Afro-Caribbean Poetry and Ritual
Autor P. Griffithen Limba Engleză Hardback – 11 iun 2010
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Specificații
ISBN-13: 9780230623644
ISBN-10: 0230623646
Pagini: 219
Ilustrații: XV, 219 p.
Dimensiuni: 140 x 216 x 18 mm
Greutate: 0.36 kg
Ediția:2010
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Locul publicării:New York, United States
ISBN-10: 0230623646
Pagini: 219
Ilustrații: XV, 219 p.
Dimensiuni: 140 x 216 x 18 mm
Greutate: 0.36 kg
Ediția:2010
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Locul publicării:New York, United States
Cuprins
Introduction PART I: MEDIATING SACRED TIME AND SPACE The Limbo: Ritual Re-entry into History Shipwrecked in the Middle Passage: Limbo as Agon of Soul Folk Masques: Ritualizing Time and Space PART II: ORATORICAL PLAY Mythic Voices: Art as the Inheritance of Responsibility Lullabies and Children's Games: Word as Genesis of Spirit Spiritual Adventure through Song Tales and Fables: Charting the Interstice Conclusion
Recenzii
"Interested readers will no doubt approach this volume with the expectation of learning more about poets like Kamau Brathwaite and Derek Walcott, and they will not be disappointed." - Review of Texas Books
"Griffith s scholarship is remarkably thorough. In using the notion of the tidealectic as his controlling trope, the author manages to link a vast body of oral tradition - both literary and nonliterary - to the primal natural archetype of island cultures. This is perhaps best demonstrated in his fascinating analysis of the symbolic patterns embodied in the Limbo dance - the ebb and flow, the death and resurrection - which becomes a metaphor for the Middle Passage, the hell of slavery, and the eventual rise of free, post-colonial cultures. As the author says, It is this metaphorical rhythm of retrieval and advance, death and rebirth . . . that gives conceptual unity to a range of forms and styles in Caribbean residually oral art. " - R. S. Gwynn, editor of the Penguin Pocket Anthology
"Griffith s scholarship is remarkably thorough. In using the notion of the tidealectic as his controlling trope, the author manages to link a vast body of oral tradition - both literary and nonliterary - to the primal natural archetype of island cultures. This is perhaps best demonstrated in his fascinating analysis of the symbolic patterns embodied in the Limbo dance - the ebb and flow, the death and resurrection - which becomes a metaphor for the Middle Passage, the hell of slavery, and the eventual rise of free, post-colonial cultures. As the author says, It is this metaphorical rhythm of retrieval and advance, death and rebirth . . . that gives conceptual unity to a range of forms and styles in Caribbean residually oral art. " - R. S. Gwynn, editor of the Penguin Pocket Anthology
Notă biografică
PAUL A. GRIFFITH, Professor of English at Lamar University, USA.