Art as Biblical Commentary: Visual Criticism from Hagar the Wife of Abraham to Mary the Mother of Jesus: The Library of Hebrew Bible/Old Testament Studies
Autor Professor J. Cheryl Exumen Limba Engleză Paperback – 27 ian 2021
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 237.28 lei 6-8 săpt. | |
Bloomsbury Publishing – 27 ian 2021 | 237.28 lei 6-8 săpt. | |
Hardback (1) | 770.55 lei 6-8 săpt. | |
Bloomsbury Publishing – 15 mai 2019 | 770.55 lei 6-8 săpt. |
Din seria The Library of Hebrew Bible/Old Testament Studies
- Preț: 168.75 lei
- 31% Preț: 507.12 lei
- Preț: 159.16 lei
- 31% Preț: 652.06 lei
- 31% Preț: 505.54 lei
- Preț: 470.74 lei
- 31% Preț: 507.00 lei
- 30% Preț: 661.63 lei
- Preț: 168.75 lei
- Preț: 99.40 lei
- 31% Preț: 594.59 lei
- 31% Preț: 710.24 lei
- 25% Preț: 505.84 lei
- 31% Preț: 506.61 lei
- 23% Preț: 191.27 lei
- 31% Preț: 652.29 lei
- 24% Preț: 190.90 lei
- 31% Preț: 538.09 lei
- 31% Preț: 535.67 lei
- Preț: 168.53 lei
- Preț: 170.01 lei
- 31% Preț: 596.44 lei
- 31% Preț: 888.41 lei
- Preț: 177.04 lei
- 31% Preț: 506.61 lei
- 31% Preț: 770.15 lei
- Preț: 472.22 lei
- Preț: 175.07 lei
- Preț: 592.08 lei
- 31% Preț: 769.26 lei
- 27% Preț: 1116.16 lei
- 23% Preț: 1116.00 lei
- 22% Preț: 1119.01 lei
- 22% Preț: 1060.73 lei
- 23% Preț: 1114.72 lei
- 23% Preț: 999.38 lei
- 23% Preț: 1117.46 lei
- 22% Preț: 1125.01 lei
- 23% Preț: 764.55 lei
- 23% Preț: 1114.05 lei
- 23% Preț: 822.93 lei
- 22% Preț: 884.36 lei
- 31% Preț: 710.18 lei
- 22% Preț: 1122.41 lei
- 22% Preț: 1119.32 lei
- 23% Preț: 1058.61 lei
- 22% Preț: 888.01 lei
- 18% Preț: 382.00 lei
- 31% Preț: 745.36 lei
Preț: 237.28 lei
Preț vechi: 306.22 lei
-23% Nou
Puncte Express: 356
Preț estimativ în valută:
45.41€ • 47.97$ • 37.96£
45.41€ • 47.97$ • 37.96£
Carte tipărită la comandă
Livrare economică 01-15 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780567700308
ISBN-10: 0567700305
Pagini: 288
Ilustrații: 91 colour illus
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.41 kg
Editura: Bloomsbury Publishing
Colecția T&T Clark
Seria The Library of Hebrew Bible/Old Testament Studies
Locul publicării:London, United Kingdom
ISBN-10: 0567700305
Pagini: 288
Ilustrații: 91 colour illus
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.41 kg
Editura: Bloomsbury Publishing
Colecția T&T Clark
Seria The Library of Hebrew Bible/Old Testament Studies
Locul publicării:London, United Kingdom
Caracteristici
Illustrated with over forty images from the Old Masters and European painting from the seventeenth and eighteenth centuries
