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Concrete and Plastic: Thinking through Materiality: Environmental Cultures

Autor Kylie Crane
en Limba Engleză Hardback – 15 mai 2024
Plastic and concrete are two of the most ubiquitous materials of the modern age. This open access book traces inventions, inventories and interventions of these materials as they pervade our day-to-day lives across various forms. By proposing we think of the ways materials configure 'future artefacts', and by recognizing the various ways in which materials shape our encounters with the world, the book explores the productive tensions implicit in, and between, concrete and plastic. Drawing ona wide range of sources, including novels, essays, travel and nature writings, films, poems, souvenirs, advertisements, policy documents, environmental art, wrapping,and (popular) science writing, the book attends to all kinds of cultural artefacts to trace imaginative entanglements with disparate others in the Anthropocene. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com Open access was funded by The University of Rostock.
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Specificații

ISBN-13: 9781350380592
ISBN-10: 1350380598
Pagini: 256
Ilustrații: 10 bw illus
Dimensiuni: 156 x 234 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Environmental Cultures

Locul publicării:London, United Kingdom

Caracteristici

Examines an extremely broad range of sources, including novels, essays, travel and nature writings, films, advertisements, policy documents and (popular) science writing

Notă biografică

Kylie Crane is Professor of British and American Cultural Studies at the University of Rostock, Germany.

Cuprins

IntroductionChapter 1. Plastic PacificChapter 2. Megadam MaterialitesChapter 3. Unpacking PlasticChapter 4. Concrete RuinsConclusionBibliography

Recenzii

This book performs an exciting update to methods in material culture studies, bridging these to concerns raised by the new materialists. It offers brilliant overviews of the qualities of plastic and concrete as objects in flow, and it develops these accounts of modern materiality in a delightfully eclectic array of readings.