The Late Cantos of Ezra Pound: Composition, Revision, Publication: Historicizing Modernism
Autor Dr Michael Kindellanen Limba Engleză Paperback – 17 apr 2019
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 231.01 lei 6-8 săpt. | |
Bloomsbury Publishing – 17 apr 2019 | 231.01 lei 6-8 săpt. | |
Hardback (1) | 712.51 lei 6-8 săpt. | |
Bloomsbury Publishing – 18 oct 2017 | 712.51 lei 6-8 săpt. |
Din seria Historicizing Modernism
- 31% Preț: 506.61 lei
- 30% Preț: 598.66 lei
- 31% Preț: 596.59 lei
- 31% Preț: 711.30 lei
- 13% Preț: 236.45 lei
- 22% Preț: 257.57 lei
- 14% Preț: 254.28 lei
- 22% Preț: 772.58 lei
- 23% Preț: 256.18 lei
- 23% Preț: 255.82 lei
- 14% Preț: 227.52 lei
- 13% Preț: 256.47 lei
- 14% Preț: 254.64 lei
- 23% Preț: 257.09 lei
- 14% Preț: 254.81 lei
- 31% Preț: 712.44 lei
- 13% Preț: 256.91 lei
- 31% Preț: 653.44 lei
- Preț: 257.57 lei
- 13% Preț: 256.91 lei
- 23% Preț: 256.91 lei
- 13% Preț: 255.55 lei
- 31% Preț: 712.94 lei
- 27% Preț: 216.51 lei
- 22% Preț: 257.74 lei
- 13% Preț: 255.64 lei
- Preț: 236.37 lei
- 23% Preț: 234.91 lei
- 13% Preț: 255.64 lei
Preț: 231.01 lei
Preț vechi: 297.90 lei
-22% Nou
Puncte Express: 347
Preț estimativ în valută:
44.21€ • 46.50$ • 36.83£
44.21€ • 46.50$ • 36.83£
Carte tipărită la comandă
Livrare economică 03-17 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781350107236
ISBN-10: 1350107239
Pagini: 296
Ilustrații: 16 b/w illustrations
Dimensiuni: 156 x 234 x 14 mm
Greutate: 0.42 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Historicizing Modernism
Locul publicării:London, United Kingdom
ISBN-10: 1350107239
Pagini: 296
Ilustrații: 16 b/w illustrations
Dimensiuni: 156 x 234 x 14 mm
Greutate: 0.42 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Historicizing Modernism
Locul publicării:London, United Kingdom
Caracteristici
Explores the composition, manuscript and publication history of Pound's difficult later Cantos
Notă biografică
Michael Kindellan is a Vice Chancellor's Fellow at the University of Sheffield, UK
Cuprins
Series Editors' PrefacePrefaceAcknowledgmentsAbbreviationsList of FiguresNote on the Text1. "I have always loathed reading": Pound and Philology2. "To copy and amplify": Section: Rock-Drill3. "No, that is not textual": Thrones4. "Or true editions?"BibliographyIndex of (Published) Works by PoundIndex of Names
Recenzii
Michael Kindellan's excellent new book makes an argument, not about what we can do with Pound's late poetry, but about what Pound wanted us to do . Kindellan explores the archive specifically in order to show that, for Pound, the author's intention was paramount, and that the late cantos are written in such a way as to cancel the freedoms of interpretation . Whatever Ezra Pound's readers do, those who write about his late cantos now need to read Michael Kindellan's impressive new study.
With this intelligent, incisive book on the "material history" of these texts, Kindellan restores philology to a central place among the critical methodologies necessary to the reception of Pound's work. Summing Up: Highly recommended.
Kindellan's elegant and substantial study offers no less than a new and rewarding way of reading Pound, which will be invaluable to students of modern poetry.
Michael Kindellan's book is a rich and deeply researched account ... We owe a debt of gratitude to Kindellan for dedicating a book-length study to [the Cantos].
Michael Kindellan's study is a brilliant account of a fascinating story ... A milestone in the long story of Pound studies ... Unusually well-written, so that there is hardly a page that does not provide a perceptive comment or quotation ...What [Kindellan] has accomplished is no less than a change of paradigm. This substantial book has reminded me of the simple and welcome fact that reading in (and about) Pound can be fun.
This is a very valuable book, a real contribution to Pound studies covering an epoch of his work that still remains relatively unexplored.
This is a very valuable book, a real contribution to Pound studies covering an epoch of his work that still remains relatively unexplored: Rock-Drill and Thrones, [and the] Cantos 85-109. Kindellan proposes to read these poem "quasi-archaeologically"-"looking into their stages of development, from first inception to final published version(s) and to extrapolate therefrom new understandings about the processes and procedures that governed Pound's writing". In a striking phrase (one of many throughout the book) he writes, "Pound's texts are unstable not because he was unsure about his meanings; they were unstable because he was sure". To read Pound properly, he concludes, "we have to allow his misconceptions to unfold according to the logic of their errancy" (46); that is, we have to accept them-it's pointless to contest them. I could go on about the many virtues of The Late Cantos. The book is written in a lively way and I predict it will become essential for all of us working on Rock-Drill and Thrones.
With this intelligent, incisive book on the "material history" of these texts, Kindellan restores philology to a central place among the critical methodologies necessary to the reception of Pound's work. Summing Up: Highly recommended.
Kindellan's elegant and substantial study offers no less than a new and rewarding way of reading Pound, which will be invaluable to students of modern poetry.
Michael Kindellan's book is a rich and deeply researched account ... We owe a debt of gratitude to Kindellan for dedicating a book-length study to [the Cantos].
Michael Kindellan's study is a brilliant account of a fascinating story ... A milestone in the long story of Pound studies ... Unusually well-written, so that there is hardly a page that does not provide a perceptive comment or quotation ...What [Kindellan] has accomplished is no less than a change of paradigm. This substantial book has reminded me of the simple and welcome fact that reading in (and about) Pound can be fun.
This is a very valuable book, a real contribution to Pound studies covering an epoch of his work that still remains relatively unexplored.
This is a very valuable book, a real contribution to Pound studies covering an epoch of his work that still remains relatively unexplored: Rock-Drill and Thrones, [and the] Cantos 85-109. Kindellan proposes to read these poem "quasi-archaeologically"-"looking into their stages of development, from first inception to final published version(s) and to extrapolate therefrom new understandings about the processes and procedures that governed Pound's writing". In a striking phrase (one of many throughout the book) he writes, "Pound's texts are unstable not because he was unsure about his meanings; they were unstable because he was sure". To read Pound properly, he concludes, "we have to allow his misconceptions to unfold according to the logic of their errancy" (46); that is, we have to accept them-it's pointless to contest them. I could go on about the many virtues of The Late Cantos. The book is written in a lively way and I predict it will become essential for all of us working on Rock-Drill and Thrones.