues between modern aesthetics, politics and psychoanalysis.