Utopian Drama: In Search of a Genre: Methuen Drama Engage
Autor Dr Siân Adiseshiahen Limba Engleză Paperback – 29 mai 2024
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Specificații
ISBN-13: 9781350349315
ISBN-10: 1350349313
Pagini: 240
Dimensiuni: 138 x 216 mm
Greutate: 0.28 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Methuen Drama Engage
Locul publicării:London, United Kingdom
ISBN-10: 1350349313
Pagini: 240
Dimensiuni: 138 x 216 mm
Greutate: 0.28 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Methuen Drama Engage
Locul publicării:London, United Kingdom
Caracteristici
This book offers significant historical reach, allowing readers to make connections among utopian expressions across a long period of time and through works by major playwrights
Notă biografică
Siân Adiseshiah is Reader in English and Drama at Loughborough University, UK. Her research interests are in contemporary theatre, utopian studies, and cultural gerontology. She is co-editor of debbie tucker green: Critical Perspectives (2020), Twenty-First Century Drama: What Happens Now (2016), Twenty-First Century Fiction: What Happens Now (2013), and author of Churchill's Socialism: Political Resistance in the Plays of Caryl Churchill (2009).
Cuprins
AcknowledgementsIntroduction: Dramaturgies of Hope1. Utopia, Drama, Genre2. Genealogical Beginnings: Old Comedy, Longing, and Laughter3. Temporary Utopias of Female Community4. The Enhanced Utopian Subject5. Utopia and the Triumph of Ordinary Life6. Utopian ConversationsEpilogueBibliographyIndex
Recenzii
A beautiful, quietly revolutionary book, never sentimental or overblown, but genuinely moving in its commitment to a transformative politics based on the imaginative formulation of how 'a better world' might look and feel.
Utopian Drama delivers a breakthrough intervention that cracks open the scholarly paradigms of both theatre studies and utopian studies. Neither field has paid substantial attention to utopian drama; but now Siân Adiseshiah brings the full strength of her politically engaged, theoretically sophisticated and analytically astute interpretive skills to addressing this vacuum. In doing so, she expands the scope of intellectual and social engagement available in both fields and generates a much deeper understanding of the entire problematic utopian form and process. This work is truly a gift to us all.
A welcome addition to utopian studies, rightfully placing Bernard Shaw at the center of a discussion of utopian thought on stage . a delightful read for Shavians everywhere.
Siân Adiseshiah's fine and nuanced study of utopian drama is keenly needed at a historical moment when dystopia manifests on all fronts. From Aristophanes to contemporary post-dramatic, non-mimetic performance, this carefully theorized, productively hopeful analysis mines Western theatre traditions for insights into the generative thematic of utopia in drama.
Epic in historical scope and engaging with an array of interdisciplinary frameworks, Utopian Drama dislocates utopia from its established home in prose fiction. Diverse, comedic, and sensory, Adiseshiah's dramatic encounters with utopia contest and redress disciplinary exclusion from Utopian Studies. Ephemeral and nomadic, theatre's utopian acts of imagining differently are those that emerge in this illuminating study as critical to dystopian times.
Siân Adiseshiah is not the first to have noticed the preponderance of dystopian dramas in the long history of the theatre. But she is the first to offer an insightful counter-narrative: a history of dramatic utopias that stretches from Aristophanes through Margaret Cavendish to contemporary drama. Clear-eyed and critical, she nonetheless understands that "we need utopias, too." And in a world riven by forces of separation, whether amplified nationalism or a marauding virus, she reminds us of theater's capacity to imagine and inaugurate new social relations.
Utopian Drama delivers a breakthrough intervention that cracks open the scholarly paradigms of both theatre studies and utopian studies. Neither field has paid substantial attention to utopian drama; but now Siân Adiseshiah brings the full strength of her politically engaged, theoretically sophisticated and analytically astute interpretive skills to addressing this vacuum. In doing so, she expands the scope of intellectual and social engagement available in both fields and generates a much deeper understanding of the entire problematic utopian form and process. This work is truly a gift to us all.
A welcome addition to utopian studies, rightfully placing Bernard Shaw at the center of a discussion of utopian thought on stage . a delightful read for Shavians everywhere.
Siân Adiseshiah's fine and nuanced study of utopian drama is keenly needed at a historical moment when dystopia manifests on all fronts. From Aristophanes to contemporary post-dramatic, non-mimetic performance, this carefully theorized, productively hopeful analysis mines Western theatre traditions for insights into the generative thematic of utopia in drama.
Epic in historical scope and engaging with an array of interdisciplinary frameworks, Utopian Drama dislocates utopia from its established home in prose fiction. Diverse, comedic, and sensory, Adiseshiah's dramatic encounters with utopia contest and redress disciplinary exclusion from Utopian Studies. Ephemeral and nomadic, theatre's utopian acts of imagining differently are those that emerge in this illuminating study as critical to dystopian times.
Siân Adiseshiah is not the first to have noticed the preponderance of dystopian dramas in the long history of the theatre. But she is the first to offer an insightful counter-narrative: a history of dramatic utopias that stretches from Aristophanes through Margaret Cavendish to contemporary drama. Clear-eyed and critical, she nonetheless understands that "we need utopias, too." And in a world riven by forces of separation, whether amplified nationalism or a marauding virus, she reminds us of theater's capacity to imagine and inaugurate new social relations.