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Fugal Composition: A Guide to the Study of Bach's '48': Contributions to the Study of Music and Dance

Autor Dorene Groocock
en Limba Engleză Hardback – 27 feb 2003 – vârsta până la 17 ani
Eminently readable despite the complexity of its subject, Fugal Composition: A Guide to the Study of Bach's 48 guides the reader in studying the 48 fugues of the composer's Well-Tempered Clavier. Author Joseph Groocock analyzes each of the fugues individually, both verbally and diagrammatically, and includes such elements as overall structure, episodes, stretto, subsidiary subjects, and countersubjects. The appendices and index furnish a ready reference for the scholar or researcher seeking information or guidance on specific points.Meanwhile, the volume's editor supplies comparative analyses using current and previous scholarship on every fugue-illustrating where the author supports or challenges other viewpoints. In all, the analyses contained in Fugal Composition establish the extraordinary diversity of Bach's fugal style, in such a way that readers gain a new understanding of these significant and beautiful works of music.
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Specificații

ISBN-13: 9780313323232
ISBN-10: 0313323232
Pagini: 248
Dimensiuni: 156 x 235 x 24 mm
Greutate: 0.51 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Seria Contributions to the Study of Music and Dance

Locul publicării:New York, United States

Notă biografică

JOSEPH GROOCOCK was a Lecturer at Trinity College Dublin and at the Dublin Institute of Technology. An accomplished pianist and organist, conductor, and composer, Dr. Groocock died in 1997.YO TOMITA is a Reader in the School of Music at the Queen's University, Belfast.

Cuprins

Editorial PrefaceIntroductionFugal StyleAnswering a Fugue SubjectCountersubjectsThe ExpositionA Classification of the '48'Group 1: Fugues for Two VoicesGroup 2: Fugues for Three Voices without StrettoEpisodes (1)Group 3: Fugues for Three Voices with StrettoFugues for Four Voices (general)Group 4: Fugues for Four Voices without StrettoGroup 5: Fugues for Four Voices with StrettoGroup 6: Fugues with Countersubjects After the ExpositionGroup 7: Fugues with Subsidiary SubjectsGroup 8: Fugues for Five VoicesEpisodes (2)Tonality in the '48'ConclusionAppendix A: EpisodesAppendix B: ProportionsAnnotated BibliographyIndex