Ghosts: Replacing Anxiety with Self-Belief: Studies in Macroeconomic History
Autor Henrik Ibsenen Limba Engleză Paperback – 27 noi 2012
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Specificații
ISBN-13: 9781481110921
ISBN-10: 1481110926
Pagini: 118
Dimensiuni: 152 x 229 x 6 mm
Greutate: 0.17 kg
Editura: CREATESPACE
Seria Studies in Macroeconomic History
ISBN-10: 1481110926
Pagini: 118
Dimensiuni: 152 x 229 x 6 mm
Greutate: 0.17 kg
Editura: CREATESPACE
Seria Studies in Macroeconomic History
Notă biografică
Henrik Johan Ibsen was a Norwegian writer and theatre director who lived from 20 March 1828 to 23 May 1906. He is credited with helping to build modernism in theatre. His best-known works are Rosmersholm, The Master Builder, Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Emperor and Galilean, and A Doll's House. In Skien, Norway, Henrik Johan Ibsen was born into a wealthy merchant family. His forefathers were mostly wealthy city merchants and shipowners or members of the Upper Telemark "aristocracy of officials." Ibsen quit school when he was fifteen. Henrik Wergeland and Peter Christen Asbjrnsen and Jrgen Moe's Norwegian folktales served as inspiration for him. Under the alias "Brynjolf Bjarme," he published his first play, Catilina (1850), but it was never staged. He would only make a few trips to Norway during the following 27 years, spending most of them in Germany and Italy.After suffering many strokes, Ibsen passed away at his house at Arbins gade 1 in Kristiania (now Oslo) in March 1900. He was laid to rest at Oslo's Vr Frelsers Gravlund, often known as "The Graveyard of Our Savior." Ibsen exclaimed "On the contrary" ("Tvertimod!") as his final words before passing away.
Caracteristici
'Devastating and masterful . . . What strikes one in Amelia Bullmore's new translation is the sheer intensity of the piece and the masterly nature of its construction . . .every line earns its place, and the narrative is unravelled with exemplary skill' Five stars Daily Telegraph
Descriere
Descriere de la o altă ediție sau format:
A play of stinging contemporaneity-about religious and societal hypocrisy, guilt that feeds on innocence, the terror of the inevitable, and the battle between truth and darkness, freedom and constraint. Plays for Performance Series.
A play of stinging contemporaneity-about religious and societal hypocrisy, guilt that feeds on innocence, the terror of the inevitable, and the battle between truth and darkness, freedom and constraint. Plays for Performance Series.
Recenzii
'Ghosts is a forboding litany of sins past which unravel to lay bare a series of creeping consequences that damn everyone involved, unwittingly or not.'
'Ibsen has the extraordinary capacity for building up tension like the force of water gathering behind a fracturing dyke. When the walls finally break, the ensuing flood is irresistible.'
'Ibsen's most notable foray into the nature/nurture debate'
'When Ibsen's 1881 drama was first staged, the play didn't just tread on one taboo, it bravely waded through a messy bog of them.'
'Ibsen has the extraordinary capacity for building up tension like the force of water gathering behind a fracturing dyke. When the walls finally break, the ensuing flood is irresistible.'
'Ibsen's most notable foray into the nature/nurture debate'
'When Ibsen's 1881 drama was first staged, the play didn't just tread on one taboo, it bravely waded through a messy bog of them.'