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Philosophy and the Analysis of Music: Bridges to Musical Sound, Form, and Reference: Contributions to the Study of Music and Dance

Autor Lawrence Ferrara
en Limba Engleză Hardback – 10 dec 1991 – vârsta până la 17 ani
A musical experience is marked by the synthesis of passion and rationality, emotion and understanding, and body and mind. Ferrara demonstrates that each method of musical analysis confines musical significance to a single level: formal methods explain musical syntax; phenemonological methods describe the sound-in-time; and hermeneutic approaches interpret referential meanings. Ferrara devises an eclectic method that provides bridges for musical sound, form, and reference.In response to the multiplicity of levels of musical significance, Ferrara's eclectic method draws upon a wide-ranging number of conventional and non-conventional approaches to musical analysis which results in a dialectic of methods. Referential meanings are concretized, clarified, and delimited by the degree to which they can be grounded in the sound-in-time and formal elements; the latter are reexamined, expanded, and enriched by referential insights. In the last two chapters, the eclectic method is tested through analyses of works by Bela Bartok and David Zinn. This book is intended for trained music listeners and performers, music analysts, musicologists, and those interested in aesthetics and the development of music and music education.
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Specificații

ISBN-13: 9780313283451
ISBN-10: 0313283451
Pagini: 390
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.74 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Seria Contributions to the Study of Music and Dance

Locul publicării:New York, United States

Notă biografică

LAWRENCE FERRARA is a pianist and Professor of Music at New York University where he is Director of Doctoral Studies in the Department of Music and Music Professions. Among his other works are Keyboard Harmony and Improvisation and A Guide to Research in Music (4th Edition), written with Roger Phelps and Thomas Goolsby.

Cuprins

IntroductionMusical Significance and MethodReferential Meaning In MusicShould The Method Define The Tasks? (A Theoretical Framework for Sound, Form, and Reference)A Philosophical GroundHusserl's PhenomenologyHeidegger's Hermeneutic PhenomenologyHeidegger's Philosophy of ArtPhenomenology and MusicAn Eclectic Method for Musical AnalysisAn Eclectic Method for Sound, Form, and ReferenceBela Bartok's Improvisation #3, Opus 20: An Eclectic AnalysisDavid Zinn's "Spanish Sojourn", 3rd. Mov't.: An Eclectic AnalysisBibliographyIndex