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A Cultural History of Theatre in the Middle Ages: The Cultural Histories Series

Editat de Jody Enders
en Limba Engleză Hardback – 7 aug 2019
Historically and broadly defined as the period between the fall of the Roman Empire and the rise of the Renaissance, the Middle Ages encompass a millennium of cultural conflicts and developments. A large body of mystery, passion, miracle and morality plays cohabited with song, dance, farces and other public spectacles, frequently sharing ecclesiastical and secular inspiration. A Cultural History of Theatre in the Middle Ages provides a comprehensive and interdisciplinary overview of the cultural history of theatre between 500 and 1500, and imaginatively pieces together the puzzle of medieval theatre by foregrounding the study of performance. Each of the ten chapters of this richly illustrated volume takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
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Specificații

ISBN-13: 9781472585707
ISBN-10: 1472585704
Pagini: 304
Ilustrații: 36 bw illus
Dimensiuni: 169 x 244 x 23 mm
Greutate: 0 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria The Cultural Histories Series

Locul publicării:London, United Kingdom

Caracteristici

Brings together contributions from leading scholars in the history of theatre

Notă biografică

Jody Enders is Distinguished Professor of French and Theatre at the University of California, Santa Barbara, USA.

Cuprins

List of Illustrations Notes on Contributors Series Preface Editor's Acknowledgements Introduction: Medieval Theatre Makes History Jody Enders, University of California, Santa Barbara, USA 1. Institutional Frameworks Seeta Chaganti, University of California, Davis, USA, Noah Guynn, University of California, Davis, USA and Erith Jaffe-Berg, University of California at Riverside, USA 2. Social Functions Kathleen Ashley, University of Southern Maine, Portland, USA 3. Sexuality and Gender Sharon Aronson-Lehavi, Tel-Aviv University, Israel 4. The Environment of Theatre Laura Weigert, Rutgers University, USA 5. Circulation: A Peripatetic Theatre Claire Sponsler, University of Iowa, USA 6. Interpretations Glending Olson, Cleveland State University, USA 7. Communities of Production Bruce R. Burningham, Illinois State University, USA 8. Repertoire and Genres Donnalee Dox, Texas A&M University, USA 9. Technologies of Performance Katie Normington, Royal Holloway, University of London, UK 10. Knowledge Transmission: Media and Memory Carol Symes, University of Illinois at Urbana-Champaign, USA Notes Bibliography Index

Recenzii

Not since the Cambridge History of American Theatre (1998-2000) has a multiauthored theatre history been as anticipated as Bloomsbury's A Cultural History of Theatre. Having read all six volumes (1,636 pages), I can testify to the magnitude of their accomplishment. A Cultural History of Theatre is a profound reconsideration of how we understand theatre, its myriad social contexts, and the cultural work it accomplishes. the product of intellectual labor and creativity, and its accomplishments are many. A landmark work in theatre and social history, it illuminates theatre through the lens of culture, and culture through the lens of theatre.
All six volumes are aesthetically attractive, with well-chosen cover illustrations in color and numerous halftones throughout. Page layouts with wide margins, good paper, subtitles, generous bibliographies, notes, and index all add to the appeal. Summing Up: Recommended. Upper-division undergraduates through faculty and professionals; general readers.