Korean Musical Drama: P'ansori and the Making of Tradition in Modernity: SOAS Studies in Music
Autor Haekyung Umen Limba Engleză Hardback – 23 dec 2013
Toate formatele și edițiile | Preț | Express |
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Paperback (1) | 335.45 lei 6-8 săpt. | |
Taylor & Francis – 3 oct 2016 | 335.45 lei 6-8 săpt. | |
Hardback (1) | 873.77 lei 6-8 săpt. | |
Taylor & Francis – 23 dec 2013 | 873.77 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780754662761
ISBN-10: 0754662764
Pagini: 272
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.64 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Seria SOAS Studies in Music
Locul publicării:Oxford, United Kingdom
ISBN-10: 0754662764
Pagini: 272
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.64 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Seria SOAS Studies in Music
Locul publicării:Oxford, United Kingdom
Notă biografică
Haekyung Um is Lecturer in Music and a member of the Institute of Popular Music at the University of Liverpool. She specialises in the Asian performing arts, focusing on Korea and its diasporas. Her current research includes the global reception of Asian popular culture and Indian classical music in Britain.
Recenzii
’This book goes further than any previous publication in elucidating the literary and musical complexity of p’ansori for the English speaking reader. ... the most comprehensive English language study of p’ansori to date, and Um can justly state that ’all the major musical, social and cultural aspects of p’ansori are brought together in this book’. ... It is, in fact, the first ethnomusicological book on p’ansori, and presents a searching analysis of communicative codes and contexts in a musico-literary genre that is ’arguably the most studied single genre in the field of Korean studies’.’ Music and Letters ’...this is a thoughtful and carefully crafted monograph that will be viewed as the essential English-language reference work on p’ansori for many years to come.’ Ethnomusicology Ireland
Cuprins
Introduction; Chapter 1 Performance; Chapter 2 Origins and Histories; Chapter 3 Text and Music; Chapter 4 Schools and Styles; Chapter 5 Individual Styles; Chapter 6 Aesthetics; Chapter 7 P’ansori in Diaspora; Chapter 8 New P’ansori; conclusion Conclusion: Making P’ansori;
Descriere
P’ansori is the quintessential traditional Korean musical drama, in which epic tales are sung and narrated by a solo singer accompanied by a drummer. Drawing on her extensive research in Korea and its diasporas, Haekyung Um describes and analyses the creative processes of p’ansori, weaving into her discussion musical, social and cultural aspects that include the evolution of p’ansori performance, origins and historical development, textual and musical materials, stylistic features of different p’ansori schools, transmission of knowledge, aesthetics, and changing interpretations of tradition.