Cantitate/Preț
Produs

Whose Master's Voice?: The Development of Popular Music in Thirteen Cultures: Contributions to the Study of Music and Dance

Editat de Fouli T. Papageorgiou
en Limba Engleză Hardback – 18 feb 1997 – vârsta până la 17 ani
What are the interactions between transnational communication and national cultures? This work attempts to answer this critical question in the study of culture and communication. It takes as its vehicle of study the music industry and music making in 13 different cultures, presenting an insider's view of a global cultural experience. Of interest to musicologists and sociologists alike, plus anyone fascinated by distant cultures and how they are affected by external as well as internal communication systems.The chapters are a collection of research findings produced for the International Communications and Youth Cultures Consortium (ICYC), an informal group of international scholars in many disciplines who are committed to understanding the economic and social factors that influence cultures and youth. Their point of view in this work is their individual country and the tensions that arise from the development of international communication systems. Each view is from inside the country; external influences are not subjects of study in themselves but are viewed as part of a complex scene along with other variables operating in various national situations.
Citește tot Restrânge

Din seria Contributions to the Study of Music and Dance

Preț: 43917 lei

Preț vechi: 60403 lei
-27% Nou

Puncte Express: 659

Preț estimativ în valută:
8407 8646$ 6975£

Carte tipărită la comandă

Livrare economică 19 februarie-05 martie

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780313277726
ISBN-10: 0313277729
Pagini: 272
Dimensiuni: 156 x 235 x 25 mm
Greutate: 0.59 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Seria Contributions to the Study of Music and Dance

Locul publicării:New York, United States

Notă biografică

ALISON J. EWBANK is a freelance writer in England, having spent many years at the Institute for Mass Communications Studies at Leeds University. Her research there included studying the political aspects of mass media. She is co-author of Social Conflict and Television News and Music at the Margins (1991).FOULI T. PAPAGEORGIOU is Director of the Centre for Development Studies Planning and Research in Athens, Greece. She has extensive research experience on issues related to policymaking in the areas of leisure and recreation. She is co-author of Music at the Margins (1991).

Cuprins

TablesPrefaceIntroductionThe Australian Rock Music Scene by Susanna Agardy and Lawrence ZionCulture, Media and the Music Industry in Brazil by Nelly de CamargoThe English Experience by Alison J. EwbankPopular Music and the Music Industry in Greece by Fouli T. PapageorgiouA Brief History of Music Production in Hawaii by Elizabeth B. BuckMusic in India: A Look at Something Different by Usha Vyasulu ReddyThe Israeli Musical Environment: Cultural Heritage and Sociocultural Change by Hanna AdoniLocal Musicians in Jamaica: A Case Study by Marlene Cuthbert and Avonie BrownInteractions of Imported and Indigenous Musics in Japan: A Historical Overview of the Music Industry by Toru MitsuiThe Problem of Our Time: Culture or Industrial Culture? Musical Creation or Industrialized Musical Products? The Spanish Case by Blanca MunozSeeking the Best Integration: Popular Music in Taiwan by Georgette WangVisceral Vibes and a Place in the Sun: U.S. Popular Music by Deanna Campbell Robinson, Jack Banks, and Nancy BreauxUruguayan Popular Music: Notes on Recent History by Carlos Alberto Martins and Carlos DumpiérrezIndex