Unica Zürn: Art, Writing and Post-War Surrealism
Autor Esra Plumeren Limba Engleză Hardback – 25 feb 2016
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 173.92 lei 22-36 zile | +48.60 lei 5-11 zile |
Bloomsbury Publishing – 29 iun 2022 | 173.92 lei 22-36 zile | +48.60 lei 5-11 zile |
Hardback (1) | 710.02 lei 43-57 zile | |
Bloomsbury Publishing – 25 feb 2016 | 710.02 lei 43-57 zile |
Preț: 710.02 lei
Preț vechi: 1027.40 lei
-31% Nou
Puncte Express: 1065
Preț estimativ în valută:
135.90€ • 141.64$ • 113.13£
135.90€ • 141.64$ • 113.13£
Carte tipărită la comandă
Livrare economică 06-20 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781784530365
ISBN-10: 1784530360
Pagini: 272
Ilustrații: 21 bw illus
Dimensiuni: 138 x 216 x 25 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția I.B.Tauris
Locul publicării:London, United Kingdom
ISBN-10: 1784530360
Pagini: 272
Ilustrații: 21 bw illus
Dimensiuni: 138 x 216 x 25 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția I.B.Tauris
Locul publicării:London, United Kingdom
Notă biografică
Esra Plumer completed her PhD at the University of Nottingham, on the work of Unica Zürn and her development of the technique of automatism as an artistic strategy. She is the leading expert on the artistic work of Zürn with an extensive background in the history of psychoanalysis and psychiatric treatment methods. She has taught at the University of Nottingham, the European University of Lefke and The Courtauld Institute of Art.
Cuprins
List of Illustrations Acknowledgements Foreword by Mary Ann Caws Introduction 1. Beginnings of Change 2. Exhibitions and Exposure 3. 'Femme de Bellmer': Critical Reception from 1984 to 2014 4. Anagrams 5. Automatism after 1945 6. Notes on Unica Zürn's The Man of Jasmine and Other Narratives Epilogue Appendix Notes Bibliography Index
Recenzii
The first significant and sustained English language study of the writer and artist that attempts to explicitly remove her from Bellmer's leaden shadow and show her as significant in her own right... The result of Plumer's careful and exhaustive scholarship is an image both of Zürn as an individual separate from the better known Bellmer, as well as her body of work as a distinct and unique contribution to postwar arts and literature. Plumer's book is itself a superb and groundbreaking contribution to scholarship on Zürn and postwar Surrealism generally. In particular, Plumer provides great insight and methodological clarity into how to examine the relationship between mental illness and artistic creation without reducing one to the other, an activity that has, unfortunately, been the standard approach for so long.
'Esra Plumer's illuminating study swiftly escapes the claws of psychobiography. Instead, she opts for an informative account of Unica Zürn's oeuvre (both visual and textual) as an outcome of a conscious artistic strategy, at times infused by her mental illness, rather than a product of such illness per se. What emerges is a well-overdue portrait of an exceptional artist who was far more than just la femme de Bellmer, as demonstrated in Plumer's astute analysis of the complexities of artistic and personal collaboration.'
'Esra Plumer's comprehensive study of the literary and artistic works of Unica Zürn is highly informative. She presents Zürn as an autonomous artist and also reviews her early period in Berlin. One particular merit is that it at last enables the English-speaking world to share an insight into the surrealistic oeuvre of an exceptional German-French artist.'
'Esra Plumer's illuminating study swiftly escapes the claws of psychobiography. Instead, she opts for an informative account of Unica Zürn's oeuvre (both visual and textual) as an outcome of a conscious artistic strategy, at times infused by her mental illness, rather than a product of such illness per se. What emerges is a well-overdue portrait of an exceptional artist who was far more than just la femme de Bellmer, as demonstrated in Plumer's astute analysis of the complexities of artistic and personal collaboration.'
'Esra Plumer's comprehensive study of the literary and artistic works of Unica Zürn is highly informative. She presents Zürn as an autonomous artist and also reviews her early period in Berlin. One particular merit is that it at last enables the English-speaking world to share an insight into the surrealistic oeuvre of an exceptional German-French artist.'
Caracteristici
Sets Zürn's work against the backdrop of some of the most significant moments of the 20th century, including the advent of psychiatry and the dawn of postmodernism