X Films
Autor Alex Coxen Limba Engleză Hardback – 2 ian 2009
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 107.33 lei 3-5 săpt. | |
SOFT SKULL PRESS – 30 apr 2008 | 107.33 lei 3-5 săpt. | |
Hardback (1) | 290.28 lei 6-8 săpt. | |
I. B. Tauris & Company – 2 ian 2009 | 290.28 lei 6-8 săpt. |
Preț: 290.28 lei
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Specificații
ISBN-13: 9781845115661
ISBN-10: 184511566X
Pagini: 314
Dimensiuni: 162 x 28 x 240 mm
Greutate: 0.63 kg
Editura: I. B. Tauris & Company
ISBN-10: 184511566X
Pagini: 314
Dimensiuni: 162 x 28 x 240 mm
Greutate: 0.63 kg
Editura: I. B. Tauris & Company
Notă biografică
Alex Cox is a filmmaker, his best-known films 'Sid and Nancy', and 'Repo Man', often credited as one of the first truly independent movies. He also acts in films and is the author of a number of screenplays. He has written extensively on film for such as 'Sight and Sound', 'The Guardian' and 'Film Comment'. From 1988 to 1994, he presented 'Moviedrome' on the BBC.
Cuprins
Contents Introduction 1 'Edge City' (aka 'Sleep is for Sissies') 2 'Repo Man' 3 Love Kills - 'Sid & Nancy' 4 'Straight to Hell' 5 'Walker' 6 'El Patrullero' 7 'Death and the Compass' 8 'The Winner' 9 'Three Businessmen' 10 'Revengers Tragedy' 11 on his new film, title to be fixed Index
Descriere
Descriere de la o altă ediție sau format:
Filmmaker Alex Cox's thoughtful autobiography examines his craft and influences, as well as providing his insights into many of his favorite films. Sometimes called a radical, Cox is a quintessential auteur, as well as an internationally focused, insightful critic and writer whose passion for film has gripped him since childhood. In addition to being a captivating look into Cox's process, this book also encourages and instructs would-be independent filmmakers, guiding the next generation of film pioneers through the arduous journey of creation. Cox weaves his own "confessions" with his notes to the new guard, including thoughts on new forms of digital distribution and his radical views on intellectual property — the result is a readable, startling treatise on both the film innovations of today and the thrilling potential of future filmmaking.