Hedda Gabler: NHB Classic Plays
Autor Henrik Ibsen Adaptat de Mark O'Roween Limba Engleză Paperback – 24 mai 2016
Mark O'Rowe's fluid yet faithful adaptation of Ibsen's masterpiece premiered at the Abbey Theatre, Dublin, in April 2015. A wife, a muse, a coward, a heretic—Hedda Gabler is something to everyone, yet has no idea who she is to herself. Trapped by convention and by her own irreconcilable nature, will she have the courage to shape her own destiny?
Din seria NHB Classic Plays
- Preț: 72.84 lei
- Preț: 65.33 lei
- Preț: 72.12 lei
- Preț: 67.56 lei
- Preț: 154.50 lei
- Preț: 52.61 lei
- Preț: 66.21 lei
- Preț: 62.03 lei
- Preț: 66.21 lei
- Preț: 72.59 lei
- Preț: 80.88 lei
- Preț: 80.61 lei
- Preț: 69.67 lei
- Preț: 74.26 lei
- Preț: 68.15 lei
- Preț: 68.46 lei
- Preț: 68.40 lei
- Preț: 74.17 lei
- Preț: 85.43 lei
- Preț: 64.70 lei
- Preț: 72.59 lei
- Preț: 66.21 lei
- Preț: 85.43 lei
- Preț: 66.21 lei
- Preț: 65.11 lei
- Preț: 72.75 lei
- Preț: 58.88 lei
- Preț: 68.52 lei
- Preț: 74.29 lei
- Preț: 68.05 lei
- Preț: 75.09 lei
- Preț: 72.59 lei
- Preț: 98.92 lei
- Preț: 72.27 lei
- Preț: 65.76 lei
- Preț: 72.05 lei
Preț: 67.10 lei
Nou
Puncte Express: 101
Preț estimativ în valută:
12.84€ • 13.34$ • 10.67£
12.84€ • 13.34$ • 10.67£
Carte disponibilă
Livrare economică 13-27 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781848424876
ISBN-10: 1848424876
Pagini: 160
Dimensiuni: 127 x 197 x 15 mm
Greutate: 0.18 kg
Editura: Theatre Communications Group
Colecția Nick Hern Books
Seria NHB Classic Plays
Locul publicării:United Kingdom
ISBN-10: 1848424876
Pagini: 160
Dimensiuni: 127 x 197 x 15 mm
Greutate: 0.18 kg
Editura: Theatre Communications Group
Colecția Nick Hern Books
Seria NHB Classic Plays
Locul publicării:United Kingdom
Notă biografică
Born in Norway in 1828, Henrik Ibsen began his writing career with romantic history plays influenced by Shakespeare and Schiller. In 1851 he was appointed writer-in-residence at the newly established Norwegian Theatre in Bergen with a contract to write a play a year for five years, following which he was made Artistic Director of the Norwegian Theatre in what is now Oslo. In the 1860s he moved abroad to concentrate wholly on writing. He began with two mighty verse dramas, Brand and Peer Gynt, and in the 1870s and 1880s wrote the sequence of realistic ‘problem’ plays for which he is best known, among them A Doll’s House, Ghosts, An Enemy of the People, Hedda Gabler and Rosmersholm. His last four plays, The Master Builder, Little Eyolf, John Gabriel Borkman and When We Dead Awaken, dating from his return to Norway in the 1890s, are increasingly overlaid with symbolism. Illness forced him to retire in 1900, and he died in 1906 after a series of crippling strokes.
Mark O'Rowe is an Irish playwright whose plays include Howie the Rookie (Bush Theatre, London, 1999), From Both Hips (Fishamble, 1997), Made in China (Abbey Theatre, Dublin, 2001), Crestfall (Gate Theatre, Dublin, 2003), Terminus (Abbey Theatre, 2007) and Our Few and Evil Days (Abbey Theatre, 2014). His screenplays include Broken (2012), based on the novel by Daniel Clay, Perrier’s Bounty (2009), Boy A (2007), based on the novel by Jonathan Trigell, and Intermission (2004).
Mark O'Rowe is an Irish playwright whose plays include Howie the Rookie (Bush Theatre, London, 1999), From Both Hips (Fishamble, 1997), Made in China (Abbey Theatre, Dublin, 2001), Crestfall (Gate Theatre, Dublin, 2003), Terminus (Abbey Theatre, 2007) and Our Few and Evil Days (Abbey Theatre, 2014). His screenplays include Broken (2012), based on the novel by Daniel Clay, Perrier’s Bounty (2009), Boy A (2007), based on the novel by Jonathan Trigell, and Intermission (2004).
Descriere
Mark O’Rowe's fluid yet faithful adaptation of Ibsen's masterpiece premiered at the Abbey Theatre, Dublin, in April 2015.
Caracteristici
A Student Edition featuring a scene-by-scene summary, a commentary on the dramatic, social and political context, and on the themes, characters, language and structure of the play.
Cuprins
ChronologyCOMMENTARYCultural and Theatrical ContextsTheatrical StyleThemesCharacterisationSettingTranslationPerformance HistoryScholarly and Popular DebateFurther reading and viewingHEDDA GABLERNotes
Recenzii
The production of an Ibsen play impels the inquiry, What is the province of art? If it be to elevate and refine, as we have hitherto humbly supposed, most certainly it cannot be said that the works of Ibsen have the faintest claim to be artistic. We see no ground on which his method is defensible...Things rank and gross in nature alone have place in the mean and sordid philosophy of Ibsen.