Victorian Horace: Classics and Class: Classical Inter/Faces
Autor Stephen Harrisonen Limba Engleză Paperback – 26 dec 2018
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Specificații
ISBN-13: 9781472583901
ISBN-10: 1472583906
Pagini: 216
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Classical Inter/Faces
Locul publicării:London, United Kingdom
ISBN-10: 1472583906
Pagini: 216
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Classical Inter/Faces
Locul publicării:London, United Kingdom
Caracteristici
Part of the re-launched Classical Interfaces series, one of the original published series to focus on reception and still very highly regarded
Notă biografică
Stephen Harrison is Professor of Latin Literature, University of Oxford, UK. He has written extensively on Latin literature and its reception, and is the editor of Living Classics: Greece and Rome in Contemporary Poetry in English (2009) and co-editor of Classics in the Modern World: A Democratic Turn? (2013).
Cuprins
Series PrefacePreface to the Volume1. Preliminaries: from English Augustan to Victorian HoraceIntroduction: Horace and cultural capitalA case study: 17C and 18C translations Rochester, Dryden and Pope: versions in contextThe Romantics: Byron, Wordsworth, KeatsHorace and the Victorian gentleman2. Horace in Victorian commentaries, literary criticism, translations(i)Commentaries(ii)Literary criticism(iii)TranslationsMartinConingtonLyttonGladstoneOther complete versionsPartial versions3. Horace and the Victorian Poets I: Tennyson, Arnold, Clough, FitzgeraldTennysonArnoldCloughFitzgerald 4. Horace and the Victorian Poets II: Other ImitationsHorace updatedHorace the Victorian Young ManLoftier allusions5. Horace in Victorian fictionHorace at AthensHorace and the major Victorian novelists(i)Charles Dickens(ii)William Makepeace Thackeray (iii)George Eliot(iv)Anthony Trollope(v)Thomas Hardy6: Epilogue - modernising HoraceEnvoiBibliographyIndex
Recenzii
Harrison is perfectly placed to excavate the Horatian artifacts buried in Victorian literature. . [T]he author demonstrates an impressive command of Victorian poetry and fiction, as well as the scholarship on Victorian classical reception. Without doubt, Victorian Horace is a valuable addition to this literature: consistently illuminating on the intricacies of period translations, on the relationship between an original poem and a modem imitation, and on decoding subtle allusions in poetry and prose.
[Harrison] is an erudite and agreeable cicerone who presents the reader with a wide range of responses to Horace over a significant period in the history of classical education.
A thorough and thought-provoking study, concise, well-argued, and full of avenues for further inquiry. Harrison has made another valuable contribution to the field of Horatian studies.
Quoting passages in the original Latin and in translation, this thorough book examines the role of Horace before and after the Victorian period, setting the 19th-century appeal of the ancient poet in a wider cultural context as part of a dialogue down the centuries from 1st-century Rome till now.
The greatest strength of Harrison's book . [is] the carefully collated and sensibly arranged analyses of the interplay between Horatian verse and its Victorian manifestations. He devotes a chapter to an engaging exegesis of Horatian elements in the works of several Victorian poets, including Tennyson, Arnold, Clough, and Fitzgerald.
This is a discussion of the reception of Horace at its very best, astutely combining analysis of Latin poetry with exploration of the literary and social contexts of translation, criticism and the new writing inspired by Horace. Harrison's readings illuminate both the ancient poetry and its modern counterparts, offering in-depth insights into the dynamism and malleability of the cultural capital embedded in Victorian responses to Horace. The book provides a fitting adieu to the Classical Inter/Faces series.
Admirable and exhaustive assemblage of the impact of Horace on poets, novelists, scholars, and readers of the Victorian Age.
[Harrison] is an erudite and agreeable cicerone who presents the reader with a wide range of responses to Horace over a significant period in the history of classical education.
A thorough and thought-provoking study, concise, well-argued, and full of avenues for further inquiry. Harrison has made another valuable contribution to the field of Horatian studies.
Quoting passages in the original Latin and in translation, this thorough book examines the role of Horace before and after the Victorian period, setting the 19th-century appeal of the ancient poet in a wider cultural context as part of a dialogue down the centuries from 1st-century Rome till now.
The greatest strength of Harrison's book . [is] the carefully collated and sensibly arranged analyses of the interplay between Horatian verse and its Victorian manifestations. He devotes a chapter to an engaging exegesis of Horatian elements in the works of several Victorian poets, including Tennyson, Arnold, Clough, and Fitzgerald.
This is a discussion of the reception of Horace at its very best, astutely combining analysis of Latin poetry with exploration of the literary and social contexts of translation, criticism and the new writing inspired by Horace. Harrison's readings illuminate both the ancient poetry and its modern counterparts, offering in-depth insights into the dynamism and malleability of the cultural capital embedded in Victorian responses to Horace. The book provides a fitting adieu to the Classical Inter/Faces series.
Admirable and exhaustive assemblage of the impact of Horace on poets, novelists, scholars, and readers of the Victorian Age.