Cantitate/Preț
Produs
Total produse
Vezi coșul
All About Music: The Complete Ontology: Realities, Semiotics, Communication, and Embodiment de Guerino Mazzola

All About Music: The Complete Ontology: Realities, Semiotics, Communication, and Embodiment: Computational Music Science

Autor Guerino Mazzola, Maria Mannone, Yan Pang, Margaret O'Brien, Nathan Torunsky
en Limba Engleză Paperback – 5 iul 2018
This book explains music’s comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience.
The authors' approach is applicable to every musical genre and is scientific, the book is suitable for non-musicians and non-scientists alike.

Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 32809 lei  43-57 zile
  Springer International Publishing – 5 iul 2018 32809 lei  43-57 zile
Hardback (1) 50498 lei  43-57 zile
  Springer International Publishing – dec 2016 50498 lei  43-57 zile

Din seria Computational Music Science

Preț: 32809 lei

Preț vechi: 41012 lei
-20% Nou

Puncte Express: 492
Preț estimativ în valută:
6278€ • 6572$ • 5195£

Carte tipărită la comandă

Livrare economică 07-21 aprilie

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9783319837147
ISBN-10: 3319837141
Ilustrații: XIII, 191 p. 141 illus., 114 illus. in color.
Dimensiuni: 155 x 235 mm
Greutate: 0.3 kg
Ediția:Softcover reprint of the original 1st ed. 2016
Editura: Springer International Publishing
Colecția Springer
Seria Computational Music Science

Locul publicării:Cham, Switzerland

Cuprins

Introduction.- Physical Reality.- Psychological Reality.- Mental Reality.- Generalities about Signs, Neumes, Periods and Development Sentences.- De Saussure and Peirce, the Semiotic Architecture, Digital vs. Analog Music Encoding.- Riemannian Harmony and The HarmonRubette Software.- De Saussure’s Six Dichotomies.- The Babushka Principle in Semiotics: Connotation, Motivation, Metatheory.- The Musical Case of Iterated Imbrication of Semiotic Components.- What Is Art?.- MIDI Code.- Global Music.- Gesture Theory in Music.- Frege’s Prison of Functions.- Music Without Scores. Neuroscience and Gestures.- Mathematical Gesture Theory.- Creativity Theory.

Recenzii

“This is an excellent book that comprehensively deals with various aspects of music. … Throughout the work, each chapter begins with a detailed summary that assists the reader. The pictures, figures, and tables are of excellent quality. In addition, a valuable list of references is provided for further research. Summing Up: Recommended. All readers.” (M. G. Prasad, Choice, Vol. 57 (11), July, 2017)

“The book is highly recommended as a general introduction to these four subjects as related to music because it delivers the information in an accessible language. The authors’ approach is applicable to every musical genre, in a manner suitable for nonmusicians and nonscientists alike.” (C. Delrieux, Computing Reviews, January, 22 , 2018)

Notă biografică

Prof. Dr. Guerino Mazzola earned his Ph.D. in Mathematics from Zurich University. He wrote the groundbreaking book The Topos of Music in 2002, its formal language and models are used by leading researchers in Europe, India, Japan, and North America and have become a foundation of music software design. Prof. Mazzola has an appointment as professor in the School of Music at the College of Liberal Arts, University of Minnesota.
Maria Mannone and Yan Pang are completing their Ph.D. work in the School of Music of the University of Minnesota.
Margaret O’Brien and Nathan Torunsky are undergraduate students in the School of Music of the University of Minnesota.

Textul de pe ultima copertă

This book explains music’s comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience.
The authors' approach is applicable to every musical genre and is scientific, the book is suitable for non-musicians and non-scientists alike.

Caracteristici

Based on authors' undergraduate teaching Presents ideas in a critical manner, highlighting problems with earlier teaching approaches Includes many illustrations and exercises with solutions Includes supplementary material: sn.pub/extras