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Literary Impressionism: Vision and Memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair: Historicizing Modernism

Autor Dr Rebecca Bowler
en Limba Engleză Paperback – 21 mar 2018
With its new innovations in the visual arts, cinema and photography as well as the sciences of memory and perception, the early twentieth century saw a crisis in the relationship between what was seen and what was known.Literary Impressionismcharts that modernist crisis of vision and the way that literary impressionists such as Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair used new concepts of memory in order to bridge the gap between perception and representation.Exploring the fiction of these four major writers as well as their journalism, manifesto writings, letters and diaries from the archives, Rebecca Bowler charts the progression of modernism's literary aesthetics and the changing role of memory within it.
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Specificații

ISBN-13: 9781350063914
ISBN-10: 1350063916
Pagini: 256
Dimensiuni: 156 x 234 x 17 mm
Greutate: 0.36 kg
Ediția:NIPPOD
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Historicizing Modernism

Locul publicării:London, United Kingdom

Caracteristici

Draws extensively on unpublished archival material, including letters and diaries, manifesto statements and journalism

Notă biografică

Rebecca Bowler is Lecturer in Twentieth Century English Literature at Keele University, UK and was Research Associate on the Dorothy Richardson Scholarly Editions Project. She is co-founder of the May Sinclair Society.


Cuprins

1. Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Fordi. 'The Thing Perceived and Herself Perceiving': The Double Impressionii. Representing the Unrepresentable I: Ford Madox Ford's Parade's Endiii. Representing the Unrepresentable II: Dorothy Richardson's 'Golden Light'2. Visual Metaphors: Dorothy Richardson and H.D.i. Paintings, Photographs and Sculptural Form in Dorothy Richardson and H.D.ii. Weaving Cinematic Form: H.D. and Dorothy Richardson3. Coming to Writing: Dorothy Richardson and May Sinclair4. Memory and VisionBibliographyIndex


Recenzii

Subtle and compelling ... [Bowler] lists a striking range of writers described by recent criticism as impressionist ... [and] shows superbly how all her writers, like Proust, need temporal distance from their experience in order to experience it fully.

Descriere

With its new innovations in the visual arts, cinema and photography as well as the sciences of memory and perception, the early twentieth century saw a crisis in the relationship between what was seen and what was known. Literary Impressionism charts that modernist crisis of vision and the way that literary impressionists such as Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair used new concepts of memory in order to bridge the gap between perception and representation.Exploring the fiction of these four major writers as well as their journalism, manifesto writings, letters and diaries from the archives, Rebecca Bowler charts the progression of modernism's literary aesthetics and the changing role of memory within it.