Martin Luther and the Arts: Music, Images, and Drama to Promote the Reformation: Studies in Medieval and Reformation Traditions, cartea 236
Autor Andreas Loewe, Katherine Firthen Limba Engleză Hardback – 23 noi 2022
Extensively based on German and English sources, including often neglected aspects of Luther’s own writings, Loewe and Firth offer a valuable survey for theologians, historians, art historians, musicologists and literary studies scholars interested in interdisciplinary comparisons of Luther’s work across the arts.
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Specificații
ISBN-13: 9789004527423
ISBN-10: 9004527427
Pagini: 294
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Studies in Medieval and Reformation Traditions
ISBN-10: 9004527427
Pagini: 294
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Studies in Medieval and Reformation Traditions
Notă biografică
Andreas Loewe, Ph.D (Cantab, 2001), is Dean of Melbourne, and Fellow of the Conservatorium of Music, the University of Melbourne. Publications include Johann Sebastian Bach’s St John Passion (Brill, 2014) and Richard Smyth and the Language of Orthodoxy (Brill, 2003).
Katherine Firth, Ph.D. (Oxford Brookes, 2009), manages the academic programs at International House, the University of Melbourne. Recent publications include Your PhD Survival Guide (Routledge, 2021) and How to Fix your Academic Writing Trouble (Open UP, 2018).
Katherine Firth, Ph.D. (Oxford Brookes, 2009), manages the academic programs at International House, the University of Melbourne. Recent publications include Your PhD Survival Guide (Routledge, 2021) and How to Fix your Academic Writing Trouble (Open UP, 2018).
Cuprins
Acknowledgements
List of Illustrations
Abbreviations
Introduction
1 Structure and Scope of This Book
1 Luther’s Theory of Music
1 Music among the Seven Liberal Arts
2 Sources for Luther’s Theory of Music
3 Luther’s Theory of Music
4 The Origins of Music
5 Music as a ‘Habitus’ and Model of Goodness and Praise
2 Hymns and Sacred Songs
1 Singing, Preaching, and Praising God through Music
2 Lutherans, Music, and the Reformation
3 Lutheran Music in the Second Half of the Sixteenth Century
4 Lutheran ‘Kantoreien’ as Instruments of Reform
3 Martin Luther’s ‘Mighty Fortress’
1 Genesis and Dissemination
2 Reception from 1600 to 1945
3 A Hymn of Confidence in God’s Eternal Salvation
4 Martin Luther on Images
1 Radical Reforms in Wittenberg
2 Luther’s Understanding of Images
3 Reading ‘Law and Grace’: A Composite ‘Merkbild’ (Image of Remembrance)
5 Teaching the Reformation to Read Images of Hate
1 Luther’s Adversarial Images
2 Later Reception of Luther’s Anti-Semitic Polemic
6 Luther and Drama
1 Martin Luther and Popular Pre-Reformation Drama
2 Luther’s Objections to Popular Drama and Ceremonies
3 Lutheran Biblical Drama
4 Joachim Greff and Popular Drama
5 Dramatising the Bible
6 Towards a Protestant Dramatisation of the Passion
7 Performing the Passion and Resurrection
8 In Defence of Passion Drama
9 A Matter of Church Polity
Conclusion
Appendix 1: Luther’s Prefaces to the ‘Symphoniae Iucundae’
Appendix 2: Comparing ‘Law and Grace’ (1529–1550)
Bibliography
Index
List of Illustrations
Abbreviations
Introduction
1 Structure and Scope of This Book
1 Luther’s Theory of Music
1 Music among the Seven Liberal Arts
2 Sources for Luther’s Theory of Music
3 Luther’s Theory of Music
4 The Origins of Music
5 Music as a ‘Habitus’ and Model of Goodness and Praise
2 Hymns and Sacred Songs
1 Singing, Preaching, and Praising God through Music
2 Lutherans, Music, and the Reformation
3 Lutheran Music in the Second Half of the Sixteenth Century
4 Lutheran ‘Kantoreien’ as Instruments of Reform
3 Martin Luther’s ‘Mighty Fortress’
1 Genesis and Dissemination
2 Reception from 1600 to 1945
3 A Hymn of Confidence in God’s Eternal Salvation
4 Martin Luther on Images
1 Radical Reforms in Wittenberg
2 Luther’s Understanding of Images
3 Reading ‘Law and Grace’: A Composite ‘Merkbild’ (Image of Remembrance)
5 Teaching the Reformation to Read Images of Hate
1 Luther’s Adversarial Images
2 Later Reception of Luther’s Anti-Semitic Polemic
6 Luther and Drama
1 Martin Luther and Popular Pre-Reformation Drama
2 Luther’s Objections to Popular Drama and Ceremonies
3 Lutheran Biblical Drama
4 Joachim Greff and Popular Drama
5 Dramatising the Bible
6 Towards a Protestant Dramatisation of the Passion
7 Performing the Passion and Resurrection
8 In Defence of Passion Drama
9 A Matter of Church Polity
Conclusion
Appendix 1: Luther’s Prefaces to the ‘Symphoniae Iucundae’
Appendix 2: Comparing ‘Law and Grace’ (1529–1550)
Bibliography
Index