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Electroacoustic Music: Analytical Perspectives: Contributions to the Study of Music and Dance

Autor Thomas Licata
en Limba Engleză Hardback – 29 sep 2002 – vârsta până la 17 ani
Electroacoustic music, a flourishing medium for over half a century, remains today, in a wide array of technological forms, one of the major areas of creative activity in music. However, it has long been overlooked in theoretical studies-possibly in part because it does away with traditional scores and notation. In this landmark collection, a group of distinguished composers and theorists who have actively worked in the field present detailed analyses of important electroacoustic works while also demonstrating some recent approaches to the analysis of the music of this medium. Included here are discussions of such significant works as Karlheinz Stockhausen's Gesang der Jünglinge (1955/56), Iannis Xenakis' Diamorphoses (1957), and Jean-Claude Risset's Contours (1982). Overall, the collection aims to elucidate the sonic design of each of the electroacoustic music works under investigation, using its best examples as a lens through which to examine an unduly neglected genre.Demonstrating recent techniques in the analysis of electroacoustic music, the volume also considers various compositional approaches as well as computer applications that have become an irreplaceable tool in the composing of this music. So little has been written about this 20th-century art form that Electroacoustic Music: Analytical Perspectives is at once a fresh, bold step forward in musicology and analysis.
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Specificații

ISBN-13: 9780313314209
ISBN-10: 0313314209
Pagini: 272
Ilustrații: 1, black & white illustrations
Dimensiuni: 156 x 235 x 24 mm
Greutate: 0.55 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Seria Contributions to the Study of Music and Dance

Locul publicării:New York, United States

Notă biografică

THOMAS LICATA is Assistant Professor of Music at Hartwick College in New York where he coordinates the composition, music theory, and computer programs.

Cuprins

Foreword by Jean-Claude RissetIntroduction by Thomas LicataKarlheinz Stockhausen: Gesang der Jünglinge (1955/1956)"Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of Gesang der Jünglinge" by Pascal Decroupet and Elena UngeheuerIannis Xenakis: Diamorphoses (1957)"Diamorphoses by Iannis Xenakis" by Thomas DeLioGottfried Michael Koenig: Essay (1957/1958)"Koenig--Sound Composition--Essay" by Konrad BoehmerLuigi Nono: Omaggio a Emilio Vedova (1960)"Luigi Nono's Omaggio a Emilio Vedova" by Thomas LicataKarlheinz Stockhausen: Telemusik (1966)"Serial Composition, Serial Form, and Process in Karlheinz Stockhausen's Telemusik" by Jerome KohlOtto Laske: Terpsichore (1980)"Subscore Manipulation as a Tool for Composition and Sonic Design" by Otto LaskeJean-Claude Risset: Contours (1982)"A Story of Emergence and Dissolution: Analytical Sketches of Jean-Claude Risset's Contours" by Agostino Di ScipioJames Daschow: Sequence Symbols (1984)Looking Into Sequence Symbols" by James DaschowJoji Yuasa: A Study in White (1987)"Oppositional Dialectics in Joji Yuasa's The Sea Darkens" by Kristian TwomblyIndex