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Yuri Lyubimov: Thirty Years at the Taganka Theatre de B. Beumers

Yuri Lyubimov: Thirty Years at the Taganka Theatre

Autor B. Beumers
en Limba Engleză Paperback – 29 oct 1997
A study of Yury Lyubimov's tempestuous career and his style of theatre during his thirty years at the Taganka Theatre. This work traces the development of his ideas, from his arrival at the theatre in 1964 through to his explusion in 1984, and his period of exile in the West until his return in 1989 to a much-changed Russia. Tracing Lyubimov's work play by play, the book uncovers an individual doomed to be at odds with the prevailing political and social climate of his literary contemporaries.
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Specificații

ISBN-13: 9783718658855
ISBN-10: 3718658852
Pagini: 380
Dimensiuni: 189 x 246 mm
Greutate: 0.82 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Recenzii

"The most interesting thing in art is the unconscious process. Analysis starts later..."

"This well-researched and informed survey considers one of the great contemporary artistic marriages.... Beumers highlights the Taganka's metaphoric treatments of the individual's role in society and the theatre's responsibility to its audience, the humanistic tradition of great Russian literature, and the at-risk intelligentsia who created it....A valuable resource for those interested in theatre and in the intersection of arts and politics."

Cuprins

Introduction Part I Agitation in the 1960s: Society as a Generator of Change 1 The Development of a Poetic Theatre 2 1968 and After: the Crushing of a Repertoire Part II The Tragic Dimension of the 1970s: the Individual and Society 3 The Individual in the Present and in the Past 4 Individual and Artist in Crisis Part III The 1980s in the West 5 In Exile 6 Lyubimov at the Opera Part IV Musical Visions for the 1990s 7 The Return of the ªMasterº 8 Musical Harmony and the Doomed Individual

Descriere

A study of Yury Lyubimov's tempestuous career and his style of theatre. This work traces the development of his ideas, from his arrival at the Taganka Theatre in 1964 through to his explusion in 1984, and his period of exile in the West until his return in 1989 to a much-changed Russia.