Notă biografică
J. Cheryl Exum is Emeritus Professor of Biblical Studies at the University of Sheffield, UK.
Cuprins
Preface List of Figures Part I: Visual Criticism 1. Visual Criticism: Biblical Art as Biblical Commentary 2. The Blinded Samson and Scene from the Song of Songs: Paintings that Changed My MindPart II: Hagar3. The Abjection of Hagar4. The Rape of Hagar 5. The Theophanies to Hagar Part III: From Eve to Mary 6. Erotic Look and Voyeuristic Gaze: Looking at the Body in the Bible and Art7. Shared Glory: Salomon de Bray's Jael, Deborah and Barak 8. Notorious Biblical Women in Manchester: Spencer Stanhope's Eve and Frederick Pickersgill's Delilah 9. Ecce Mulier: The Levite's Wife, the Mother of Jesus, and the Sacrificial Female BodyBibliographyIndex of ReferencesIndex of Authors
Recenzii
Whether you already have a great knowledge of the Bible and/or art history, or neither of these subjects, you could not fail to be instantly drawn into the brilliance of Exum's work such is the skill of her writing in presenting absorbing, challenging arguments about what is actually happening in the relationship in and between a biblical text and the greater and lesser known "masterpieces" of Western-European art that have attempted to interpret and depict these narratives over the past four or five centuries.
In yet another thought-provoking and challenging volume, Cheryl Exum explores several gems from the repertoire of Western art to reflect on what is said - but more often left unsaid - in the biblical text. With meticulous attention to the detail of the paintings, she conveys with freshness, originality and wit how an artist can capture that very precise nuance of a text, or that exact trait of a character, that so often eludes traditional commentators. Through a judicious selection of artists and paintings, Exum skilfully and persuasively shows us that there are many ways of "seeing" and appropriating biblical stories. Most importantly, Exum has successfully championed an approach that is useful for everyone who values the artist's essential role in biblical interpretation.
Art as Biblical Commentary takes an increasingly popular branch of Biblical Studies to new levels, exegetically and methodologically, showing over and over again, for the benefit of ordinary readers as well as experts, what valuable, nuanced insights into the meaning of the Bible can be revealed by a careful study of works of art like a seventeenth-century Dutch Jael, Deborah and Barak, two nineteenth-century paintings of Eve and Delilah and a twentieth-century Blinded Samson.
A conversation between ancient texts, early modern visual responses, and contemporary teachers and their students is the most effective way to keep the past alive on behalf of today and tomorrow. Rather than the hopeless endeavour of reconstructing the past "as it was" Exum helps us talk with the past "as it is". And in the process, she demonstrates that one can talk with images as much as with words. This is interdisciplinary cultural analysis at its best.
The book shows great interest for all those who want to approach another way of looking at the biblical text, to approach from another perspective, for those who want to find new details that help them meditate, contemplate the message of God to the men and women of today.
In yet another thought-provoking and challenging volume, Cheryl Exum explores several gems from the repertoire of Western art to reflect on what is said - but more often left unsaid - in the biblical text. With meticulous attention to the detail of the paintings, she conveys with freshness, originality and wit how an artist can capture that very precise nuance of a text, or that exact trait of a character, that so often eludes traditional commentators. Through a judicious selection of artists and paintings, Exum skilfully and persuasively shows us that there are many ways of "seeing" and appropriating biblical stories. Most importantly, Exum has successfully championed an approach that is useful for everyone who values the artist's essential role in biblical interpretation.
Art as Biblical Commentary takes an increasingly popular branch of Biblical Studies to new levels, exegetically and methodologically, showing over and over again, for the benefit of ordinary readers as well as experts, what valuable, nuanced insights into the meaning of the Bible can be revealed by a careful study of works of art like a seventeenth-century Dutch Jael, Deborah and Barak, two nineteenth-century paintings of Eve and Delilah and a twentieth-century Blinded Samson.
A conversation between ancient texts, early modern visual responses, and contemporary teachers and their students is the most effective way to keep the past alive on behalf of today and tomorrow. Rather than the hopeless endeavour of reconstructing the past "as it was" Exum helps us talk with the past "as it is". And in the process, she demonstrates that one can talk with images as much as with words. This is interdisciplinary cultural analysis at its best.
The book shows great interest for all those who want to approach another way of looking at the biblical text, to approach from another perspective, for those who want to find new details that help them meditate, contemplate the message of God to the men and women of today.