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A Cultural History of Theatre in Antiquity: The Cultural Histories Series

Editat de Martin Revermann
en Limba Engleză Paperback – 12 ian 2022
Theatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in classics and theatre studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation.Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
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Specificații

ISBN-13: 9781350277571
ISBN-10: 1350277576
Pagini: 272
Ilustrații: 14 bw illus
Dimensiuni: 169 x 244 x 18 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria The Cultural Histories Series

Locul publicării:London, United Kingdom

Caracteristici

Structured so that readers can trace key themes and developments across periods from antiquity to the present

Notă biografică

Martin Revermann is Associate Professor of Classics and Theatre Studies at the University of Toronto at Mississauga, Canada.

Cuprins

List of IllustrationsNotes on ContributorsSeries PrefaceIntroduction: Cultural History and the Theatres of AntiquityMartin Revermann, University of Toronto, Canada1 Institutional Frameworks: Enabling the Theatrical EventMartin Revermann, University of Toronto, Canada2 Social functions? Making the Case for a Functionless TheatreSean Gurd, University of Missouri, USA3 Sexuality and Gender: Off-Stage and Centre-StageIan Ruffell, University of Glasgow, UK4 The Environment of Theatre: Experiencing Place in the Ancient WorldDavid Wiles, University of Exeter, UK5 Circulation: Theatre as Mobile Political, Economic and Cultural CapitalPatrick Hadley, University of Utah, USA6 Interpretations: the Stage and its Interpretive CommunitiesMartin Revermann, University of Toronto, Canada7 Communities of Production: Pied Pipers and How to Pay Them; or, the Variegated Finance of Ancient TheatreJane Lightfoot, University of Oxford, UK8 Genres: Drama and Its Many Unhappy ReturnsDonald Sells, University of Michigan, USA9 Technologies of Performance: Machines, Props, DramaturgyPeter von Möllendorff, Justus-Liebig University Giessen, Germany(translated from German by Martin Revermann)10 Knowledge Transmission: Ancient Archives and RepertoiresJohanna Hanink, Brown University, USANotesBibliographyIndex

Recenzii

This book surely makes a significant contribution to the study of the theatrical experience of ancient Greeks and Romans . Scholars from classics, theatre history, or performance studies can find fresh and compelling interventions in this collection.