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Hedda Gabler de Henrik Ibsen

Hedda Gabler: Modern Plays

Autor Henrik Ibsen Traducere de Michael Meyer
en Limba Engleză Paperback – 11 iul 2001
The play was intended as a tragedy on the purposeless of life imposed on the women of his time, both by their upbringing and by the social conventions which limited their activities. When it was first produced it met with misunderstanding and abuse. It has nevertheless become one of the most popular of Ibsen's plays.
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Specificații

ISBN-13: 9780413326706
ISBN-10: 0413326705
Pagini: 128
Dimensiuni: 129 x 198 x 8 mm
Greutate: 0.1 kg
Ediția:Revizuită
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays

Locul publicării:London, United Kingdom

Descriere

The play was intended as a tragedy on the purposeless of life imposed on the women of his time, both by their upbringing and by the social conventions which limited their activitie When it was first produced it met with misunderstanding and abuse.

Notă biografică

Born in Norway in 1828, Henrik Ibsen began his writing career with romantic history plays influenced by Shakespeare and Schiller. In 1851 he was appointed writer-in-residence at the newly established Norwegian Theatre in Bergen with a contract to write a play a year for five years, following which he was made Artistic Director of the Norwegian Theatre in what is now Oslo. In the 1860s he moved abroad to concentrate wholly on writing. He began with two mighty verse dramas, Brand and Peer Gynt, and in the 1870s and 1880s wrote the sequence of realistic ‘problem’ plays for which he is best known, among them A Doll’s House, Ghosts, An Enemy of the People, Hedda Gabler and Rosmersholm. His last four plays, The Master Builder, Little Eyolf, John Gabriel Borkman and When We Dead Awaken, dating from his return to Norway in the 1890s, are increasingly overlaid with symbolism. Illness forced him to retire in 1900, and he died in 1906 after a series of crippling strokes.

Mark O'Rowe is an Irish playwright whose plays include Howie the Rookie (Bush Theatre, London, 1999), From Both Hips (Fishamble, 1997), Made in China (Abbey Theatre, Dublin, 2001), Crestfall (Gate Theatre, Dublin, 2003), Terminus (Abbey Theatre, 2007) and Our Few and Evil Days (Abbey Theatre, 2014). His screenplays include Broken (2012), based on the novel by Daniel Clay, Perrier’s Bounty (2009), Boy A (2007), based on the novel by Jonathan Trigell, and Intermission (2004).

Caracteristici

A Student Edition featuring a scene-by-scene summary, a commentary on the dramatic, social and political context, and on the themes, characters, language and structure of the play.

Cuprins

ChronologyCOMMENTARYCultural and Theatrical ContextsTheatrical StyleThemesCharacterisationSettingTranslationPerformance HistoryScholarly and Popular DebateFurther reading and viewingHEDDA GABLERNotes

Recenzii

The production of an Ibsen play impels the inquiry, What is the province of art? If it be to elevate and refine, as we have hitherto humbly supposed, most certainly it cannot be said that the works of Ibsen have the faintest claim to be artistic. We see no ground on which his method is defensible...Things rank and gross in nature alone have place in the mean and sordid philosophy of Ibsen.