Heavy Metal Music, Texts, and Nationhood: (Re)sounding Whiteness: Leisure Studies in a Global Era
Autor Catherine Hoaden Limba Engleză Paperback – 27 oct 2022
Utilizing critical discourse analysis and critical textual analysis of musical texts, promotional material, and participant-based observation ethnographies, it explores how the texts, discourses, and practices produced and articulated by metal scene members and scholars alike have presented heavy metal as a white, masculine pastime, yet also considers the vital work done by scene members to confront expressions of exclusory misogyny and racism when they emerge in metal scenes.
The book will be of interest to researchers and scholars in the fields of metal music studies, leisure studies, sociology of culture and sociology of racism.
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Specificații
ISBN-13: 9783030676216
ISBN-10: 3030676218
Pagini: 260
Ilustrații: VII, 260 p. 1 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.36 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Leisure Studies in a Global Era
Locul publicării:Cham, Switzerland
ISBN-10: 3030676218
Pagini: 260
Ilustrații: VII, 260 p. 1 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.36 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Leisure Studies in a Global Era
Locul publicării:Cham, Switzerland
Cuprins
1.Introduction.- 2. Sound of White Noise.- 3.Norwegian black and Viking metal scenes.- 4.Territories of Whiteness in Afrikaans metal.- 5. Normophilic Whiteness and Banal Nationalism in Australian extreme metal.- 6.(Re)sounding, (re)sealing: Translocal Terrains of Whiteness across Norway, South Africa and Australia.- 7.Conclusion: Beyond the Pale.
Notă biografică
Catherine Hoad is Senior Lecturer in Critical Popular Music Studies, Massey University, Wellington, New Zealand.
Textul de pe ultima copertă
This book addresses how whiteness is represented in heavy metal scenes and practices, both as a site of academic inquiry and force of cultural significance. The author argues that whiteness, and more specifically white masculinity, has been given normative value which obscures the contributions of women and people of colour, and affirms the exclusory understandings of ‘belonging’ which have featured in the metal scenes of Norway, South Africa, and Australia.
Utilizing critical discourse analysis and critical textual analysis of musical texts, promotional material, and participant-based observation ethnographies, it explores how the texts, discourses, and practices produced and articulated by metal scene members and scholars alike have presented heavy metal as a white, masculine pastime, yet also considers the vital work done by scene members to confront expressions of exclusory misogyny and racism when they emerge in metal scenes.
The book will be of interest to researchers and scholars in the fields of metal music studies, leisure studies, sociology of culture and sociology of racism.
Catherine Hoad is Senior Lecturer in Critical Popular Music Studies, Massey University, Wellington, New Zealand.
Caracteristici
Offers a sustained critical interrogation of the whiteness of metal scenes, cultures, and practices Analyses the significance of whiteness and its textual formations in Norway, South Africa and Australia Examines how literature within the field of Metal Music Studies perpetuates metal as inherently white and masculine