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Autor Alex Cox
en Limba Engleză Hardback – 2 ian 2009
Philip French has called Alex Cox, 'British Cinema's oldest enfant terrible'; it's a description that its recipient fully approves of. This book has as its centre the filmmaking autobiography of a fine director, the journey through the major films he has made and how he has made them, including those in production.
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Specificații

ISBN-13: 9781845115661
ISBN-10: 184511566X
Pagini: 314
Dimensiuni: 162 x 28 x 240 mm
Greutate: 0.63 kg
Editura: I. B. Tauris & Company

Notă biografică

Alex Cox is a filmmaker, his best-known films 'Sid and Nancy', and 'Repo Man', often credited as one of the first truly independent movies. He also acts in films and is the author of a number of screenplays. He has written extensively on film for such as 'Sight and Sound', 'The Guardian' and 'Film Comment'. From 1988 to 1994, he presented 'Moviedrome' on the BBC.

Cuprins

Contents Introduction 1 'Edge City' (aka 'Sleep is for Sissies') 2 'Repo Man' 3 Love Kills - 'Sid & Nancy' 4 'Straight to Hell' 5 'Walker' 6 'El Patrullero' 7 'Death and the Compass' 8 'The Winner' 9 'Three Businessmen' 10 'Revengers Tragedy' 11 on his new film, title to be fixed Index

Descriere

Descriere de la o altă ediție sau format:
Filmmaker Alex Cox's thoughtful autobiography examines his craft and influences, as well as providing his insights into many of his favorite films. Sometimes called a radical, Cox is a quintessential auteur, as well as an internationally focused, insightful critic and writer whose passion for film has gripped him since childhood. In addition to being a captivating look into Cox's process, this book also encourages and instructs would-be independent filmmakers, guiding the next generation of film pioneers through the arduous journey of creation. Cox weaves his own "confessions" with his notes to the new guard, including thoughts on new forms of digital distribution and his radical views on intellectual property — the result is a readable, startling treatise on both the film innovations of today and the thrilling potential of future filmmaking.