Ingardeniana III: Roman Ingarden’s Aesthetics in a New Key and the Independent Approaches of Others: The Performing Arts, the Fine Arts, and Literature: Analecta Husserliana, cartea 33

I Aesthetics of the Performing Arts: Different Phenomenological Perspectives.- The Theory of Drama and Theatre: A Continuing Investigation of the Aesthetics of Roman Ingarden.- On the Sign Character of the Representing Stratum in a Film as Work of Art.- II Roman Ingarden: Some new Developments in his Scholarship.- The Temporal Composition of the Literary Work of Art and the Reader’s Aesthetic Temporality.- The Mystery of Time in Roman Ingarden’s Philosophy.- Thomas de Quincey and Roman Ingarden: The Phenomenology of the “Literature of Power”.- On Translations (Tr. by Jolanta Wawrzycka).- III Around the ‘Passions of the Soul’.- Grand Passions of Humble Folk: “Woyzeck” and “The Jews’ Beech”.- The Enigma of Interpretation in Chagall’s Disposition of Space.- Erotic Modes of Discourse: The Union of Mythos and Dialectic in Plato’s Phaedrus.- The Man of Genius as Artist — Suffering and World Conscience.- The Erotic Phenomenology in Kierkegaard’s Mozart.- The Agamemnon: A Drama of the Passions.- Narrative Time as Interpretation of Human Existence: “Valence” in the Present of The Ambassadors.- IV Philosophical Views Reflected in Literature.- Le langage de la création esthétique dans la phenomenology.- Unity in Vedic Aesthetics: The Self-Interacting Dynamics of the Knower, the Known, and the Process of Knowing.- An Approach to the Structure of the Japanese Elegy, in the Case of Yamanouë No Okura, a Representative Poet of Mannyoshu (The First Collection of Japanese Poetry).- Fantastic Phenomenology.- Philosophic Filaments in Literature in English: Wordsworth to Pound.- Index of Names.