Reframing Yeats: Genre, Allusion and History: Historicizing Modernism
Autor Charles I. Armstrongen Limba Engleză Paperback – 25 feb 2015
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Paperback (1) | 255.73 lei 6-8 săpt. | |
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Specificații
ISBN-13: 9781474222853
ISBN-10: 1474222854
Pagini: 224
Ilustrații: black & white illustrations
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Historicizing Modernism
Locul publicării:London, United Kingdom
ISBN-10: 1474222854
Pagini: 224
Ilustrații: black & white illustrations
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Historicizing Modernism
Locul publicării:London, United Kingdom
Caracteristici
An overview of Yeats's literary output as well as the existing debates surrounding his writings.
Notă biografică
Charles Ivan Armstrong is Professor of British Literature, University of Agder, Norway.
Cuprins
Series Preface \ Acknowledgements \ List of Abbreviations \1. Introduction 'Ancient Salt' \ 2. Yeats at Breakfast \ 3. Patterns of Biography \ 4. Autobiographical Reverie \ 5. Ancient Frames in A Vision \ 6. Disputing The Resurrection\ 7. Tragic Modulations \ 8. Vox Populi \ 9. Ekphrasis and Excess \ 10. Shakespeare, Sonnets and Sonnetic Monstrosities \ 11. Coda: Yeats and the Transcendence of Genre \ Notes \ Bibliography \ Index
Recenzii
[Reframing Yeats is] an intellectually nuanced, theoretically contextualized study of Yeats's multifaceted engagements with literary genres and previous authors ... both illuminating and highly accomplished.
[Reframing Yeats] avoids the monolithic works that tend to prop up other critical books on Yeats ... Armstrong is good on the topic of vox populi, Yeats's complex engagement with his reading and spectating public, arguing that 'Despite being fascinated by the fixity and quasi-autonomous power of the written word, Yeats had little time for those who saw poetry as something created autonomously out of the subjectivity of the poet'.
[Reframing Yeats] avoids the monolithic works that tend to prop up other critical books on Yeats ... Armstrong is good on the topic of vox populi, Yeats's complex engagement with his reading and spectating public, arguing that 'Despite being fascinated by the fixity and quasi-autonomous power of the written word, Yeats had little time for those who saw poetry as something created autonomously out of the subjectivity of the poet'.