Zimbabwean Mbira Music on an International Stage: Chartwell Dutiro's Life in Music: SOAS Studies in Music
Autor Chartwell Dutiro Editat de Keith Howarden Limba Engleză Hardback – 28 iun 2007
Din seria SOAS Studies in Music
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Specificații
ISBN-13: 9780754657996
ISBN-10: 075465799X
Pagini: 116
Dimensiuni: 156 x 234 x 19 mm
Greutate: 0.36 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria SOAS Studies in Music
Locul publicării:Oxford, United Kingdom
ISBN-10: 075465799X
Pagini: 116
Dimensiuni: 156 x 234 x 19 mm
Greutate: 0.36 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria SOAS Studies in Music
Locul publicării:Oxford, United Kingdom
Cuprins
Contents: Preface; Chosen by the ancestors, Chartwell Dutiro, interviewed by Keith Howard; Chartwell Dutiro: The history and politics of Zimbabwe, Theodore Konkouris; Spiritual continuity amongst musical change, Thomas M. Preston; Building bridges: the creative processes of Chartwell Dutiro, Tony Perman; Never-ending musical invention - the music of the mbira, Manuel Jimenez; On mbira notation, Elmar Pohl; Taanerimwe: notations, Ian Grocott; Taanerimwe: Shona lyrics, Penina Patchett; References; Index.
Notă biografică
Chartwell Dutiro is an internationally renowned mbira musician from Zimbabwe who now lives in Britain. Keith Howard is Reader in Music and Head of the Department of Music at SOAS, University of London, UK.
Recenzii
’Besides serving as a good introduction to and description of mbira music, the book discusses how mbira music is changing due to the musicians who have been influenced by international music forms and training.’ Journal of Folklore Research
Descriere
Chartwell Dutiro, an mbira player since childhood and former member of Thomas Mapfumo and the Blacks Unlimited, arrived in Britain in 1994 and has lived there ever since. He works primarily with Zimbabwean and British musicians, and, while allying himself and his music to his Shona ancestors, his music represents both tradition and its transformation. This volume is a collaborative venture between musicians and academics, which builds an account of the mbira, the most important of Zimbabwe's traditional instruments. It celebrates Dutiro's musicianship, exploring his musical development and the collaborations he has been involved with, while at the same time discovering his personal, political and religious perspectives.