Women’s Labour and the History of the Book in Early Modern England
Editat de Dr Valerie Wayneen Limba Engleză Hardback – 13 mai 2020
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Specificații
ISBN-13: 9781350110014
ISBN-10: 1350110019
Pagini: 336
Ilustrații: 20 bw illus
Dimensiuni: 138 x 216 x 27 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom
ISBN-10: 1350110019
Pagini: 336
Ilustrații: 20 bw illus
Dimensiuni: 138 x 216 x 27 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom
Caracteristici
Attends to women from the lowest socio-economic classes (those who raked rags in dunghills), to the middling sort (Frances Wolfreston, common readers, and those who worked in printshops), to those in the literary and social elite (Mary Sidney Herbert, Countess of Pembroke, and Elizabeth Hastings, Countess of Huntingdon)
Notă biografică
Valerie Wayne is Professor Emerita of English at the University of Hawai'i at Manoa,USA.
Cuprins
List of FiguresNotes on ContributorsAcknowledgementsNote on TextsList of Abbreviations1. Introduction: Locating Women's LabourValerie Wayne, University of Hawai'i at Manoa, USA Part One: Making Books: Paper, Publishers, Printers2. English Rag-women and Early Modern Paper ProductionHeidi Craig, Texas A&M University, USA, and Editor, World Shakespeare Bibliography 3. Widow Publishers in London, 1540 - 1640Alan B. Farmer, Ohio State University, USA4. Female Stationers and Their Second-plus HusbandsSarah Neville, Ohio State University, USA5. Left to Their Own Devices: Sixteenth-century Widows and their Printers' DevicesErika Boeckeler, Northeastern University, USA 6. 'Famed as far as one finds books': Women in the Dutch and English Book TradeMartine van Elk, California State University, Long Beach, USA Part Two: Making Texts: Authors and Editors7. Isabella Whitney amongst the Stalls of Richard JonesKirk Melnikoff, University of North Carolina, Charlotte, USA 8.'All by her directing': The Countess of Pembroke and her ArcadiaSarah Wall-Randell, Wellesley College, USA9. Katharine Lee Bates and Women's Editions of Shakespeare for StudentsMolly Yarn, Independent Scholar, USA Part Three: Marking Books: Owners, Readers, Collectors, Annotators10. Patterns in Women's Book Ownership, 1500 - 1700Georgianna Ziegler, Folger Shakespeare Library, USA 11. Reader, Maker, Mentor: The Countess of Huntingdon and her NetworksElizabeth Zeman Kolkovich, Ohio State University, USA 12. Frances Wolfreston's Annotations as Labours of LoveLori Humphrey Newcomb, University of Illinois, USA 13. Afterword: Widows, Orphans and Other ErrorsHelen Smith, University of York, UKIndex
Recenzii
The essays in this collection add substantially to what is known about early modern women's work in book production and the culture of print. The volume has a nice balance of essays that sweep broadly through the archives and that focus on individual women printers, publishers, writers, booksellers, collectors, and readers. The scholarship is superb, including Valerie Wayne's outstanding introduction, and the intersection of the essays is unusually rich
An arresting and important volume that rethinks the role of women in book history.
Valerie Wayne's editorship skilfully marshals a range of essays, drawing out key themes and setting out an intellectual stall . this book advances the work of placing women into the history of books with research that is explicitly feminist, uses modern technologies and covers new ground as well as reassessing the old . [A] landmark volume.
The scholars here have performed impressive acts of archival investigation, much dust has been kicked up, but it has the benefit of clearing the air and making it possible to see the truly impressive busyness of business women, urban scavengers, and noble ladies of leisure alike.
An arresting and important volume that rethinks the role of women in book history.
Valerie Wayne's editorship skilfully marshals a range of essays, drawing out key themes and setting out an intellectual stall . this book advances the work of placing women into the history of books with research that is explicitly feminist, uses modern technologies and covers new ground as well as reassessing the old . [A] landmark volume.
The scholars here have performed impressive acts of archival investigation, much dust has been kicked up, but it has the benefit of clearing the air and making it possible to see the truly impressive busyness of business women, urban scavengers, and noble ladies of leisure alike.