Emotion, Genre and Gender in Classical Antiquity
Autor Dana LaCourse Munteanuen Limba Engleză Paperback – 13 feb 2013
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Specificații
ISBN-13: 9781472504487
ISBN-10: 1472504488
Pagini: 280
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 1472504488
Pagini: 280
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Caracteristici
Asks to what degree do literary genres, philosophy and visual arts produce expectations for the arousal of certain emotions?
Notă biografică
Dana Munteanu is Assistant Professor of Classics, Ohio State University, USA. She is author of Tragic Pathos. Pity and Fear in Greek Philosophy and Tragedy (2012).
Cuprins
Acknowledgments List of Contributors Introduction: Emotion in Literature: Genre and Gender, Dana LaCourse Munteanu 1. Veiling Grief on the Tragic Stage, Douglas L. Cairns 2. Cowardice and Gender in the Iliad and Greek Tragedy, Jessica Wissmann 3. Women's Emotions in New Comedy, Dorota Dutsch and David Konstan 4. Comic Emotions: Shamelessness and Envy (Schadenfreude); Moderate Emotion, Dana LaCourse Munteanu 5. Helen as Vixen, Helen as Victim: Remorse and the Opacity of Female Desire, Laurel Fulkerson 6. Emotions in Ecphrasis and Art Criticism, Évelyne Prioux 7. One Wife, One Love: Coniugalis Amor, Grief and Masculinity in Statius' Silvae, Anna McCullough8. Absit Malignus Interpres: Martial's Preface to Book One of the Epigrams and the Construction of Audience Response, Peter J. Anderson 9. De Bello Civili 2.326-91: Cato Gets Married, Margaret Graver 10. Engendering Reception: Joseph Brodsky's 'Dido and Aeneas', Zara Martirosova Torlone Index
Descriere
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This tightly focused collection of essays by a distinguished group of scholars analyses the degree to which expressions of emotion in ancient literature and art become an 'artistic' rather than a 'social' construct. It will be of interest to all students and scholars of classical literature and gender studies.
This tightly focused collection of essays by a distinguished group of scholars analyses the degree to which expressions of emotion in ancient literature and art become an 'artistic' rather than a 'social' construct. It will be of interest to all students and scholars of classical literature and gender studies.