William Blake: Longman Critical Readers
Autor John Lucasen Limba Engleză Paperback – 15 mai 1998
The critical range that is represented includes examples of Marxist, New Historicist, Feminist and Psychoanalytical approaches to Blake. Taken together, the essays consider all areas and moments of Blake's career as poet, from the early lyrics to his later epic poems, and they have been chosen to reveal not only the range of Blake's concerns but also to alert the reader to the rich variety of contemporary criticism that is devoted to him. Although the majority of essays are devoted to Blake as poet, others consider his work as printmaker, illustrator, and visionary artist. However severely individual essays choose to judge him, ultimately all the contributions to this book affirm Blake as one of the great geniuses of English art and letters.
William Blake provides a valuable introduction by one of Britain's foremost critics and will be welcomed by students wanting to familiarise themselves with the work of Blake.
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Specificații
ISBN-13: 9780582237100
ISBN-10: 0582237106
Pagini: 220
Dimensiuni: 138 x 216 x 13 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Longman Critical Readers
Locul publicării:Oxford, United Kingdom
ISBN-10: 0582237106
Pagini: 220
Dimensiuni: 138 x 216 x 13 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Longman Critical Readers
Locul publicării:Oxford, United Kingdom
Cuprins
General Editors' Preface
Acknowledgements
1. Introduction
"Mad" Blake
Marxist Criticism
i) Blake and the Radical Tradition
ii) London
"History From the Bottom Up" and the New Historicism
Blake and Art Criticism
Language and Deconstruction
Reader-Response Theory
2. E.P Thompson, "The Divine Image"
3. John Mee, "Dangerous Enthusiasm"
4. David Erdman, "Infinite London"
5. Stewart Crehan, "Producers and Devourers"
6. Susan Matthews, "Jerusalem and Nationalism"
7. John Barrell, "'Original', 'Character' and 'Individual'"
8. Kathleen Raine, "A New Mode of Printing"
9. Brenda S. Webster, "Blake, Women, and Sexuality"
10. Gerda S. Norvig, "Female Subjectivity and the Desire of Reading (in)to Balke's Book of Thel"
11. Michael Simpson, "Who Didn't Kill Blake's Fly: Moral Law and the Rule of Grammar in Songs of Experience"
12. Matt Simpson, "Blake's Songs of Innocence and Experience"
Notes on Authors
Further Reading
Index
Acknowledgements
1. Introduction
"Mad" Blake
Marxist Criticism
i) Blake and the Radical Tradition
ii) London
"History From the Bottom Up" and the New Historicism
Blake and Art Criticism
Language and Deconstruction
Reader-Response Theory
2. E.P Thompson, "The Divine Image"
3. John Mee, "Dangerous Enthusiasm"
4. David Erdman, "Infinite London"
5. Stewart Crehan, "Producers and Devourers"
6. Susan Matthews, "Jerusalem and Nationalism"
7. John Barrell, "'Original', 'Character' and 'Individual'"
8. Kathleen Raine, "A New Mode of Printing"
9. Brenda S. Webster, "Blake, Women, and Sexuality"
10. Gerda S. Norvig, "Female Subjectivity and the Desire of Reading (in)to Balke's Book of Thel"
11. Michael Simpson, "Who Didn't Kill Blake's Fly: Moral Law and the Rule of Grammar in Songs of Experience"
12. Matt Simpson, "Blake's Songs of Innocence and Experience"
Notes on Authors
Further Reading
Index
Descriere
Bringing together the best key recent writing on Blake, this collection examines him as poet, prophet, social and political critic of his times and visual artist. A number of approaches are represented including Marxist, psychoanalytic, feminist, and deconstructionalist, and these works ultimately affirm Blake as one of the great original geniuses of English art. The essays have been chosen to reveal the contemporary nature of Blake's concerns and to alert the reader to the variety of good criticism devoted to him.