End-of-Art Philosophy in Hegel, Nietzsche and Danto
Autor Stephen Snyderen Limba Engleză Paperback – 28 noi 2019
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Specificații
ISBN-13: 9783030405069
ISBN-10: 3030405060
Dimensiuni: 155 x 235 mm
Greutate: 0.38 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3030405060
Dimensiuni: 155 x 235 mm
Greutate: 0.38 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Cuprins
Chapter
One:
The
End
of
Art
Debate.- Chapter
Two:
Hegel:
The
End
of
Art
as
Truth
Incarnate.-
Chapter
Three: The
Transformative
Power
of
Creativity
in
Nietzsche's
Saving
Illusion.-
Chapter
Four: Danto
and
the
End
of
Art:
Surrendering
to
Unintelligibility.-
Chapter
Five: Style
of
the
Future.-
Bibliography.-
Index
Recenzii
“The
book
under
review
brings
a
valuable
contribution
to
the
discussion
about
the
end
of
art,
grasping
it
from
an
interesting
point
of
view
which
provides
the
reader
with
an
original
insight
into
the
end-of-art
theories
of
three
significant
philosophers.”
(Šárka
Lojdová,
Estetika
-The
Central
European
Journal
of
Aesthetics,
Vol.
56
(2),
2019)
Notă biografică
Stephen
Snyder
is
Visiting
Assistant
Professor
of
Philosophy
at
Boğaziçi
University,
Istanbul,
Turkey
and
a
Fulbright
Fellow
at
Tbilisi
State
University,
Georgia. His
research
interests
are
in
the
philosophy
of
art
and
social
and
political
philosophy.
He
is
co-editor
ofNew
Perspectives
on
Distributive
Justice(2018).
Recent
essays
appear
inMichael
Walzer:Sphären
der
Gerechtigkeit.
Ein
kooperativer
Kommentar(2006), Philosophy
in
the
Contemporary
WorldandCountertext.
Textul de pe ultima copertă
This
book
examines
the
little
understood
end-of-art
theses
of
Hegel,
Nietzsche,
and
Danto.
The
end-of-art
claim
is
often
associated
with
the
end
of
a
certain
standard
of
taste
or
skill.
However,
at
a
deeper
level,
it
relates
to
a
transformation
in
how
we
philosophically
understand
our
relation
to
the
‘world’.
Hegel,
Nietzsche,
and
Danto
each
strive
philosophically
to
overcome
Cartesian
dualism,
redrawing
the
traditional
lines
between
mind
and
matter.
Hegel
sees
the
overcoming
of
the
material
in
the
ideal,
Nietzsche
levels
the
two
worlds
into
one,
and
Danto
divides
the
world
into
representing
and
non-representing
material.
These
attempts
to
overcome
dualism
necessitate
notions
of
the
self
that
differ
significantly
from
traditional
accounts;
the
redrawn
boundaries
show
that
art
and
philosophy
grasp
essential
but
different
aspects
of
human
existence.
Neither
perspective,
however,
fully
grasps
the
duality.
The
appearance
of
art’s
end
occurs
when
one
aspect
is
given
priority:
for
Hegel
and
Danto,
it
is
the
essentialist
lens
of
philosophy,
and,
in
Nietzsche’s
case,
the
transformative
power
of
artistic
creativity.
Thus,
the
book
makes
the
case
that
the
end-of-art
claim
is
avoided
if
a
theory
of
art
links
the
internal
practice
of
artistic
creation
to
all
of
art’s
historical
forms.
Caracteristici
Takes
an
original
comparative
approach
to
the
end-of-art
theories
of
some
of
philosophy's
most
renowned
figures
Offers
a
radical
new
understanding
of
Danto's
explosive
end-of-art
thesis
through
analysing
Habermas'
reaction
to
his
seminal
work
Provides
a
clear
theoretical
framework
to
account
for
changes
in
the
morphology
of
art
within
the
contemporary
art
world