Literary Impressionism: Vision and Memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair: Historicizing Modernism
Autor Dr Rebecca Bowleren Limba Engleză Paperback – 21 mar 2018
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Specificații
ISBN-10: 1350063916
Pagini: 256
Dimensiuni: 156 x 234 x 17 mm
Greutate: 0.36 kg
Ediția:NIPPOD
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Historicizing Modernism
Locul publicării:London, United Kingdom
Caracteristici
Notă biografică
Rebecca Bowler is Lecturer in Twentieth Century English Literature at Keele University, UK and was Research Associate on the Dorothy Richardson Scholarly Editions Project. She is co-founder of the May Sinclair Society.
Cuprins
1. Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Fordi. 'The Thing Perceived and Herself Perceiving': The Double Impressionii. Representing the Unrepresentable I: Ford Madox Ford's Parade's Endiii. Representing the Unrepresentable II: Dorothy Richardson's 'Golden Light'2. Visual Metaphors: Dorothy Richardson and H.D.i. Paintings, Photographs and Sculptural Form in Dorothy Richardson and H.D.ii. Weaving Cinematic Form: H.D. and Dorothy Richardson3. Coming to Writing: Dorothy Richardson and May Sinclair4. Memory and VisionBibliographyIndex
Recenzii
Descriere
With its new innovations in the visual arts, cinema and photography as well as the sciences of memory and perception, the early twentieth century saw a crisis in the relationship between what was seen and what was known. Literary Impressionism charts that modernist crisis of vision and the way that literary impressionists such as Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair used new concepts of memory in order to bridge the gap between perception and representation.Exploring the fiction of these four major writers as well as their journalism, manifesto writings, letters and diaries from the archives, Rebecca Bowler charts the progression of modernism's literary aesthetics and the changing role of memory within it.